KENNY Lyrics (English Translation) – Neo Pistea, Cyril Kamer & Lucho SSJ

KENNY Lyrics (English Translation) by Neo Pistea is a new spanish song by Neo Pistea, Cyril Kamer & Lucho SSJ. The song is released on Neo Pistea’s official YouTube channel, written by Neo Pistea, Cyril Kamer & Lucho SSJ, produced by Class YR, and from the album CULTO II, offering listeners a bold and confrontational trap experience driven by rapid-fire bars and cinematic references.

KENNY blends pop culture nods with raw street narratives, using the iconic deaths of fictional characters like Kenny from South Park and Krillin from Dragon Ball as metaphors for the violence, betrayal, and unpredictability of life in the urban music scene. Across verses, the artists trade bars filled with swagger, survival, and revenge, boasting about their rise while acknowledging the danger that shadows their journey. The mood is aggressive, triumphant, and laced with irony, as they turn tragic archetypes into rallying cries for dominance and fame.

KENNY Details

KENNY (English Translation) Lyrics

[Intro: Cyril Kamer & Neo Pistea]
Ah, ah-ah-ah, ah, ah
Ah, ah-ah-ah, ah, ah
Ah, hey

[Chorus: Neo Pistea & Cyril Kamer]
They killed Kenny, they killed Krillin
The movie ends, I’m burning a Phillie
They killed Kenny, they killed Krillin (Hey)
The movie ends, I’m burning another Phillie
They’re going to give it to you, ah
They killed Kenny, they killed Krillin
I’m coming with Lucho, also with Cyril
Like Tinelli, we’re breaking the ratings (Yo)

[Verse 1: Cyril Kamer]
Your chorus trembling, it seems like it has Parkinson’s
And when I see them head on, they’ll surely run like Lewis Hamilton, yeah
Since I was a little bandit, call me Bart Simpson
I rule my neighborhood, I rule my area, it seems like I’m Clinton, Ah
Chambea, pull, shoot, the shots are in the face
We’re giving it a go, that’s why it doesn’t compare
At night we’re plotting, that’s why the cops are calling
The house is white and I’m not Obama
I’ve got a ticket on the bed
La-La-La-The police are investigating me
And I’m in my neighborhood with my people, I’m taking care of myself
Yeah, don’t let them shoot me, I’m on my way
I’m limping because the forty-eight weighs me down

[Verse 2: Neo Pistea & Cyril Kamer]
Class on the beat and the Telecaster
I’m going to cross you in Caste Square
I’m throwing the dogs at you so they can weigh you down
I’m the king, all I’m missing is my castle
Red carpet, the pastel palette
They won’t be trap even if they spend it, hey
They only buy diamonds (Eh-eh)
They only buy diamonds
Giant bodies, the skinny watch
The flow is so new, it seems like a delirium
I smell like Lataffa, look at my size
In Atalaya I spent 100 thousand, bro
She has it in her mouth while I film it
It’s for the article, sorry if I’m mistaken
She has it in her mouth, sitting on the dildo
I love her, I’m going to buy her the Cabildo
They killed the good one, they killed the bad one
And it’s going to touch you, on the street, it’s bad
The package arrives like a gift
I’m having a feast, I’m going to the Ballo
They made fun of Gucci, they made fun of Thugger
Here in my family they kill for toner
My son growing up and eating so much
I’m selling, God gives me so much (Says)

[Chorus: Cyril Kamer & Neo Pistea, Both]
They killed Kenny, they killed Krillin
The movie ends, I burn a Phillie
They killed Kenny, they killed Krillin
The movie ends, I burn another Phillie
They’re going to give you, ah
They killed Kenny, They killed Krillin
I arrive with Lucho, also with Cyril
Like Tinelli, we’re breaking the ratings

