Elíseos Lyrics (English Translation) – Delaossa & Cruz Cafuné

Elíseos Lyrics (English Translation) by Delaossa & Cruz Cafuné is a new English song by Delaossa & Cruz Cafuné, released on DELAOSSA’s official YouTube channel. Written by Delaossa, Cruz Cafuné & Bigla The Kid, the song is produced by Bigla The Kid and is part of the album La Madrugá. With a blend of introspection and boastful lyricism, Elíseos delivers a reflective yet confident narrative, exploring the complexities of fame, success, and personal struggles. Released on March 20, 2025, the track features a rich combination of poetic storytelling and streetwise realism, solidifying both artists’ places in contemporary rap.

Elíseos delves into the duality of success—how wealth and recognition come with disillusionment and personal battles. Delaossa and Cruz Cafuné present contrasting yet complementary perspectives, balancing sharp social commentary with personal reflections. The song touches on themes of materialism, self-worth, and the price of ambition, set against a backdrop of luxury and high-status living. Both artists critique the illusions surrounding fame, highlighting the emptiness behind extravagant lifestyles while asserting their dominance in the industry.

Elíseos Details

Elíseos (English Translation) Lyrics

[Intro]
Bigla The Kid

[Verse 1: Delaossa]
My success is relative, my influence undeniable
Ask on the street, bitch, I’ve become untouchable
I haven’t lost my passion, nor have I lost my hunger
I’ve met many famous people and, man, they’re a fraud
They throw me the bad and I blow them kisses
For me, they’re no good reason
I love them and that’s why I’m leaving them
They’re truly my son even if they come out naughty, yeah
We snuck into the industry like Yeyo
On the nose of a rich girl and without being a drug dealer
I wear the word ‘God’, I’m missing the Roman collar
Every day sexier, every day more beautiful, every day richer
I knew exactly where to focus and I don’t get distracted
I don’t add, I multiply
That’s why, kid, I bring drugs, he looks for me UDYCO
I’m the king, I’m not abdicating (For real)
I ​​want the checks, the wads, the zeros, the euro, and the bills (Really)
A fortune seeker, motherfucker, I’m a gold digger
I’m a fucking machine and a ticket seller
I can be many things, but never you, God forbid
Scrambled eggs and bacon
I start the day, break in new Air Force Ones and a new lawsuit, yeah
I didn’t have a Christmas, I work like an alligator
Although half a million labels came in on January 6th

[Verse 2: Cruz Cafuné]
My brother Sago designed the cardigan I’m wearing
If you didn’t turn off the Sanremo, two espresso martinis
At the Elysee, kids dressed up as Opium
One pulls the trigger with their nails painted black
Bumping method on the Benzo’s ass like the one in Succession, bro
If Jesus came back to earth, he wouldn’t be benevolent
But at I’d at least go back three days with the Velcro-on Margielas, yeah
There’s a demon between me and good
Without heart or fire, or wings, or horns, or that shit that looks like a fork
If not liquor names like bourbon and rum
In Marseille, drops of swimsuit crash into my sharkskin
In three substances at once, but I read the room
If I lose, I feel like I’m biting the dust forever
And if I win, victory feels like it lasts a second or two
Yeah, Forgiato rims
Tell me what emotion you hide behind those cat-eye glasses
Power is sometimes a story
That’s why they see me in person and say: “I thought you were taller”
They’re not football-related, but I have a pair of heels
I see myself deformed in chrome rims
I don’t live low, planning to go to Icebox with my bums
All screwed up and I keep bragging
Water-drenched and I still go without a hood
To the dining room others Two paintings by Sopa’s father
I put my money where my mouth is
When you’re popping, you do whatever the hell you want
Flush the coke in the toilet, crazy girl, it’s time to heal
You’re infatuated with anyone who doesn’t treat you badly
With me, your days of thrifting would be behind you
Loving you by day, recording at dawn (Dawn)

[Outro: Cruz Cafuné]
Yeah, ah-ah-ah
Bigla

Elíseos Lyrics Meaning

[Intro]
The intro is a simple yet effective introduction, crediting the producer Bigla The Kid and setting the stage for the song’s luxurious yet contemplative atmosphere.

[Verso 1: Delaossa]
Delaossa opens the track with a powerful assertion of his influence and resilience. He acknowledges his relative success but emphasizes that his impact is undeniable. His experiences in the industry have revealed the inauthenticity of many famous figures, reinforcing his belief in staying true to himself. His lines are filled with contrasts—while he basks in his growing wealth and confidence, he remains wary of the industry’s fakeness. His reference to religion, calling himself a preacher without a clerical collar, suggests a self-appointed role as a messenger of truth. He playfully adopts the persona of a “gold digger,” but instead of seeking wealth from others, he is the one accumulating fortune. This verse encapsulates his unwavering ambition, his strategic mindset, and the unrelenting hustle that drives his success.

[Verso 2: Cruz Cafuné]
Cruz Cafuné takes a more philosophical approach, blending high-end references with deep introspection. He paints a picture of a world where luxury is intertwined with danger—young men in designer clothing are also capable of violence. His reflections on power and perception highlight how influence is often exaggerated, with people expecting him to be physically taller, a metaphor for how fame can distort reality. He seamlessly transitions between opulence and struggle, depicting a life where substance abuse and self-destruction coexist with grandeur. He challenges the fleeting nature of victory, questioning whether success ever truly satisfies. By the end of his verse, he shifts towards a more personal and intimate tone, addressing a woman who has suffered in past relationships, offering stability and prosperity as an alternative. His closing lines tie into the song’s title, Elíseos, referencing the Elysian Fields—a place in Greek mythology reserved for heroes—suggesting that his rise to greatness comes with both glory and a burden.

[Outro: Cruz Cafuné]
The outro is a brief yet haunting close, featuring Cruz Cafuné’s melodic vocals and a final shoutout to Bigla The Kid. It leaves the listener with a lingering sense of contemplation, reinforcing the song’s themes of success, excess, and the search for meaning.

Elíseos Official Video

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