axeman of new orleans Lyrics – Scrim

axeman of new orleans Lyrics by Scrim is a new english song by Scrim. The track is released on Scrim’s official YouTube channel, written by Scott Arceneaux Jr., produced by Budd Dwyer, Sam Bo Bachrack, KXVI, Antonie Prod, and cutxroat, and is featured on the album via crucis. This gritty, aggressive anthem delivers a raw dose of Southern rap with sinister undertones and cinematic storytelling, offering a menacing yet polished soundscape that reflects Scrim’s underground roots and rebellious spirit.

The song channels the energy of street survival and self-determination through vivid imagery and unapologetic lyricism. Scrim invokes the persona of a hardened outlaw, painting scenes of crime, loyalty, and anti-industry defiance. Referencing everything from street crews and political corruption to voodoo and betrayal, the lyrics create a shadowy world where violence and loyalty intertwine. The recurring “stick ‘em up” chant amplifies the confrontational tone, serving as both a call to arms and a symbolic declaration of dominance in a system that failed him.

axeman of new orleans Details

axeman of new orleans Lyrics

[Intro: [?], Scrim & BIN5U]
Yeah, back with some of that gangster shit
Giving that shit you like dis, bitch (Blow)
It’s a Smash
Players never—
Pla-pla-pla-players never die

[Chorus: Scrim]
Stick ’em up
Throw it up, stick ’em up
Throw it up, stick ’em up
Throw it up, stick ’em up
Throw it up, stick ’em up
Throw it up, stick ’em up
Throw it up, stick ’em up
Throw it up, stick ’em up
(Northside)

[Verse: Scrim]
Northside, with the fucking gang
G*59, been what I bang off top, mane, let’s get that understood (Stick ’em up)
I don’t give a fucking about bitches tryna get up out the trenches
Doing everything a motherfucker could (Stick ’em up, brrr)
I was desperate, had to stick ’em up
Sid was in the pick-up truck
Police was on our ass, poppin’ pills, we ain’t give a fuck (Stick ’em up)
Plenty shit I can’t discuss ’til the statue limits up
But I could tell that bitch you with, ain’t who she say she was, yeah (Northside)
I know killers, I know people in positions (Okay, stick ’em up)
Know one-percenters, I know people in militias (Stick ’em up)
A politician, boy, I represent gorillas (Fuck ’em up)
Know voodoo witches, if you’re feeling superstitious (Stick ’em up)
I know sluts that on Sunday turn religious (Stick ’em up)
You need them disappeared? I know me a magician (Stick ’em up)
Know pharmacists and physicians I help make millions (Stick ’em up)
Just ask the police, we gang by definition

[Chorus: Scrim]
Stick ’em up
Throw it up, stick ’em up (Stick ’em, stick ’em up)
Throw it up, stick ’em up
Throw it up, stick ’em up (Stick ’em, stick ’em up)
Throw it up, stick ’em up
Throw it up, stick ’em up (Stick ’em, stick ’em up)
Throw it up, stick ’em up
(Northside) Throw it up, stick ’em up

[Refrain: Scrim]
It’s the motherfucking T, to the I, double T-Y, double B-Y
’til I die bangin’ G-R-E-Y (Stick ’em up)
Dope fiend from the Northside, what I’m known by
Indiana Slicky, Fort Wayne, when it’s go time

[Verse: Scrim]
Fuck the industry
A plaque or Grammy don’t mean shit to me (Stick ’em up)
Pistol on my lap, went platinum in the streets at twenty-three (Stick ’em up)
(Blow, blow) Probably resurrect before you ever find another me (Stick ’em up)
Maybe its the vax, all my opps died suddenly (Stick ’em up, Northside)
Huh, killing everything in front of me (Stick ’em up)
Bitches rubbing pussy on the motherfucking Culli’ seats (Stick ’em up)
Bossed up, turned the gang to a company (Grey)
(Stick ’em up)
Running out of ways to let ’em know that they can’t fuck with me
Yeah (Yuh), pulling up, I got them dead eyes, them dead eyes (Stick ’em up)
Skywalker, I’m a Jedi, my head fried (Northside)
I’m cutting throats like Colombian neckties (Grr)
Grey ’til I’m cooked, throw them 3s if you gang tied

