Piano Lyrics by Werenoi is a new french song by Werenoi, featuring GIMS. The track was released on Werenoi’s official YouTube channel on May 5, 2025, written by GIMS & Werenoi, and produced by Maximum Beats. Though no album is specified, Piano offers a smooth yet intense urban experience, blending laid-back melodies with street-hardened lyricism. The song showcases the signature blend of melody and rhythm both artists are known for, offering a refined yet gritty take on modern French rap.
Lyrically, Piano reflects on the high-stakes lifestyle of success, fame, and survival. The track plays with the double meaning of “piano”—both as a musical instrument and the Italian-derived slang for “slowly.” Werenoi and GIMS use this motif to express the need for discretion and calculated movement in a world full of scrutiny. The song oscillates between luxury and paranoia, spotlighting how fame brings both wealth and unwanted attention. Through vivid storytelling, street references, and ironic juxtapositions (like guitar overpowering the piano), the song captures the delicate balance between flexing status and protecting peace.
Piano Details
| Song | Piano |
|---|---|
| Artists | Werenoi |
| Featuring Artists | GIMS |
| Written By | GIMS & Werenoi |
| Produced By | Maximum Beats |
| Label | Werenoi |
| Language | French |
| Released Date | May 5, 2025 |
Piano Lyrics
[Intro : tag]
Maximum
[Refrain : GIMS & Werenoi]
Y a trop d’œil sur l’coupé sport donc je sors le Viano
Et ne te pose pas trop d’questions, follow juste le rafiot
Et je me demande si tu peux suivre notre train d’vie à nous
Et dans un monde où la guitare chante plus fort que l’piano (Piano)
[Post-refrain : GIMS & Werenoi]
Bébé piano, on va y aller piano
Bébé piano, on va y aller piano (C’est carré)
Bébé piano, on va y aller piano
Bébé piano, on va y aller piano
[Couplet 1 : GIMS & Werenoi]
J’arrive en retard, je sors de la caisse, y a full up de fans qui m’pointent de l’index
Il a pas d’quoi tenir tout le mois (Mmh, mmh), c’est sûrement pour ça qu’il tape dans la caisse
Évidemment, c’est sans équivoque (Mmh, mmh), si tu vois mon ex, ne donne pas l’adresse
J’repère au loin un mec de mon tieks (Mmh, mmh), donc j’me lève en scred, j’le tcheck de la tête
Ça va sortir, Maximum Beats, Cullinan gris, des sons à la pointe de la tech’
Ça va sans dire, ça va grave vite, soit tu fais d’l’oseille, soit tu taffes les pec’
[Pré-refrain : Werenoi]
Signe pour payer la note (La note) ou signe ton arrêt d’mort (Mort)
J’remonte la vitre du monstre (Du monstre), y a trop d’œil sur la montre (Carré)
[Refrain : GIMS & Werenoi]
Y a trop d’œil sur l’coupé sport, donc je sors le Viano (Sport, sport, sport)
Et ne te pose pas trop d’questions, follow juste le rafiot
Et je me demande si tu peux suivre notre train d’vie à nous (Peux, peux, peux)
Et dans un monde où la guitare chante plus fort que l’piano (Piano)
[Post-refrain : GIMS & Werenoi]
Bébé piano, on va y aller piano
Bébé piano, on va y aller piano (C’est carré)
Bébé piano, on va y aller piano (Oh, oh, oh)
Bébé piano (Oh, oh, oh), on va y aller piano (Oh, oh, oh)
[Couplet 2 : Werenoi]
J’sors de l’hôtel de Paris, j’croise une meuf que j’ai bloqué sur Insta’ (Insta’)
Tu veux coller comme du shit bien gras, mais t’es fumante comme un rasta (Rasta)
Tu veux nos vies à nous (Nous), la télé’ dans l’Viano (Viano)
Tu peux pas suivre la note (Note), c’est pas celle du piano (Piano)
On arrive en équipe, té-ma la dégaine
Toi t’as pas la gueule (toi t’as pas les talles), tu vas pas la ken
J’arrive à la caisse, il veut que la to-ph’
Donc, je fais la to-ph’ (J’paye pas), j’remonte dans la caisse
[Pré-refrain : Werenoi]
Signe pour payer la note (La note) ou signe ton arrêt d’mort (Mort)
J’remonte la vitre du monstre (Du monstre), y a trop d’œil sur la montre (Carré)
[Refrain : GIMS & Werenoi]
Y a trop d’œil sur l’coupé sport, donc je sors le Viano (Sport, sport, sport)
Et ne te pose pas trop d’questions, follow juste le rafiot
Et je me demande si tu peux suivre notre train d’vie à nous (Peux, peux, peux)
Et dans un monde où la guitare chante plus fort que l’piano (Piano)
[Post-refrain : GIMS & Werenoi]
Bébé piano, on va y aller piano
Bébé piano, on va y aller piano (C’est carré)
Bébé piano, on va y aller piano (Oh, oh, oh)
Bébé piano (Oh, oh, oh), on va y aller piano (Oh, oh, oh)
[Outro : Werenoi]
Signe pour payer la note (Note) ou signe ton arrêt d’mort (Mort)
J’remonte la vitre du monstre (Du monstre), y a trop d’œil sur la montre
C’est carré (Carré, carré, carré), c’est carré
Piano Lyrics Meaning
[Intro : tag]
The intro sets the tone with a production tag—“Maximum”—highlighting the producer and immediately establishing the track’s sonic identity. It’s a brief nod to the beatmaker behind the slick, urban sound that follows.
