MUVI Lyrics (English Translation) – Kendo Kaponi, Luar La L, Omar Courtz & iZaak

MUVI Lyrics (English Translation) by Kendo Kaponi, Luar La L, Omar Courtz & iZaak is a new spanish song by Kendo Kaponi, Luar La L, Omar Courtz, and iZaak. The track is released on KendoKaponiTV’s official YouTube channel, written by Kendo Kaponi, ‌iZaak, Omar Courtz, Luar La L, Barvc, Chalko, Viejo Culprit, Casper Mágico & Sammy Baby (PR), and produced by Barvc, Viejo Culprit, Zachiel & Chalko. This high-energy urban hit blends reggaeton and trap influences, delivering a raw and electrifying musical experience with its dynamic beats and bold lyricism.

The song “MUVI” revolves around themes of luxury, street credibility, and intense romantic passion, portraying a lifestyle filled with success, power, and unfiltered desire. The artists boast about their high-status lives, relationships with women, and the struggles that come with fame and street life. The lyrics emphasize the concept of living life like a “movie,” where everything is intense, extravagant, and unpredictable. The wordplay, vivid imagery, and hard-hitting delivery showcase each artist’s unique style while maintaining a cohesive narrative of wealth, lust, and dominance.

MUVI Details

Song	MUVI
Artists	Kendo Kaponi, Luar La L, Omar Courtz & iZaak
Written By	Kendo Kaponi, ‌iZaak, Omar Courtz, Luar La L, Barvc, Chalko, Viejo Culprit, Casper Mágico & Sammy Baby (PR)
Produced By	Barvc, Viejo Culprit, Zachiel & Chalko
Label	KendoKaponiTV
Language	Spanish
Released Date	Mar 28, 2025

MUVI (English Translation) Lyrics

[Intro: Kendo Kaponi, Omar Courtz, iZaak & Luar La L]
(Ah-ah)
We are the Eternals
Apocalypse
Me coming back is a problem, baby, you know it (Uh-oh-uh-oh)
I told the freaks to come with me, baby (Uh-oh-uh-oh-oh)
Hey, yeah-yeah (What?)
‘We’re ready for you, you hear, baby?’
Bellaquita

[Refrain: iZaak, Omar Courtz & Kendo Kaponi]
My life is a movie, one hundred percent real (Ah!)
That’s why sometimes we see each other in low light
I do that to take care of you (To take care of you; hahaha), I do that to take care of you
And whoever fucks with you, I’m going to leave them during the day
I’m always thinking about your booty (Haha, always)
And how hot you look (Yeh)

[Chorus: iZaak, Omar Courtz & Kendo Kaponi]
You’re the ass I like, mami, you’re a movie (Hey)
I’m turned on out there, but if they go after you, ma’ (Haha), you’re the movie (Yeh-yeh)
I like to watch it, from the whole ass to the boob (Yeh)
I was on top, you were on the bottom, and then you I went up (Hey Goya)
So it comes out really good, really good, really good (You know who it is)

[Verse 2: Kendo Kaponi]
On that blow thing, you’re the goat
Gata Gangster like Glo, I’ll record you pro
For your photos, double tap, all the comments are in cap’
I’m a handicap, because of your booty fat, like Joe (Hahaha)
You have me on remote control
You’re my religion like Religion, True Religion
Our time costs like a Turbillon
Wow (Wow), he always cries doing my deep throat
That’s the devil under the coat, oh
With Cataño’s fleet in the road (Road-oh)
All your friends will sing for you if he comes to put on a show for me, oh (Hahaha, Ah!)
Even in heaven, baby, you’re the movie like Flow (Flow The Movie)
Listen, Baby

[Bridge: Kendo Kaponi]
But keep going, the street is tiring (The street is tiring)
And death is coming
May he rest in peace Pa’ (May he rest in peace)
I wish you as his revenge (Hahaha) Ah!
(Hey!)

