GPS Lyrics (English Translation) – DFZM, Jombriel & , Jowell & Randy

GPS Lyrics (English Translation) by DFZM, Jombriel, Jowell & Randy is a new spanish song by DFZM, Jombriel, Jowell & Randy. The song is released on DFZM’s official YouTube channel, written by all four artists and produced by Jøtta and Bowdozen. Merging reggaeton, perreo, and urban Latin vibes, GPS delivers an energetic and provocative listening experience that taps into sensuality, flirtation, and street-style bravado.

The song’s lyrics revolve around physical attraction, explicit desire, and confident seduction, presented in the playful and brash style typical of reggaeton. With each artist bringing their own flow and perspective, GPS mixes party-ready rhymes with bold metaphors and raw chemistry. The repeated call for a “GPS” becomes symbolic of seeking a passionate connection—both physically and emotionally disoriented in the heat of the moment. While the song thrives on fantasy and hyperbole, it also captures the charisma and swagger that define the genre.

GPS Details

Song	GPS
Artists	DFZM, Jombriel & , Jowell & Randy
Written By	DFZM, Jombriel, Jowell & Randy
Produced By	Jøtta & Bowdozen
Label	DFZM
Language	Spanish
Released Date	Apr 25, 2025

GPS (English Translation) Lyrics

[Intro: Randy, Jowell, DFZM & Jombriel]
One, two, three, hey, we’re testing the mic (Ra-Ra-Randy, DF, Jowell)
Joven 2005
One-One, two, three, hey, we’re testing the mic (Jombriel; me, okay, La Sangre Nueva)
Ah-Ah (The Beat Make) ah

[Verse 1: Jombriel]
What-What am I shooting, my queen? Today I’m going to give you what you want
I’m the one who turns her on, I make her de-stress
I want to see what you’re going through
She says she has a big ass, but it doesn’t look like it
She doesn’t look like it, but the chick is really tempting me
She wants me to stick my crowbar in her ass
I sing to the black girl who wants my crowbar
Take my horn and turn it up for SAETA

[Pre-Chorus: Jombriel]
Tonight I’m going to hit you without stopping
Give me your GPS, I’ll get there
Playful, come, play with my Lego
Playful, come, play with my Lego

[Chorus: Jombriel & Jowell]
She wants me not to forgive her (Don’t forgive her), I’ll hit her hard (I’ll hit her hard)
I’ll forgive her (I’ll forgive her), I’ll hit her hard (I’ll hit her hard)
She wants me not to forgive her (Don’t forgive her), I’ll hit her hard The spank (I spank her hard)
I forgave her (I forgive her; Jowell), the spank was hard (I spank her hard; Briel, hey)

[Verse 2: Jowell]
The baby doesn’t want the bonga anymore
She wants the joint to come to her in the next round (Yeah)
Rotate it, pass it, she wants to be locked
This is a dirty perreo, not a fairy tale, uh
It feels good (Good), I don’t give you a die because you’re a hundred (A hundred)
Now that I’ve seen her well, she’s got an ass too (Yeah)
She-She looks at you all flirtatious because she wants to be screwed, to be screwed, woah
Really sexy, she’s not a saint at all
When they jump on her tit, she lifts it up
And she holds it when I put the lever on her
She chokes on me, I fill her throat

[Bridge: Randy]
Let me break her and crash her
She’s looking for me I’ll mount her and crash her
I want a bad girl who can handle my torque
If she’s bored, then she can handle the torque
Don’t suffocate me and we’ll go all out

[Verse 3: DFZM]
She wants-wants-wants me not to forgive her (-done)
Shorty (Shorty), come on, she’s horny now
Mami-Mami, come on, I’m here for you
She doesn’t want it easy, she wants it all and
I’m going to give her whatever she asks for
She grabs my arm and wants me to keep going
Bad face, bad bitch, a bandit
She wants to be mine and for me to give her all day
And me, why not? No co—, no more drinking (Ah)
She’s trying and knows she’s going to burn you
Light one, pass it around, bring your friend, rotate her
Take off your pants now and ride that ass
So I can kill you
Tell me where it is, because I want to see you today
I can’t stop thinking about you, finding you was luck
With that face, anyone would get lost

[Refrain: DFZM]
Morena, move it like this-yes (Yes-Yes), yes-yes (Yes-Yes)
Show me how to do it easy
She follows the rhythm and bites her lip, yeah
Move it softly, softly, yes-yes

[Chorus: DFZM & Randy]
She wants me not to forgive her (Don’t forgive her), I’ll hit her hard (I’ll hit her hard)
I’ll forgive her (I’ll forgive her), I’ll hit her hard (I’ll hit her hard) spank)
She wants me not to forgive her (Don’t forgive her), I’ll spank her hard (I’ll spank her hard)
I forgave her (I forgave her, I’ll spank her hard, aight)
She wants me not to forgive her, I’ll spank her hard
I forgave her, I’ll spank her hard
I forgave her, I’ll spank her hard (Boom)
I forgave her, I’ll spank her hard (Yeah, boom)

