WASSUP Lyrics – Young Miko

WASSUP Lyrics by Young Miko is a new spanish song by Young Miko, released on the official YouTube channel of Young Miko. The track was written by Young Miko, Mauro, Lil Wayne, Deezle, Jim Jonsin, R Zamor, and Sean Garrett. It is produced by Mauro and showcases a confident, club-ready vibe with infectious energy. Although no album is mentioned, the song delivers a bold and modern urban Latin sound that merges hip-hop and reggaetón influences with playful and provocative lyrics.

The song “WASSUP” thrives on self-assurance, sexual freedom, and lavish imagery, embodying the swagger and power of Young Miko’s persona. Throughout the lyrics, she reclaims the spotlight with unapologetic confidence, navigating themes of dominance, flirtation, and material success. The song oscillates between seduction and boastful declarations, creating a soundscape that feels both empowering and rebellious. With clever wordplay and references to wealth and fame, Miko constructs a character that is untouchable, desired, and always in control.

WASSUP Details

Song	WASSUP
Artists	Young Miko
Written By	Young Miko, Mauro, Lil Wayne, Deezle, Jim Jonsin, R Zamor & Sean Garrett
Produced By	Mauro
Label	Young Miko
Language	Spanish
Released Date	Apr 25, 2025

WASSUP Lyrics

[Intro]
Brr
Brr

[Verso 1]
¿Baby, qué es la que hay? (¿Qué lo qué?)
¿Tiene’ jeva o tiene’ jevo? (Ey)
Si te cansas de él, mami, yo cojo el relevo
Yo me atrevo (Yo me atrevo)
Te enseño truquito’ nuevos
Tú estás dura y yo me veo cabrona en el espejo

[Coro]
So, what’s up?
Tú dando mamacita
Dime, what’s up?
Yo dando cuerpo y carita
Mami, what’s up?
Yo sé que tu face card no declina
Ey, trépate en el tubo, yo tengo la propina

[Verso 2]
Llevo par de día’ visitando el joyero
Me caché par de anillo’, uno pa’ cada dedo
La MVP de esto y con mi negocio no juego
Tirando chavo’ mientras suena esta en el putero (Ajá)
¿Quién es esa diva? Y sabes que están hablando de mí (Ya sabe)
Dos teléfonos encima y los dos en DND (Mhm)
Lo único que tengo en el bolsillo son los USD
¿Qué tiene’, man? Chica, please
Yo tengo más grande el key (Oh)
Me gusta la película, pero solo a vece’
Cuando me engancho to’a las cadenas es pa’ que me pese
A ti, mami, ¿qué te gusta? Rápido se crece
(Me gusta que allá abajo Baby Miko me la bese)

[Coro]
So, what’s up?
Tú dando mamacita
Dime, what’s up?
Yo dando cuerpo y carita
Mami, what’s up?
Yo sé que tu face card no declina
Ey, trépate en el tubo, yo tengo la propina

[Verso 3]
No es confeti, eso es cash, y eso que es petty na má’, ma
Mami, si te vas conmigo tu espalda va contra el dash
Lo hacemos encima del stash, el video con el flash (Ey, ey, ey, ey, ey, ey, ey)
Tú como que estás a switch, obliga’o que voy a smash

[Puente: Young Miko & Lil Jon]
Girls wanna holla cuando ven los dollas
Rich lifestyle, quieren ser mis baby mamas
Son cosas de la fama, but I don’t want no drama (What, what, what the fuck?)
No quiero ohana, quiero cantarte “Lala” (What, what, what, what?)

[Coro: Young Miko & Lil Jon]
So, what’s up? (It’s Mauro and Baby Miko in this bitch)
Dime, what’s up? (Don’t get it twisted, or they be taking your bitch)
Mami, what’s up? (Ey, it’s Mauro and Baby Miko in this bitch)
Mami, what’s up? (Don’t get it twisted, or they be taking your bitch, yeah)

[Outro: Young Miko, Lil Jon & Ambos]
(Brr, ey)
It’s Baby Miko
Ey, oh, Mauro
Mami, what’s up?
It’s Mauro and Baby Miko in this bitch
Don’t get it twisted, or they be taking your bitch
Ey, it’sMauro and Baby Miko in this bitch
Don’t get it twisted or they be taking your—
Yeah

WASSUP Lyrics Meaning

[Intro]
The brief opening with repeated “Brr” sounds sets a confident, trap-influenced tone for the song. It’s a sonic cue often used in urban and reggaetón tracks to evoke attitude and energy, signaling that the track will carry a high level of bravado and assertiveness.

[Verso 1]
Young Miko initiates a flirtatious exchange, directly questioning someone’s relationship status with bold curiosity. She offers herself as a replacement, exuding self-assurance. Her mention of “truquitos nuevos” highlights her confidence in both experience and appeal, and the line about looking good in the mirror affirms her self-love and sexual empowerment. This verse lays the foundation for the assertive, sensual narrative that runs through the track.

[Coro]
The chorus blends English and Spanish to emphasize the song’s bilingual cool. Miko plays with the phrase “what’s up” as both a greeting and a challenge. She recognizes the mutual attraction between herself and another woman, while affirming her own physical and social currency — particularly the idea that her “face card” (reputation or allure) never declines. Her invitation to “trépate en el tubo” (climb the pole) and reference to tipping shows a strip-club setting, reinforcing themes of dominance and control in a sexualized environment.

[Verso 2]
Here, Miko elevates the imagery of wealth and power. Frequent visits to the jeweler and flaunting rings speak to status and success. She asserts her role as a top player (“la MVP”) and draws a clear boundary between business and pleasure. The verse also explores the effects of fame, with lines about DND mode and USD-only pockets showing detachment from distractions and full immersion in luxury. Her mention of chain weight and key size plays into metaphors of influence and bravado. The closing line boldly refers to intimate preference, cementing her sexual dominance.

[Verso 3]
This verse intensifies the sensuality, mixing fast-paced imagery with luxury symbols. Miko references throwing cash — not as celebration, but casually, emphasizing wealth. She teases a sexual scenario in a car, tying lust to extravagance. The “video con el flash” phrase hints at voyeurism or exhibitionism, reinforcing the bold tone. Her declaration of intent to “smash” confirms confidence in the attraction and the inevitable physical outcome.

[Puente: Young Miko & Lil Jon]
This bridge adds Lil Jon’s signature hype energy. The focus shifts slightly to the social consequences of wealth — women wanting in when they see the lifestyle. Still, Miko distances herself from emotional commitment (“I don’t want no drama” and “No quiero ohana”), making clear that her interest is in fleeting pleasure, not deeper ties. Her desire is to entertain and seduce, not to build relationships.

[Coro: Young Miko & Lil Jon]
The final chorus is enhanced with Lil Jon’s energetic ad-libs, making the repetition feel like an anthem. Miko reclaims power again, reaffirming that she and Mauro are a duo to be reckoned with. The warning — “don’t get it twisted or they be taking your bitch” — encapsulates the track’s core: dominance, seduction, and unbothered swagger.

[Outro: Young Miko, Lil Jon & Ambos]
The outro wraps up the track with a reiteration of the central message — Young Miko and Mauro are here, unfiltered and unchallenged. It closes on the same note it opened with: full of attitude, brimming with sexual power, and unwavering in its confidence.

WASSUP Official Video

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