GPS Lyrics by DFZM, Jombriel, Jowell & Randy is a new spanish song by DFZM, Jombriel, Jowell & Randy. The song is released on DFZM’s official YouTube channel, written by all four artists and produced by Jøtta and Bowdozen. Merging reggaeton, perreo, and urban Latin vibes, GPS delivers an energetic and provocative listening experience that taps into sensuality, flirtation, and street-style bravado.
The song’s lyrics revolve around physical attraction, explicit desire, and confident seduction, presented in the playful and brash style typical of reggaeton. With each artist bringing their own flow and perspective, GPS mixes party-ready rhymes with bold metaphors and raw chemistry. The repeated call for a “GPS” becomes symbolic of seeking a passionate connection—both physically and emotionally disoriented in the heat of the moment. While the song thrives on fantasy and hyperbole, it also captures the charisma and swagger that define the genre.
GPS Details
| Song | GPS |
|---|---|
| Artists | DFZM, Jombriel & , Jowell & Randy |
| Written By | DFZM, Jombriel, Jowell & Randy |
| Produced By | Jøtta & Bowdozen |
| Label | DFZM |
| Language | Spanish |
| Released Date | Apr 25, 2025 |
GPS Lyrics
[Intro: Randy, Jowell, DFZM & Jombriel]
One, two, three, ey, ‘tamo probando el mic (Ra-Ra-Randy, DF, Jowell)
Joven 2005
One-One, two, three, ey, tamo’ probando el mic (Jombriel; yo, okey, La Sangre Nueva)
Ah-Ah (The Beat Make) ah
[Verso 1: Jombriel]
¿Qué-Qué tiro, mi reina? Hoy te vo’a dar lo que apetece
Soy el que le enchaya, yo hago que se desestrese
Quiero ver de lo que tú padece’
Dice que tiene un culo grande pero no parece
No parece pero la tipa cómo me tienta
Quiere que yo le meta mi paleta en la caleta
Le canto a la prieta que quiere mi palanqueta
Toma mi corneta y súbela pa’ SAETA
[Pre-Estribillo: Jombriel]
Esta noche yo te doy sin freno
Dame tu GPS, que yo le llego
Juguetona, ven, juega con mi Lego
Juguetona, ven, juega con mi Lego
[Estribillo: Jombriel & Jowell]
Quiere que no la perdone (No la perdone), duro la azote (Duro le azote)
La perdone (La perdone), duro la azote (Duro la azote)
Quiere que no la perdone (No la perdone), duro la azote (Duro le azote)
La perdone (La perdone; Jowell), duro la azote (Duro la azote; Briel, ey)
[Verso 2: Jowell]
La baby ya no quiere de la bonga
Quiere que el bareto le llegue en la otra ronda (Sí)
Rótalo, pásalo, ella quiere estar trabada
Esto e’ un perreo sucio, no un cuento de hadas, uh
Se siente bien (Bien), no te doy un die’ porque tú eres un cien (Cien)
Ahora que la vi bien, tiene culo también (Sí)
Te-Te mira bien coqueta porque quiere que le den, que le den, woah
Bien sexy, no tiene na’ de santa
Cuando le brincan la’ teta’, me lo levanta
Y aguanta cuando yo le pongo la palanca
Ella se me atraganta, le lleno la garganta
[Puente: Randy]
Que la parte y la choque
Ella está buscando que la monte y la choque
Yo quiero una mala que me aguante el torque
Si está’ aburrida, pue’ aguanta el torque
No te me sofoque’ y no’ vamo’ alofoke
[Verso 3: DFZM]
Quiere-Quiere-Quiere que no la perdone (-done)
Shorty (Shorty), dale, ya está horny
Mami-Mami, ponte pa’ mí, que pa’ ti estoy
No quiere suave, quiere con to’ y
Yo le voy a dar to’ lo que me pida
Me agarra el brazo y quiere que siga
Cara ‘e mala, bad bitch, una bandida
Quiere ser mía y que le dé to’ el día
Y yo, ¿cómo no? No’ co—, no’ copeo má’ (Ah)
‘Tá tentando y sabe’ que te va a quemar
Prende uno, pásalo, trae a tu amiga, rótala
Quítate ya el pantalón y esa’ nalga’ móntala’
Pa’ yo darte muerte
Dime dónde está’, que hoy quiero verte
No paro ‘e pensarte, encontrarte fue suerte
Con esa cara cualquiera se pierde
[Refrán: DFZM]
Morena, muévelo así-sí (Sí-Sí), sí-sí (Sí-Sí)
Muestra cómo se hace easy
Ella sigue el ritmo y se muerde lo’ lip, sí
Muévelo suave, suave, sí-sí
[Estribillo: DFZM & Randy]
Quiere que no la perdone (No la perdone), duro la azote (Duro le azote)
La perdone (La perdone), duro la a— (Duro la azote)
Quiere que no la perdone (No la perdone), duro le azote (Duro le azote)
La perdone (La perdone, duro le azote, aight)
Quiere que no la perdone, duro la azote
La perdone, duro la azote
La perdone, duro la azote (Pum)
La perdone, duro la azote (Yeah, pum)
[Verso 4: Randy]
One, two, three, ey, ‘tamo probando el mic
Randy Nota Loca, la nota la tengo en high
Buscando que la choque y eso tiene full cover
Espero que tú aguante’ y me haga’ un overtime
Y sin miedo dice el sign, el contrato te lo mando a DocuSign
Despué’ que yo te apriete, te choque, mai, no te vuelva’ loca
Con la coca hacemo’ par de linea’ encima ‘e tu’ nalgota’ (Que la parte y la choque), watch me
[Outro: Jombriel, DFZM, Jowell & Randy]
Yo, okey, La Sangre Nueva, jaja (Ella está buscando que la monte y la choque)
Este e’ Jombriel (Yo quiero una mala que me aguante el torque)
¿Viste, mami, que lo pudimo’ hacer de nuevo? (Si está’ aburrida, pue’ aguante el torque)
Ecuador, Colombia y Puerto Rico en la casa (No te me sofoque’ que no’ vamo’, ah-ah; duro-duro-duro)
Joven Rapper, papá (Jowell)
Yeah-yeah, dímelo, Jøtta (Jombriel)
Indíca, Bow, ah-ah-ah (Tú lo sabe’ ya)
Dímelo, Jøtta, The Hit Make (Quiere que no la perdone)
Ya no e’ The Beat Make, sino que e’ The Hit Make, ¿oíste? (*Jøtta, The Beat Make*; Joven Rapper, papá)
Que no la perdone (Go!)
