walk on water freestyle Lyrics – Scrim

walk on water freestyle Lyrics by Scrim is a new english song by Scrim. The track is released on Scrim’s official YouTube channel, written by Scott Arceneaux Jr., produced by Budd Dwyer, Dynox, and HARZ, and is part of the album via crucis. Known for his gritty, aggressive delivery and unfiltered storytelling, Scrim delivers an adrenaline-charged performance that blends flex-heavy lyricism with introspective shadows beneath the bravado.

In walk on water freestyle, Scrim explores themes of invincibility, defiance, and existential detachment through boastful verses layered with dark undercurrents. While the song thrives on high-energy declarations of dominance, wealth, and street credibility, there’s also a sense of isolation and chaos behind the confidence. From drug-laced memories to veiled spiritual metaphors and coded violence, Scrim paints a picture of a man walking the edge of power and self-destruction, as if he’s walking on water—untouchable, yet fragile.

walk on water freestyle Details

walk on water freestyle Lyrics

[Intro]
Lonely boy
Who else you know gettin’ it like this? (Uh-uh)
Who else you know rockin’ it like this? (Uh-uh)
You did good, Slick
Walkin’ it
It’s a smash
Turn me up

[Verse 1]
Yeah, smoke it ’til my back hurt
Yeah, they all say they killers ’til it’s time to fuckin’ pack dirt
Hundred ‘mil, still coppin’ Sada’s for a black shirt
Mr. Antisocial, I’m too global for a flat earth
Fuck ’em ’til it’s backwards
Octane gas flow
Lamb so loud, people callin’ me an asshole
Camo on my body like I model up at bass pro
Fuck ’em, leave the body, you know that it help the grass grow
Comin’ through the North, collect two hundred before they pass go

[Chorus]
Now tell me, who else you know gettin’ it like this? (Like this)
Now tell me, who else you know sippin’ it like this? (Like this)
Now tell me, who else you know talkin’ it like this? (Like this)
Now tell me, who else you know walkin’ it

[Post-Chorus]
Uh, walkin’ it
Uh, walkin’ it
Uh, walkin’ it
Walkin’ it, like this
Uh, walkin’ it
Uh, walkin’ it
Uh, walkin’ it

[Verse 2]
Tell a pussy try God before you try me
Dot between his eye, he go from white boy to Bengali
This bitch think I love her, say whatever off the molly
In that TRX, he in the Rhino, he Mitt Romney
Done crushed a million all up on my ID
I was droppin’ 30 up in college off the morphine
Coulda hit the league but in my bottle, they found codeine
Courtside shorty, but I came up from the nosebleeds
Ain’t no pussy in me, don’t you know only hoes bleed?
Pullin’ up in phantoms, I’m too rich to drive a maybach
Okay, I’m a cracker but this motherfucking K black
All I see is red, and all I fucking think is payback
All I rep is grey, and only thing I duck is state tax

[Chorus]
Now tell me, who else you know gettin’ it like this? (Like this)
Now tell me, who else you know sippin’ it like this? (Like this)
Now tell me, who else you know talkin’ it like this? (Like this)
Now tell me, who else you know walkin’ it

[Post-Chorus]
Uh, walkin’ it
Uh, walkin’ it
Uh, walkin’ it
Walkin’ it, like this
Uh, walkin’ it
Uh, walkin’ it
Uh, walkin’ it
Walkin’ it, like this

[Outro]
Uh, walkin’ it (G-R-E-Y)
Uh, walkin’ it
Uh, walkin’ it
Walkin’ it, like this
Uh, walkin’ it (G-R-E-Y)
Uh, walkin’ it
Uh, walkin’ it
Walkin’ it, like this
Hey son, it’s me
Um, I was just callin’ to

walk on water freestyle Lyrics Meaning

[Intro]
The intro sets a tone of self-assurance and swagger, with Scrim positioning himself as someone unmatched in skill and presence. The line “Lonely boy” subtly hints at emotional detachment beneath the bravado. The repetition of “who else you know” underscores his belief in his singularity and the silence of competition, while phrases like “turn me up” launch the track with explosive energy.

[Verse 1]
Scrim begins with gritty realism, smoking through back pain and pointing out the falseness of those who claim violence until faced with real consequences. Despite his immense success, he emphasizes his street loyalty—still wearing simple gear and moving with the same energy he had before fame. His antisocial identity clashes with a “flat earth” worldview, suggesting he’s beyond earthly trivialities. Nature and violence intertwine as he leaves bodies to fertilize the soil, reinforcing his ruthless, apocalyptic imagery. The verse also blends cultural flexing—luxury cars and hunting camo—with underground ethos, keeping Scrim grounded in the North where money and risk collide.

[Chorus]
The chorus repeats a mantra of dominance, asking rhetorically who else is operating at his level. Whether it’s wealth accumulation, drug use, or lyrical ability, Scrim challenges others to measure up. The refrain emphasizes his originality and unwillingness to follow trends, building a persona that is both elusive and commanding.

[Post-Chorus]
This section extends the momentum of the chorus. The repetition of “walkin’ it” serves as both a literal and metaphorical flex—he’s not just saying it, he’s living it. It reinforces the idea that Scrim embodies his words through action, reinforcing authenticity.

[Verse 2]
The second verse delves deeper into Scrim’s unfiltered mentality. He warns challengers to fear divine judgment before facing him, boasting about precision, unpredictability, and his detachment from love and consequence. The imagery escalates—he’s rich, politically disconnected, once a college baller turned drug addict, now courtside but from the gutter. His racial self-awareness and aggressive tone intersect as he calls out systemic biases and embraces street-coded retribution. The final line about ducking only state taxes merges rebellion with wealth, showing that Scrim is beholden to no one except the IRS.

[Chorus]
Reintroduced with full energy, the chorus maintains its taunting tone. By now, its repetition strengthens the idea that Scrim is not just a standout—he’s untouchable in every facet of his life, despite (or because of) the chaos swirling around him.

[Post-Chorus]
The return of the post-chorus keeps the hypnotic rhythm alive. It functions almost like a victory lap—Scrim walking confidently over the beat, reinforcing every line he’s spit so far with a grounded, lived-in presence.

[Outro]
The outro repeats the track’s mantra once again, this time with “G-R-E-Y” whispered in, referencing his affiliation with $uicideboy$ and the Grey Five Nine collective. The abrupt voice message at the end—“Hey son, it’s me…”—adds a haunting, personal twist. It’s a human moment breaking through the bravado, leaving listeners to wonder what lies beneath all the noise.

walk on water freestyle Official Video

via crucis Songs

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