EN LA CITY Lyrics – Trueno & Young Miko

EN LA CITY Lyrics by Trueno & Young Miko is a new spanish song by Trueno and Young Miko. The track is released on Trueno’s official YouTube channel, written by Trueno, Young Miko, Tatool, Mauro & Amadeo Alonso, and produced by Tatool. Though no official album is specified, this collaboration brings together two powerful voices from Argentina and Puerto Rico, offering a vibrant, nightlife-infused anthem that pulses with urban energy and global flair.

The lyrics of “EN LA CITY” capture the rhythm and culture of modern party life, blending assertive bars with seductive melodies. The song navigates themes of late-night city experiences, confidence, opulence, and carefree celebration. Both Trueno and Young Miko take turns painting a vivid picture of their surroundings—filled with flashing lights, music, luxury, and a no-permission-needed mindset. The track merges the swagger of Latin trap with global hip-hop influences, representing a celebration of youth, freedom, and cultural pride.

EN LA CITY Details

EN LA CITY Lyrics

[Coro: Trueno]
En la city all the night
Ahora me llama y suena ring-ring all the line, yeah
En la city all the night
Ahora me llama y suena ring-ring all the line, yeah
Para abajo cada ve’ que suena, suena, suena

[Verso 1: Trueno]
Guacha, por acá no damo’ vuelta’ (No, no)
Hay barra libre para todos en la cuenta
Súbanle al volumen, que la música revienta, ja
Yo con mis llanta’ retro camino en los 70
Le vamo’ a dar al cien, saben quién representa
Al rap argentino en letra imprenta
Le cierro la boca a los que inventan
Sonando mucho más global que ustedes sin poner el culo en ven-
Ven, ven, mami chula, ven, ven
Ahora ten, ten lo que poco’ ven, ven
Chiqui-chiri, bang, bang, no soy lo que venden
To’ lo que hago es hit, y no tengo la money on my mind
(Y a las 3) Ando con mis homies on my side
‘Tamo fine, guacho’, bajen para el barrio, don’t cry
Soy la refe de la refe de tu jefe, soy el type, ah, yah
Para abajo cada ve’ que suena el vibe, yes, yes

[Coro: Trueno]
En la city all the night (All the night)
Ahora me llama y suena ring-ring all the line (All the line)
Para abajo cada ve’ que suena el vibe, yes, yes (Yeah)
En la city all the night (Yeah)
Ahora me llama y suena ring-ring all the line (Yeah)

[Verso 2: Young Miko]
Ey, probando, one, two, hoy quiero una baby boo
Is it you? Dime what you wanna do
Que ando en la disco como 50, a las roca’ quiere el whisky
Una nena buena y otra freaky
El estilo es funky, ey
Enamorá’ del blin blin Swarovski (Nah)
Tiffany rings, no le bajes la combi
Millone’ en stream, millone’ en el TikTok
Prendío’ en la muñeca puesta
Cuida’o que no te moje’ con la vestimenta
Hoy llueven los billete’ ‘e $50 (Prr)
Trueno y Miko son una tormenta

[Puente: Young Miko & Trueno]
En el club to’ el mundo pa’l piso, ey
Pa’l piso, pa’l piso
Pa’ darle hasta abajo no hay que pedir permiso, nah
No hay que pedir permiso
Así que my crew to’ el mundo pa’l piso
Ja, yah, para el piso
Pa’ darle hasta abajo no hay que pedir permiso
Mai, no hay que pedir permiso, ey

[Coro: Young Miko & Trueno, Ambos]
En la city all the night (All the night)
Ahora me llama y suena ring-ring all the line (All the line, uh-uh)
En la city all the night (All the night)
Ahora me llama y suena ring-ring all the line (All the line)
En la city all the night (All the night)
Ahora me llama y suena ring-ring all the line (All the line)
Para abajo cada ve’ que suena el vibe, yes, yes (Yeah)
En la city all the night (All the night)
Ahora me llama y suena ring-ring all the line (All the line)
Para abajo cada ve’ que suena, suena, suena, yes, yes

[Outro: Trueno]
Jojo, yeah
Es el Trueno, pai
Con la Young Miko
Desde Argentina a Puerto Rico, jaja
Prr, prr, prr
En la city all the night
Let’s go

EN LA CITY Lyrics Meaning

[Coro: Trueno]
In this chorus, Trueno sets the nocturnal tone of the track. The repeating phrase “En la city all the night” evokes a constant presence in the nightlife scene, emphasizing a 24/7 lifestyle. The use of “ring-ring all the line” symbolizes the attention he’s receiving—likely from admirers or collaborators—implying his growing influence and popularity. The line “para abajo cada ve’ que suena” suggests a rhythmic drop, hinting at how people react physically to the beat on the dancefloor.

[Verso 1: Trueno]
Trueno’s verse is packed with confidence and clever cultural nods. He asserts dominance in the scene, referencing Argentina’s rap heritage and his role in elevating it on a global scale. Phrases like “barra libre para todos” (open bar for all) create a festive atmosphere, while “yo con mis llanta’ retro camino en los 70” ties into retro fashion and classic style. His wordplay flips criticism into affirmation, and with lines about making hits without chasing money, he defines himself as an authentic artist focused on craft, not clout.

[Coro: Trueno]
Repetition in the chorus enhances the hypnotic rhythm of the track. This second chorus amplifies the idea that Trueno’s presence and sound cause a shift in energy wherever he goes. The consistent structure re-emphasizes the nightlife narrative and his central role in that scene, making the chorus both catchy and symbolic.

[Verso 2: Young Miko]
Young Miko brings a playful yet powerful presence to the track. She references flashy lifestyles, fashion, and confidence—“Tiffany rings,” “millone’ en el TikTok”—to show she’s both culturally and commercially impactful. Her line “una nena buena y otra freaky” plays with duality, hinting at layered identity and liberation. She and Trueno, described as a “tormenta,” form a dynamic duo, blending femininity and fierceness with high-energy swagger.

[Puente: Young Miko & Trueno]
This bridge becomes a call to action for the club scene. The repetition of “pa’l piso” (to the floor) is a dance command that ignites the party. Declaring that “no hay que pedir permiso” reinforces the song’s core theme—freedom without limits. The section breaks from lyrical complexity and leans into rhythm and movement, creating a communal vibe that encourages listeners to let go.

[Coro: Young Miko & Trueno, Ambos]
In this final chorus, both artists unify their voices, reinforcing the anthem-like nature of the hook. Their dual presence represents the merging of different musical cultures—Argentina and Puerto Rico—while keeping the energetic essence alive. The repetition of phrases enhances memorability and sets the stage for this song to become a staple in Latin party playlists.

[Outro: Trueno]
The outro ties the song together with geographical pride and artistic partnership. Trueno shouts out both his and Young Miko’s origins, emphasizing the transnational nature of their collaboration. The playful “Prr, prr, prr” is a signature ad-lib, signaling confidence and completion, leaving the listener with the lasting impression of a bold, border-crossing hit.

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