Dear god Lyrics – Tate McRae

“Dear God” is a new english song by Tate McRae, released on TateMcRae’s official YouTube channel on February 21, 2025. Written by Tate McRae, Ryan Tedder, Julia Michaels, and Grant, and produced by Ryan Tedder and Grant, the song is an emotionally raw and introspective plea for relief from the lingering effects of a past relationship. Through haunting melodies and deeply personal lyrics, “Dear God” captures the torment of trying to erase the memory of someone who still holds an unshakable grip on the heart and mind.

At its core, “Dear God” is a desperate confession of love, longing, and the struggle to move on. Tate McRae presents a narrative of emotional entanglement, where even time and new relationships cannot erase the past. The song’s title suggests a spiritual cry for help—pleading to forget the traces of an ex-lover, from physical memories to emotional scars. With vivid imagery and raw honesty, McRae illustrates the push-and-pull between desire and healing, portraying the internal battle of wanting to let go but still being drawn to what once was.

Dear god Details

Song	Dear god
Album	So Close To What
Artists	Tate McRae
Written By	Tate McRae, Ryan Tedder, Julia Michaels & Grant
Produced By	Ryan Tedder & Grant
Label	TateMcRae
Language	English
Released Date	Feb 21, 2025

Dear god Lyrics

[Intro]
(Yeah)

[Verse 1]
Lay there
Back of my mind, he stay there
Pops up time to time like, “Hey there”
Haven’t seen you in two years, but, baby, we still breathe the same air
New love and it’s almost workin’
And I never used to be this person
But here I am
Hands on my chest and my knees on the carpet
Hopin’ you’ll stop it (Ah)

[Chorus]
Dear God
Take his kiss right out of my brain
Take the pleasure out of my pain
Take the way he’d used to say, “I love you”
Dear God
Get his handprint out of my back
Take “amazing” out of our sex
Take away the way I still might want to

[Post-Chorus]
Facts
All the memories, babe, I play ’em all, play ’em all, play ’em all, play ’em all back
To erase his name, I’d give it all, give it all, give everything that I have
All my no-good thoughts, I pray about, pray about, pray about, pray about that
Take away the way I still might want to

[Verse 2]
Hottest
Thing I’ve ever touched, just bein’ honest
Really tryna be good, I promise
That’s why I’m here
With my hands on my chest and my knees on the carpet
Hopin’ you’ll stop it (Ah)

[Chorus]
Dear God
Take his kiss right out of my brain
Take the pleasure out of my pain
Take the way he’d used to say, “I love you”
Dear God
Get his handprint out of my back
Take “amazing” out of our sex
Take away the way I still might want to (No)

[Post-Chorus]
Facts
All the memories, babe, I play ’em all, play ’em all, play ’em all, play ’em all back
To erase his name, I’d give it all, give it all, give everything that I have
All my no-good thoughts, I pray about, pray about, pray about, pray about that
Take away the way I still might want to

[Bridge]
Dear God, uh, uh, uh-uh
Dear God, uh, uh

[Outro]
Dear God, I hope you’re listenin’
(I play ’em all, play ’em all, play ’em all, play ’em all back)
I pray to Him, I’m missin’
Dear God, I hope you’re listenin’
(I play ’em all, play ’em all, play ’em all, play ’em all back)
I pray to Him, I’m missin’
Dear God, I hope you’re listenin’
Dear God, dear God, dear God
I’d give it all, give it all, give everything that I have
Dear God, dear God, dear God (I pray about, pray about, pray about)

Dear god Meaning

[Section: Intro]
The song begins with a simple yet weighty “Yeah,” setting the tone for the confessional nature of the track. This subtle opening acts as a deep breath before McRae delves into the emotional turmoil she is about to unfold.

[Section: Verse 1]
McRae paints a picture of emotional unrest, where memories of her past lover still resurface despite the passing of time. The phrase “he stay there” suggests an inescapable presence in her thoughts, emphasizing how deeply ingrained he is in her mind. Even though she is in a new relationship, she admits to struggling with feelings she never used to experience. The imagery of “hands on my chest and my knees on the carpet” conveys a moment of vulnerability—praying, hoping, and begging for relief from the pain.

[Section: Chorus]
The chorus is a direct plea to a higher power, asking for the erasure of every trace of her former lover. She wants his kiss, his words, and even the pleasure he once brought to be wiped from her memory. The raw honesty in “take ‘amazing’ out of our sex” highlights the complexity of her emotions—acknowledging the passion they shared while simultaneously wishing it never existed. This section encapsulates the battle between wanting to heal and still feeling drawn to the past.

[Section: Post-Chorus]
McRae intensifies her plea, replaying memories like a loop in her mind. The repetition of “play ’em all back” reflects how she involuntarily relives every moment, unable to escape. The willingness to “give everything that I have” in exchange for peace emphasizes the weight of her emotional burden, showing just how much she yearns for a release from her lingering feelings.

[Section: Verse 2]
Here, McRae openly admits the physical intensity of the relationship, calling it the “hottest thing I’ve ever touched.” Despite her best efforts to move forward, the past still tempts her, making it even harder to let go. The repeated prayer stance—”hands on my chest and my knees on the carpet”—returns, reinforcing the cycle of pain and longing she cannot seem to break.

[Section: Chorus]
The second chorus mirrors the first, reinforcing the desperation in her request. The added “(No)” at the end signals a breaking point, as if she is trying harder to push the memories away, yet still failing.

[Section: Post-Chorus]
Again, McRae loops through the painful recollections, illustrating how consuming and relentless the memories are. The repetition in this section highlights the emotional exhaustion of constantly revisiting the past despite her desperate prayers to forget.

[Section: Bridge]
The bridge consists of a series of “Dear God” repetitions, almost like a mantra or chant, emphasizing her unwavering cry for help. The stripped-down delivery makes it feel even more intimate, as though she is whispering a final plea into the void.

[Section: Outro]
In the outro, McRae directly addresses God, hoping her prayers are heard. The echoed line “I hope you’re listenin'” suggests uncertainty—perhaps a fear that even divine intervention cannot erase what she feels. The outro loops back to the idea of relentless memories, reinforcing the inescapable pain that lingers despite her desperate efforts to move on.

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