La Sangre Nueva (Joven 2005), yeah
GPS Lyrics Meaning
[Intro: Randy, Jowell, DFZM & Jombriel]
The intro acts as a sound check and casual roll call, setting a laid-back and improvised vibe that brings all four collaborators together. References to “La Sangre Nueva” suggest a new wave of talent while paying homage to reggaeton roots. It builds anticipation for a high-energy, boundary-pushing performance.
[Verso 1: Jombriel]
Jombriel opens with provocative wordplay, portraying himself as a confident seducer. He uses double entendres to hint at sexual tension while commenting on appearances and expectations. His delivery is playful yet assertive, reflecting a streetwise charisma and a desire to break inhibitions with the woman he addresses.
[Pre-Estribillo: Jombriel]
This short pre-chorus adds flirtatious energy, inviting the woman to share her location, both literally and metaphorically. By referencing “Lego,” Jombriel introduces a childlike metaphor twisted into adult context, further fueling the song’s provocative undertones.
[Estribillo: Jombriel & Jowell]
The chorus amplifies the erotic tension. Jombriel and Jowell express a shared desire to be unrestrained and rough in intimacy, repeating the phrase “duro la azote” to stress intensity and physicality. The back-and-forth echoes the reggaeton tradition of party anthems driven by bold repetition and dancefloor readiness.
[Verso 2: Jowell]
Jowell delivers a vivid picture of a rebellious woman rejecting fairy-tale romance for something raw and real. His lines lean heavily into perreo culture—intense dancing, smoking, and explicit interaction—underscoring the track’s wild, no-holds-barred tone. He compliments her sexually liberated attitude while positioning himself as someone who matches her energy.
[Puente: Randy]
Randy introduces the idea of speed and intensity with metaphors like torque and “alofoke,” a Dominican slang term implying full-on, wild behavior. His lines emphasize physical power and chemistry, suggesting a woman who can handle his unfiltered style.
[Verso 3: DFZM]
DFZM continues the sexually charged narrative, shifting into a more dominant and demanding role. He describes a woman craving attention and control, and positions himself as someone eager to fulfill those desires. The verse blurs the lines between lust and affection, emphasizing physical satisfaction as a form of connection.
[Refrán: DFZM]
This refrain reinforces the sensual tone with simple but effective commands. DFZM celebrates a woman who knows how to move, urging her to show off her rhythm and confidence. The biting of lips adds a layer of suggestive imagery, enhancing the seduction theme.
[Estribillo: DFZM & Randy]
The chorus repeats with DFZM and Randy adding their voices, maintaining the intensity and catchy flow. The repetition of “duro la azote” becomes an anthem-like chant, reinforcing the song’s physical and musical rhythm.
[Verso 4: Randy]
Randy returns with high energy and clever modern references, like signing contracts via DocuSign. He mixes humor with suggestive content, positioning the encounter as both a business deal and a wild adventure. The mention of drugs adds to the hedonistic setting, intensifying the raw, unfiltered atmosphere.
[Outro: Jombriel, DFZM, Jowell & Randy]
The outro wraps up the track with ad-libs, shouts, and regional pride—Ecuador, Colombia, and Puerto Rico are all represented. It feels celebratory and communal, acknowledging their collaborative success while emphasizing the unity and reach of Latin urban music.
GPS Official Video
FAQs
The "GPS" song is sung by DFZM, Jombriel & , Jowell & Randy.
The "GPS" song by DFZM, Jombriel & , Jowell & Randy lyrics was written by DFZM, Jombriel, Jowell & Randy.
The "GPS" song by DFZM, Jombriel & , Jowell & Randy was produced by Jøtta & Bowdozen.
DFZM, Jombriel & , Jowell & Randy released "GPS" song on Apr 25, 2025.
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