[Verse 4: Randy]
One, two, three, hey, we’re testing the mic
Randy Crazy Note, I have the note on high
Looking for me to crash and that has full cover
I hope you hold out and give me an overtime
And without fear says the sign, I’ll send you the contract to DocuSign
After I squeeze you, I crash you, mai, don’t drive you crazy
With the coke we’ll make a couple of lines on top of your big ass (That the part and (I’ll crash her), watch me

[Outro: Jombriel, DFZM, Jowell & Randy]
Yo, okay, La Sangre Nueva, haha ​​(She’s looking for me to ride her and crash her)
This is Jombriel (I want a bad girl who can handle my torque)
You see, mami, that we could do it again? (If she’s bored, she can handle the torque)
Ecuador, Colombia, and Puerto Rico in the house (Don’t let me suffocate you, we’re not going, ah-ah; hard-hard-hard)
Young Rapper, Dad (Jowell)
Yeah-yeah, tell me, Jøtta (Jombriel)
Indíca, Bow, ah-ah-ah (You already know)
Tell me, Jøtta, The Hit Make (She wants me not to forgive her)
It’s not The Beat Make anymore, but The Hit Make, you hear? (*Jøtta, The Beat Make*; Young Rapper, Dad)
Don’t forgive her (Go!)
New Blood (Young 2005), yeah

GPS Lyrics Meaning

[Intro: Randy, Jowell, DFZM & Jombriel]
The intro acts as a sound check and casual roll call, setting a laid-back and improvised vibe that brings all four collaborators together. References to “La Sangre Nueva” suggest a new wave of talent while paying homage to reggaeton roots. It builds anticipation for a high-energy, boundary-pushing performance.

[Verso 1: Jombriel]
Jombriel opens with provocative wordplay, portraying himself as a confident seducer. He uses double entendres to hint at sexual tension while commenting on appearances and expectations. His delivery is playful yet assertive, reflecting a streetwise charisma and a desire to break inhibitions with the woman he addresses.

[Pre-Estribillo: Jombriel]
This short pre-chorus adds flirtatious energy, inviting the woman to share her location, both literally and metaphorically. By referencing “Lego,” Jombriel introduces a childlike metaphor twisted into adult context, further fueling the song’s provocative undertones.

[Estribillo: Jombriel & Jowell]
The chorus amplifies the erotic tension. Jombriel and Jowell express a shared desire to be unrestrained and rough in intimacy, repeating the phrase “duro la azote” to stress intensity and physicality. The back-and-forth echoes the reggaeton tradition of party anthems driven by bold repetition and dancefloor readiness.

[Verso 2: Jowell]
Jowell delivers a vivid picture of a rebellious woman rejecting fairy-tale romance for something raw and real. His lines lean heavily into perreo culture—intense dancing, smoking, and explicit interaction—underscoring the track’s wild, no-holds-barred tone. He compliments her sexually liberated attitude while positioning himself as someone who matches her energy.

[Puente: Randy]
Randy introduces the idea of speed and intensity with metaphors like torque and “alofoke,” a Dominican slang term implying full-on, wild behavior. His lines emphasize physical power and chemistry, suggesting a woman who can handle his unfiltered style.

[Verso 3: DFZM]
DFZM continues the sexually charged narrative, shifting into a more dominant and demanding role. He describes a woman craving attention and control, and positions himself as someone eager to fulfill those desires. The verse blurs the lines between lust and affection, emphasizing physical satisfaction as a form of connection.

[Refrán: DFZM]
This refrain reinforces the sensual tone with simple but effective commands. DFZM celebrates a woman who knows how to move, urging her to show off her rhythm and confidence. The biting of lips adds a layer of suggestive imagery, enhancing the seduction theme.

[Estribillo: DFZM & Randy]
The chorus repeats with DFZM and Randy adding their voices, maintaining the intensity and catchy flow. The repetition of “duro la azote” becomes an anthem-like chant, reinforcing the song’s physical and musical rhythm.

[Verso 4: Randy]
Randy returns with high energy and clever modern references, like signing contracts via DocuSign. He mixes humor with suggestive content, positioning the encounter as both a business deal and a wild adventure. The mention of drugs adds to the hedonistic setting, intensifying the raw, unfiltered atmosphere.

[Outro: Jombriel, DFZM, Jowell & Randy]
The outro wraps up the track with ad-libs, shouts, and regional pride—Ecuador, Colombia, and Puerto Rico are all represented. It feels celebratory and communal, acknowledging their collaborative success while emphasizing the unity and reach of Latin urban music.

GPS Official Video

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