[Refrain : GIMS & Werenoi]
GIMS and Werenoi introduce the theme of discretion, explaining the need to switch from a flashy sports car to a more inconspicuous Viano van due to too much attention. The refrain questions whether outsiders can truly handle the reality of their lives. The line about the guitar singing louder than the piano evokes a shift in emotional expression—raw and loud emotions (guitar) replacing more refined or subdued ones (piano), reflecting the chaos beneath luxury.
[Post-refrain : GIMS & Werenoi]
This section acts as a hypnotic mantra. Repeating “on va y aller piano” (we’re going to go slowly), the artists highlight a cautious, deliberate approach to life. The phrase “bébé piano” adds a sense of intimacy, as if addressing someone close, warning them to tread carefully in their world.
[Couplet 1 : GIMS & Werenoi]
Here, GIMS and Werenoi paint scenes from their daily lives: arriving late, being mobbed by fans, and noticing people from their past. There’s tension between fame and roots—recognizing someone from the old neighborhood sparks a guarded reaction. They highlight how fast-paced life has become and how survival demands either earning big money or enduring hardship. The underlying message is that appearances are deceptive; behind the glamor lies vigilance.
[Pré-refrain : Werenoi]
Werenoi delivers a chilling ultimatum: either pay up or face fatal consequences. The “note” becomes a metaphor for dues owed—monetary or moral. The rising window of the “monstre” (likely a high-end armored car) signals self-protection, while the “eye on the watch” reflects constant surveillance, pressure, and envy.
[Refrain : GIMS & Werenoi]
Repeating the refrain reinforces the recurring conflict between visibility and safety. The use of echoes like “sport, sport, sport” and “peux, peux, peux” adds a rhythmic urgency, emphasizing how relentless the scrutiny is. The metaphor of the guitar still outweighing the piano underlines how chaos often drowns out subtlety.
[Post-refrain : GIMS & Werenoi]
The post-refrain is restated with slight vocal variations and ad-libs like “Oh, oh, oh,” giving the track a melodic anchor. Despite the luxury, the pace remains intentional and careful—“piano”—as the duo remains aware of the dangers success invites.
[Couplet 2 : Werenoi]
Werenoi narrates a scene full of irony and tension. He spots a woman he once blocked, uses street metaphors to describe her intensity, and contrasts her desire to be part of their elite lifestyle with the reality that not everyone can afford it—literally or emotionally. The mention of not having the “gueule” (the look or presence) to access their world further emphasizes exclusivity. Even fame-driven fan interactions are treated with detachment—he takes the photo but doesn’t pay, suggesting that public image is transactional.
[Pré-refrain : Werenoi]
This repeated pre-chorus heightens the sense of danger and judgment. Werenoi insists on the cost of entry—again equating financial dues with existential risk—and emphasizes that the public eye on their possessions (like the watch) is relentless.
[Refrain : GIMS & Werenoi]
The final refrain reiterates the song’s core tension: luxury laced with danger, and the need for strategic movement. The repetition of “piano” now feels like both a warning and a lifestyle mantra.
[Post-refrain : GIMS & Werenoi]
With additional ad-libs, the post-refrain evolves into a melodic, almost meditative chant—reminding listeners that amidst pressure and fame, slowing down and moving carefully is a form of survival.
[Outro : Werenoi]
The outro echoes the earlier warning about paying dues or facing consequences. As the final line repeats “c’est carré” (it’s all in order), Werenoi closes with a phrase that signals control, structure, and confirmation that despite everything, he remains unshaken and ready.
Piano Official Video
FAQs
The "Piano" song is sung by Werenoi featuring GIMS
The "Piano" song by Werenoi lyrics was written by GIMS & Werenoi.
The "Piano" song by Werenoi was produced by Maximum Beats.
Werenoi released "Piano" song on May 5, 2025.
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