[Chorus: Scrim]
Stick ’em up
Throw it up, stick ’em up
Throw it up, stick ’em up (Stick ’em, stick ’em up)
Throw it up, stick ’em up
Throw it up, stick ’em up (Stick ’em, stick ’em up)
Throw it up, stick ’em up
Throw it up, stick ’em up (Stick ’em, stick ’em up)
Throw it up, stick ’em up
Throw it up, stick ’em up (Stick ’em, stick ’em up)
Slicky, motherfucker

axeman of new orleans Lyrics Meaning

[Intro: [?], Scrim & BIN5U]
The intro opens with a throwback vibe, drawing on classic gangster rap energy with the line “back with some of that gangster shit.” The phrase “players never die” nods to legacy and survival, suggesting that despite adversity or attempts to silence him, Scrim—and what he stands for—remains unstoppable. The overlapping voices and layered delivery create an eerie, cinematic introduction, setting the tone for a dark, rebellious anthem.

[Chorus: Scrim]
The repeated chant “stick ’em up” is central to the song’s aggression and assertion of power. It echoes both literal robbery and symbolic resistance—taking what’s his in a world that offers no handouts. The mantra-like repetition strengthens the menacing tone, functioning almost like a war cry or protest slogan. The Northside reference roots the message in Scrim’s geographical and cultural identity, proudly aligning with his origins.

[Verse: Scrim]
In this verse, Scrim offers a chaotic yet vivid retelling of past criminal experiences and alliances. He reflects on desperation and survival tactics from his youth, detailing crimes, paranoia, and law evasion with brutal honesty. There’s a notable contrast between different societal roles—killers, witches, politicians, physicians—emphasizing how interconnected and morally ambiguous the world can be. His lyrical nods to organized groups, mysticism, and hidden identities create a layered underworld narrative. The verse culminates in Scrim reinforcing his position as someone deeply entrenched in multiple power structures, all while staying loyal to his roots.

[Chorus: Scrim]
The chorus returns, intensifying the threatening mood and reinforcing the idea of domination through repetition. The phrase “throw it up” also suggests gang signs or territorial pride, which, paired with “stick ‘em up,” implies both identity and aggression. This cyclical structure keeps the energy consistent and hypnotic.

[Refrain: Scrim]
Here, Scrim drops a stylized self-identification chant, spelling out parts of his name and affirming his lifelong allegiance to the Grey Five Nine (G*59) collective. The reference to Fort Wayne adds specificity to his backstory, while the line “when it’s go time” signals readiness for action. This brief refrain acts like a signature—direct, personal, and rooted in identity.

[Verse: Scrim]
This second verse blends disdain for the mainstream industry with a celebration of street-level credibility. Scrim mocks the value of awards and status symbols, insisting that his real victories come from surviving and thriving in the streets. He references losing enemies mysteriously—hinting at revenge or divine justice—and paints vivid images of debauchery, luxury, and violence. Mentions of dead eyes, Jedi metaphors, and “Colombian neckties” add a cinematic, dark flair, underlining his untouchable, mythical image. Scrim frames himself as an elite outsider—one who’s transformed pain into power, and crime into an empire.

[Chorus: Scrim]
The final chorus amplifies the theme of unshakable control and fearlessness. With the inclusion of his alias “Slicky,” Scrim signs off with bravado and pride, reinforcing his image as a resilient outlaw. The repetition drives home the anthem’s message one last time—he’s here to take what’s his, unapologetically and on his own terms.

axeman of new orleans Official Video

via crucis Songs

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