“Like I Do” is a new english song by Tate McRae, released on TateMcRae’s official YouTube channel on February 21, 2025. The track was written by Tate McRae and Grant, with production handled by Grant. Showcasing McRae’s signature blend of pop and alternative influences, “Like I Do” delivers an emotionally charged and bold message wrapped in an infectious beat. The song navigates themes of envy, imitation, and betrayal, offering a raw look at the complexities of friendship and rivalry in a world where admiration can quickly turn into obsession.
At its core, “Like I Do” is a sharp critique of those who disguise their envy as admiration. McRae calls out someone who seems fixated on emulating her every move, blurring the line between inspiration and unhealthy obsession. The lyrics highlight a toxic dynamic, where the subject of the song is not only trying to mirror McRae’s success but also undermining her in the process. The track’s biting lyrics, combined with McRae’s confident delivery, create a tense yet empowering anthem about self-assurance and the necessity of distancing oneself from disingenuous relationships.
Like I do Details
| Song | Like I do |
|---|---|
| Album | So Close To What |
| Artists | Tate McRae |
| Written By | Tate McRae & Grant |
| Produced By | Grant |
| Label | TateMcRae |
| Language | English |
| Released Date | Feb 21, 2025 |
Like I do Lyrics
[Chorus]
Say you wanna know me, you don’t wanna know me
You just wanna do what I do
You been tryna read me, think you wanna be me
You should go ahead and try to
Say you wanna know me, you don’t wanna know me
You just wanna do what I do
What I do (I do)
Like I do (Ooh)
[Verse 1]
Oh, baby, you got ten fingers ’round my neck at all times
Oh, baby, you think ’bout me ten times more than even your own life
And I thought nothin’ of it ’til I saw you last
Got your own, but you started eyein’ down on my man
And my clothes, and my plans
Know you’re prayin’ on my downfall (Oh yeah)
[Pre-Chorus]
I don’t trust you, not at all (At all)
[Chorus]
Say you wanna know me, you don’t wanna know me
You just wanna do what I do
You been tryna read me, think you wanna be me
You should go ahead and try to
Say you wanna know me, you don’t wanna know me
You just wanna do what I do
What I do (I do)
Like I do (Ooh)
[Verse 2]
Baby, tell me
What you gon’ do when they all find out? (Yeah)
You ain’t what you paint to the public, nah, nah
Friends with the ones that you know you shit-talkin’ about
You’re so composed
It’s insufferable
I ain’t never seen that many faces (Oh)
I ain’t never ever wanna ever switch places (Oh)
[Pre-Chorus]
I don’t trust you, not at all (At all)
[Chorus]
Say you wanna know me, you don’t wanna know me
You just wanna do what I do
You been tryna read me, think you wanna be me
You should go ahead and try to
Say you wanna know me, you don’t wanna know me
You just wanna do what I do
What I do (I do)
Like I do
[Interlude]
You know, I thought we were friends
But I get this weird feeling in my stomach
I can’t tell if you wanna kill me or if you wanna kiss me
And sometimes I’m flattered
But also, fuck you
Get the fuck away from me
[Chorus]
Say you wanna know me, you don’t wanna know me (Yeah, yeah)
You just wanna do what I do
You been tryna read me, think you wanna be me
You should go ahead and try to
Say you wanna know me, you don’t wanna know me
You just wanna do what I do
What I do (I do)
I do, I do
Like I do Meaning
[Section: Chorus]
The chorus serves as the song’s defining statement—McRae confronts someone who claims to want to know her but instead just wants to replicate her success. The repetition of “Say you wanna know me, you don’t wanna know me” reinforces the idea that this person’s interest is superficial and self-serving. McRae challenges them to go ahead and “try to” be like her, implying that authenticity cannot be copied. The assertive tone and layered vocals emphasize her frustration while maintaining a sense of confidence.
[Section: Verse 1]
McRae describes the suffocating presence of this individual, illustrating how they seem fixated on every aspect of her life—from her personal relationships to her style and career moves. The imagery of “ten fingers ’round my neck at all times” suggests a controlling, almost predatory energy, reinforcing the theme of unhealthy attachment. The mention of this person eyeing her partner and her plans further intensifies the sense of betrayal, making it clear that their intentions are not just about admiration but also competition.
[Section: Pre-Chorus]
With a simple yet impactful line, McRae declares her complete distrust. The bluntness of “I don’t trust you, not at all” adds weight to the song’s message, marking the moment where she fully acknowledges the toxicity of the relationship. This brief but powerful line acts as a turning point, setting up the emotional intensity of the next sections.
[Section: Chorus]
The second chorus reiterates McRae’s frustration, but this time, it carries an even stronger sense of defiance. By repeating the same lyrics, she emphasizes her realization that this dynamic is unhealthy and inescapable. The phrase “You should go ahead and try to” maintains an almost taunting tone, as if daring the person to keep up with her while knowing they never truly can.
[Section: Verse 2]
Here, McRae directly calls out the person’s hypocrisy. She exposes their two-faced nature, pointing out that they present a carefully curated image to the public while secretly criticizing the same people they claim to befriend. The line “You’re so composed, it’s insufferable” drips with sarcasm, emphasizing her disdain for their artificial persona. The frustration builds as she insists she would never trade places with them, reinforcing her own confidence and unwillingness to engage in their mind games.
[Section: Pre-Chorus]
Repeating the pre-chorus, McRae drives home her distrust. This second instance solidifies her stance—there’s no going back, no chance of reconciliation. The starkness of the line reflects her emotional exhaustion from dealing with this toxic individual.
[Section: Chorus]
Another repetition of the chorus reinforces McRae’s unwavering confidence. The song thrives on this cyclical structure, mirroring the exhausting nature of dealing with someone who continuously tries to infiltrate her life. Each repetition builds upon the last, intensifying the message rather than dulling it.
[Section: Interlude]
This interlude is one of the most striking moments in the song, offering an intimate glimpse into McRae’s conflicting emotions. She acknowledges that at times, the person’s obsession feels flattering, but ultimately, it is suffocating and unwelcome. The stark contrast between “I can’t tell if you wanna kill me or if you wanna kiss me” highlights the unsettling duality of admiration and resentment. The explicit rejection at the end (“Get the fuck away from me”) marks a final, definitive break, signaling that she has no interest in entertaining this relationship any longer.
[Section: Chorus]
The final chorus hits with even more intensity. The addition of “Yeah, yeah” adds a slightly more dismissive, almost exasperated tone. The song closes with McRae’s unwavering stance—this person may try to be like her, but they will never truly be her. The repetition of “I do, I do” serves as a confident affirmation of her individuality, ending the song on a note of self-assurance.
Like I do Official Video
So Close To What Songs
FAQs
The "Like I do" song is sung by Tate McRae.
The "Like I do" song by Tate McRae lyrics was written by Tate McRae & Grant.
The "Like I do" song by Tate McRae was produced by Grant.
Tate McRae released "Like I do" song on Feb 21, 2025.
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