DE INMEDIATO Lyrics (English Translation) – Mora

DE INMEDIATO Lyrics (English Translation) by Mora is a new spanish song by Mora. The song is released on Mora’s official YouTube channel, written by Mora, produced by Machael, Bassyy, and Cromo X, and featured on the album LO MISMO DE SIEMPRE. With its raw and provocative reggaetón sound, this track captures the emotional complexity and impulsive desires that often blur the lines between love and lust.

The lyrics of “DE INMEDIATO” dive deep into a complicated situationship filled with lust, manipulation, and emotional denial. Mora narrates the story of a relationship that revolves around physical encounters, yet is laced with unspoken feelings and psychological games. The recurring theme is the instant response to a lover’s call—despite knowing the emotional cost. Through confessions of vulnerability masked by ego and moments of passion clouded by unresolved tension, Mora paints a picture of desire that is both addictive and self-destructive.

DE INMEDIATO Details

DE INMEDIATO (English Translation) Lyrics

[Chorus]
I always get to her right away (Right away)
She just calls to screw, but I got used to having her on top of me a while ago (A while ago, a while ago)
She and her mind games, she thinks she’s always going to win, if it’s not with her, it’s celibacy
Or that’s what I make her think, and meanwhile I’m still here, planning another murder
And even though it doesn’t feel the same, I’m not having a bad time either

[Verse 1]
We had a deal, a call
But you’re rude, and if you see me with someone else, you make a face
Today I’m going to hit you with hate and tomorrow I’ll write you a ballad
Don’t try to tie me down, not even my mom could control me
And it was a lie that you didn’t want to see me
It was a lie that you don’t care about losing me
And even if you don’t like it
I’m the one who makes the stars shine in your sky

[Chorus]
That’s why I always get to her right away
She just calls to screw, but I got used to having her on top of me a while ago (A while ago)
Her and her mind games, she thinks she’s always going to win, if it’s not with her, it’s celibacy
Or that’s what I make her think, and meanwhile I’m still here, planning another murder
And even though it doesn’t feel the same, I’m not having a bad time either

[Verse 2]
And if I catch you, I’ll rip your blouse
This weed makes me cough, it’s not like I have a cold
And your ex asking for a picture, damn, mami, what a charro
Tell me what you prefer, Cancun or Milan? And if it were up to me, I’d take you on tour
Baby, take advantage of the offer’s almost up
Give me that gift, come on, even if it’s not until Christmas

[Interlude]
Diablo
She always hits on me when I’m really crazy

[Chorus]
And I always get to her right away
She just calls to fuck, but I got used to having her on top of me a while ago
Her and her mind game, she thinks she’s always going to win, if it’s not with her, it’s celibacy
Or that’s what I make her think, and meanwhile I’m still here, planning another murder
And even though it doesn’t feel the same, I’m not having a bad time either

DE INMEDIATO Lyrics Meaning

[Coro]
Mora opens with a bold declaration of his immediate availability whenever his lover calls, even though their connection is rooted in physical gratification. He reveals how he’s grown used to her presence and control, even playing along with her manipulative mind games. The line about celibacy hints at emotional dependency masked as sarcasm, and the “assassination” he’s planning alludes to another intense, possibly self-sabotaging encounter. Despite the turmoil, he admits it doesn’t feel the same—but it’s still not bad.

[Verso 1]
This verse reveals the emotional instability and contradictory feelings Mora has toward his partner. He recalls a simple arrangement that has turned messy due to her possessive behavior and jealousy. He switches between anger and affection—threatening with aggression one moment, then promising a romantic ballad the next. The inability to be controlled and the confession of mutual dishonesty suggest a deeper emotional entanglement where both pretend not to care, while clearly still affected.

[Coro]
Repeating the chorus emphasizes the cycle Mora is stuck in. He’s fully aware of the emotional manipulation but continues to respond, blurring the line between desire and dependency. The repetition of being “acostumbré hace rato” (got used to it a while ago) indicates resignation to the dynamic, portraying both comfort and frustration in his attachment.

[Verso 2]
Here, Mora intensifies the sensual tone, describing moments of physical intimacy with vivid imagery. He shifts from carnal passion to luxurious fantasies—offering trips and gifts to keep the connection exciting. The mention of the girl’s ex trying to reconnect adds a competitive layer, reinforcing Mora’s position as the one who fulfills her desires. The urgency in his offer, framed like a limited-time deal, reflects both seduction and desperation to keep her attention.

[Coro]
The final chorus returns with unchanged intensity. Mora continues to act on impulse, aware of the game but unable—or unwilling—to break free. His lover’s psychological dominance and his own craving for her presence are locked in a toxic loop, where physical connection momentarily fills emotional voids.

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