DE PAQUETE Lyrics by Mora is a new spanish song by Mora, featuring Jory Boy. The song is released on Mora’s official YouTube channel, written by Mora & Jory Boy, produced by Elikai, and from the album LO MISMO DE SIEMPRE, offering listeners a provocative and high-energy reggaetón experience.
The song’s lyrics revolve around intense physical attraction, dominance, and desire within the context of nightlife and casual relationships. Mora and Jory Boy paint a vivid picture of a fearless, sexually confident woman who commands attention in the club and in private. With seductive metaphors and bold imagery, the artists convey themes of lust, exclusivity, and the emotional charge that comes from a fleeting yet passionate connection.
DE PAQUETE Details
| Song | DE PAQUETE |
|---|---|
| Album | LO MISMO DE SIEMPRE |
| Artists | Mora |
| Featuring Artists | Jory Boy |
| Written By | Mora & Jory Boy |
| Produced By | Elikai |
| Label | Mora |
| Language | Spanish |
| Released Date | May 19, 2025 |
DE PAQUETE Lyrics
[Jory Boy & Mora]
Sigue llamando tarde, le cae pa’ que la sobe
En la disco es terrible, siempre pide los shot que sean doble’
Y ella no tiene novio, pero siempre dice que soy su daddy
Todos se la quieren llevar, pero en la discoteca no hay quien gane
[Coro: Jory Boy]
Ese totito está bello, ‘tá de paquete, le quito el sello
Eso es pa’ mí na’ má’, no hay na’ pa’ ello’
Ese totito está bello, ‘tá de paquete, le quito el sello
Eso es pa’ mí na’ má’, no hay na’ pa’ ello’
[Verso 1: Jory Boy & Mora]
Conozco su intención, ya se sabe de memoria mi habitación
Callaíta’, pero si la vieran en acción
Biónica, ella no ‘tá en relación, ella ‘tá en producción
Está de colección
Si se pone la mini sienten la presión
El whiskey lo combina con Cyclone o tónica
Ella no ‘tá en relación, ella ‘tá en producción
[Coro: Jory Boy]
Ese totito está bello, ‘tá de paquete, le quito el sello
Eso es pa’ mí na’ má’, no hay na’ pa’ ello’
Ese totito está bello, ‘tá de paquete, le quito el sello
Eso es pa’ mí na’ má’, no hay na’ pa’ ello’
[Verso 2: Mora & Jory Boy]
Cada ve’ que conmigo misonea termina en missionary
Le gusta que la toque donde no se marca el tanning
Ese cuerpito e’ flexible, e’ elastic
Y sin cirugía plastic
Esa baby es “Candy”, Chencho y Maldy
‘Toy bien loco, más que Randy, sí
Y con esta bellaquera no llegamo’ ni al parking (No llegamo’ ni al parking)
Y pa’ mí que ella está poseída
Ese totito rosita siempre se la dejo lila
Es que no existe ninguna con sus misma’ medida’
Me gustan sus ojo’, pero más cómo me miran
[Coro: Mora, Mora & Jory Boy]
Ese totito está bello, ‘tá de paquete, le quito el sello
Eso es pa’ mí na’ má’, no hay na’ pa’ ello’
Ese totito está bello, ‘tá de paquete, le quito el sello
Eso es pa’ mí na’ má’, no hay na’ pa’ ello
[Outro: Jory Boy]
Yao, yao
DE PAQUETE Lyrics Meaning
[Jory Boy & Mora]
This intro section introduces the woman at the center of the song’s narrative—a confident partygoer who seeks physical intimacy on her terms. Jory Boy and Mora describe her late-night visits and fearless behavior in the club, where she unapologetically demands strong drinks and attention. Despite being single, she playfully claims Mora as her “daddy,” asserting control in both public and private spaces. The section sets the tone for a dynamic of mutual desire, where the woman stands out as unattainable to others.
[Coro: Jory Boy]
The chorus serves as the song’s hook, emphasizing the woman’s physical allure with the phrase “está de paquete,” meaning brand new or untouched, adding to her appeal. Jory Boy claims exclusivity, stating that she belongs to him alone. The repetition and bold sensuality underscore the possessive tone of the song, where physical beauty becomes symbolic of something rare and personal.
[Verso 1: Jory Boy & Mora]
In this verse, Mora and Jory Boy delve deeper into the woman’s mystique. She knows what she wants, is familiar with Mora’s private space, and balances innocence with uninhibited passion. Her independence is highlighted—she isn’t in a relationship but is in a phase of self-production or growth. Her style and presence exert pressure on others, signaling her magnetic confidence. Even her drink preferences reflect her bold nature, mixing strong alcohols without hesitation.
[Coro: Jory Boy]
The repetition of the chorus reinforces the possessive admiration both artists feel toward the woman. The imagery remains consistent, celebrating her beauty and the idea that she is reserved solely for the narrator. This refrain ties the song’s theme of exclusive desire back to its emotional and physical core.
[Verso 2: Mora & Jory Boy]
This section explores the intimate details of Mora’s encounters with the woman. He describes their sexual chemistry, her natural beauty without plastic surgery, and likens her to iconic reggaetón references like “Candy” by Plan B. The verse is laced with metaphor, portraying Mora’s intense obsession and emotional intoxication. Her eyes and the way she looks at him have a deeper effect, suggesting that her power isn’t just physical—it’s also emotional and psychological.
[Coro: Mora, Mora & Jory Boy]
The final chorus brings both artists together vocally, intensifying the emotional weight of their obsession. The lyrics remain unchanged, but Mora’s added presence emphasizes mutual desire and shared admiration, completing the full-circle narrative of passionate possession.
[Outro: Jory Boy]
The outro is brief and casual, with Jory Boy adding a signature tag, “Yao, yao,” closing the track with swagger and maintaining the playful, confident tone established throughout the song.
DE PAQUETE Official Video
LO MISMO DE SIEMPRE Songs
FAQs
The "DE PAQUETE" song is sung by Mora featuring Jory Boy
The "DE PAQUETE" song by Mora lyrics was written by Mora & Jory Boy.
The "DE PAQUETE" song by Mora was produced by Elikai.
Mora released "DE PAQUETE" song on May 19, 2025.
More Mora Songs
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