[Chorus: Kendo Kaponi & Omar Courtz]
You’re the ass I like, mami, you’re a movie.
I’m hot out there, but if they see you, ma’, you’re the movie (You’re the movie, hear me, baby?)
I like to watch it, all the way from ass to boob (Tell her, Ousi).
I was on top, you were on the bottom, and then I lifted you up (Ah!)
So it’ll come to you really good, really good, really good (Listen, listen)

[Post-Chorus: Omar Courtz & Kendo Kaponi]
(Really good)
So it’ll come to you really good, really good, really good (Ah, haha)
(Oh-oh-oh-oh, yeh-yeh)
Listen to this, baby, listen to this, iZaak

[Verse 2: iZaak & Omar [Courtz]
If you saw how I lend myself, when I turn you on
I always put it in you great
I always cum in your mouth
And if I behave, she tells me to throw it inside
She has a big body, but she still has a baby face (Uh-uh-uh-uh)
And she has a cute friend, she asked me to give it to both of them at the same time
Let’s-Let’s-Let’s drink, they don’t understand, they don’t understand that you can’t see me in your panties (Hey)
And if they saw you naked (Yeah-yeah), how your ass sweats (Ayo mami, e’ Ousi)

[Verse 3: Omar Courtz & Kendo Kaponi]
Wh-When I’m with you, time flies (Haha)
You’re the baby, you’re not just anyone, mami
Since school days
I’ve thrown rocks at you through the window like Cosculluela, uh
The little wolf comes out when there’s a full moon
Zoom-zooming in on your picture
You and I don’t lock ourselves in the bedroom
Burial Night, Yankee with Luny Tunes-Tunes
Mami, nothing’s going to happen, I’m going to lick you
I’ll eat it, but no one can find out
She drives the neighborhood crazy when she goes jogging, that’s my baby (Uh)
Uh-ua-eh
I hide under your skin (Your skin)
U-U-U-Uh-ua-eh-eh
And I’ll lick you where the sun doesn’t hit you ([?], beautiful)

[Chorus: Omar Courtz, iZaak & Kendo Kaponi]
You’re the ass I like, mami, you’re a movie (You’re a movie)
I’m hot out there, but if they get at you, ma’, you’re the movie (Ah, ah, ah!)
I like to see her, all the way from her ass to her boob (Ah)
I was on top, you were on the bottom, and then I picked you up (Oh-oh, Hahaha)
So that it comes to you really good, really good, really good, oh

[Post-Chorus: iZaak, Kendo Kaponi & Luar La L]
(Hey, mami)
So that it comes to you really good, really good, really good, uoh, ah
(We are The Supernaturals, baby)
Hey, [?], Luar applies
(Tre’ Letra’, La L)

[Verse 4: Luar La L & Kendo Kaponi]
Mami, come on, hit play, let the fun begin (Play)
That baby is freaking out (How hot), Ousi, I already found my cutie (Hehe)
Spanish girl, I’ll fuck her (Get in front, mami)
Put me on The leg on the neck (Ah), and I’ll lean on your thighs (What?)
If I put it in, I won’t take it out (No), I’ll slam it in like a boxer in the bag (Plo!)
That booty’s like a comb, Mickey, I hooked my draco (Prr)
And like a rascal, I asked him if I could cum inside me (You tell me)
And he replied: “Of course, it’s all clear, dude” (What?)
I touch his g-spot, he gets wet (Yeah), I wipe him with the mop (Ah)
Tell me, how am I going to miss? (Tell me, how?)
‘I’m on Adderall (Yeah)
I’m going to [?], put a spark in the Glock, I’m going to turn you on (Right away, I’m going to make you complete)
Today I want to see you, baby, tell me, where are you? (Where are you?)
I’m on Carola, near the power station (Whoom, hehe)
I’ll look for you at the Cyber, I’ll get there if

MUVI Lyrics Meaning

[Intro: Kendo Kaponi, Omar Courtz, iZaak & Luar La L]
The song opens with a declaration of power and influence, with the artists presenting themselves as unstoppable forces in the industry. The mention of “Los Eterno'” and “Apocalipto” sets a dramatic tone, indicating that their presence is a game-changer. Kendo Kaponi references his return as a major event, asserting that he moves with an elite crew and a dominant mindset. This introduction establishes the song’s theme of status and self-assuredness.

[Refrán: iZaak, Omar Courtz & Kendo Kaponi]
This section highlights the idea that their lives are like a “movie,” emphasizing the authenticity of their experiences. They mention keeping a low profile at times for safety reasons, showing that success comes with risks. The lyrics also focus on their dedication to protecting and spoiling the women in their lives, portraying a mix of love, control, and possessiveness. The reference to always thinking about a woman’s body adds a sensual element to the song.