[Verse 3: Lucho SSJ & Cyril Kamer]
There’s always too much stick and artillery
The Gallery gets its blood on us (Huh)
I arrive with Neo Pistea and Cyril
The blue bills like Mavericks
They’re always on hold, and we’re in action
And I’m not talking to you about a movie
Here we’re breaking the ratings like Tinelli
Writing history, Stephen King
Rockstar life, Led Zeppelin (Grrt, paw)
The white baby, Christina Aguilera
Beverly brings me a picket
I have my little bundle stored in the glove compartment
From my first Audi in the seventies
I hardly used it that much, crossing the border
Baby, all these months I’ve been traveling
I’m singing with 3 kilos inside the dressing room
I have the bundle for Being able to afford it, the network crying from dripping so much
The diamonds are speaking for themselves, I don’t even open my mouth if I want to be a front-runner
If the baby wants to hit it off on social media, let her come down here so we can make it viral
I get on the dance floor and make a movie, I always kill it, “Final Destination” (Says)

[Chorus: Cyril Kamer, Lucho SSJ & Neo Pistea, Neo Pistea & Lucho SSJ, *All*]
They killed Kenny, they killed Krillin
The movie ends, I burn a Phillie
They killed Kenny, they killed Krillin
The movie ends and I burn another Phillie
They’re going to give it to you, ah
They killed Kenny, they killed Krillin
I arrive with the Tony, I arrive with the Cyril
Like Tinelli, *we break the rating* (Rating)

[Outro]
Sons of bitches

KENNY Lyrics Meaning

[Intro: Cyril Kamer & Neo Pistea]
The ethereal vocalizations set a mysterious tone, creating an atmospheric buildup before the beat drops. It foreshadows the emotional contrast in the track—beauty laced with violence, calm before the storm.

[Estribillo: Neo Pistea & Cyril Kamer]
Neo Pistea and Cyril Kamer introduce the chorus with a darkly humorous twist by referencing the deaths of Kenny and Krillin. These cultural touchpoints symbolize expendability and frequent loss, setting a tone of fatalism and tension. Lighting a Phillie after the “movie ends” suggests finding solace in vices after chaos. The inclusion of Lucho and Cyril emphasizes unity among artists, while the Tinelli reference likens their popularity to the TV mogul’s mass appeal.

[Verso 1: Cyril Kamer]
Cyril Kamer launches into sharp, aggressive bars describing his dominance and confidence. He mixes street language with pop references like Bart Simpson and Bill Clinton, using humor and bravado to underscore his rebellious nature. The lyrics highlight surveillance, risk, and resilience, with police presence serving as both threat and proof of influence. His “forty eight” adds a layer of danger, suggesting he’s armed and prepared in a hostile environment.

[Verso 2: Neo Pistea & Cyril Kamer]
Neo Pistea and Cyril Kamer continue to escalate the energy, intertwining flashy imagery with violent undertones. From designer fashion and luxury scents to threats and graphic sexual references, the verse balances aesthetic flair with raw force. Neo asserts his reign with confidence, calling for recognition of his influence. Lyrical chaos reflects a lifestyle of extremes, where wealth, loyalty, and danger collide. The mention of rappers being “chotearon” (snitched) links street codes with celebrity scandals, anchoring the song in a world where trust is currency.

[Estribillo: Cyril Kamer & Neo Pistea, Ambos]
This reprise of the chorus reinforces the track’s motifs—loss, retaliation, and camaraderie. Repetition of the Kenny and Krillin references reinforces the idea that no one is safe in their world, while the Phillie-smoking refrain underscores the routine of coping through escapism.

[Verso 3: Lucho SSJ & Cyril Kamer]
Lucho SSJ enters with brash, unfiltered energy, blending luxury and danger. References to artillery, bloodstains in designer stores, and high-stakes border crossings speak to a life on the edge. He paints his lifestyle as cinematic and larger-than-life, with shout-outs to Led Zeppelin, Stephen King, and Final Destination. Lucho’s delivery is assertive and confident, positioning himself as a rockstar outlaw unafraid to push limits or break laws.

[Estribillo: Cyril Kamer, Lucho SSJ & Neo Pistea, Neo Pistea & Lucho SSJ, Todos]
The final chorus expands to include all three artists, creating a climactic sense of solidarity and power. The flow is synchronized, and the phrase “rompemo’ el rating” acts as both boast and mission statement—surpassing expectations, dominating charts, and owning their narrative.

[Outro]
The blunt final phrase “Hijos de puta” delivers an aggressive, unapologetic send-off. It punctuates the song with rage and defiance, staying true to the rawness of the track’s theme.

KENNY Official Video

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