[Coro: iZaak, Omar Courtz & Kendo Kaponi]
Here, the artists double down on their admiration for a specific woman, describing her as the ultimate “movie” – meaning she is extraordinary, beautiful, and desirable. The lyrics emphasize physical attraction, wealth, and indulgence, reinforcing the song’s theme of excess. The repetition of “bien rico” enhances the sensual undertones, making it clear that pleasure and dominance go hand in hand.

[Verso 2: Kendo Kaponi]
Kendo Kaponi delivers an aggressive and confident verse, mixing street references with luxury brand shoutouts. He praises the woman for her skills and fearless attitude, comparing her to a “GOAT” (greatest of all time) in certain aspects. The lines about his addiction to her body and their deep connection add a passionate edge, while the mention of his expensive lifestyle showcases his success. The verse is filled with flexing, boasting, and wordplay, reinforcing his dominance.

[Puente: Kendo Kaponi]
This short bridge serves as a warning, hinting at the dangers of street life. The phrase “la calle cansa” (the street tires you out) suggests that a fast-paced, risky lifestyle can take a toll. The mention of vengeance and the loss of someone important adds a layer of emotional depth, contrasting with the otherwise celebratory tone of the song.

[Coro: Kendo Kaponi & Omar Courtz]
The chorus returns with even more intensity, emphasizing that the woman they admire is the center of attention. The playful and seductive nature of the lyrics continues, maintaining the song’s rhythm and reinforcing the theme of desire and power.

[Post-Coro: Omar Courtz & Kendo Kaponi]
The post-chorus adds an extra layer of excitement, with the artists directly addressing the woman, making her feel special. The playful ad-libs and confident delivery enhance the flirtatious and indulgent nature of the track.

[Verso 2: iZaak & Omar Courtz]
iZaak and Omar Courtz continue the narrative with a more explicit take on their relationship with the woman. They describe their intimate encounters in vivid detail, emphasizing pleasure and dominance. The lyrics also introduce the idea of threesomes and wild experiences, reinforcing the extravagant and uninhibited lifestyle portrayed throughout the song.

[Verso 3: Omar Courtz & Kendo Kaponi]
Omar Courtz reflects on a long-term attraction, referencing high school days and a nostalgic connection. He compares their relationship to classic reggaeton moments, name-dropping Cosculluela and legendary collaborations. The mention of a “lobita” (little wolf) emerging under a full moon adds a sensual and wild imagery to the song, making it clear that their connection is passionate and uncontrollable.

[Coro: Omar Courtz, iZaak & Kendo Kaponi]
Once again, the chorus reinforces the main themes, reminding listeners that the woman in question is a “movie” – a representation of everything they desire and admire. The repetition keeps the song catchy and emphasizes the luxurious, passionate, and dominant tone.

[Post-Coro: iZaak, Kendo Kaponi & Luar La L]
This post-chorus continues the flirtatious and seductive energy, with playful remarks and an invitation to embrace the lavish lifestyle they offer. The ad-libs and vocal chemistry between the artists keep the song engaging and dynamic.

[Verso 4: Luar La L & Kendo Kaponi]
Luar La L takes the spotlight with a high-energy verse, blending Spanish and urban slang with quick-paced delivery. He describes his confidence in pursuing the woman, emphasizing his wealth, power, and influence. The verse includes references to luxury cars, expensive lifestyles, and high-end brands, reinforcing the song’s overarching themes of success and indulgence. His wordplay and aggressive tone make this section stand out.

[Coro: Luar La L & Kendo Kaponi]
As the song nears its end, the chorus returns with even more conviction, cementing the idea that the woman is the ultimate prize. The celebratory tone and rhythmic delivery make this section particularly engaging.

[Refrán: Kendo Kaponi]
Kendo Kaponi brings back the idea of a dangerous lifestyle, referencing weapons and survival in the streets. He reassures the woman that he will always protect her, making it clear that loyalty and power go hand in hand. The reference to basketball (Michael Jordan’s “23”) and hunting (Predator) further illustrates his competitive and dominant nature.

[Outro: Kendo Kaponi & Luar La L]
The outro is a signature sign-off, with the artists reinforcing their status as “Los Eternos” and name-dropping key members of their crew. It serves as a reminder that they are among the best in the game, leaving a lasting impression of strength, power, and success.

MUVI Official Video

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