Tuesday Lyrics – Julien Baker & TORRES

“Tuesday” is a new english song by Julien Baker and TORRES, released on Julien Baker’s official YouTube channel. Written by TORRES and Julien Baker and produced by TORRES, Julien Baker, and illuminati hotties, the track delivers an emotionally charged and deeply personal narrative. With its haunting instrumentals and raw, introspective lyrics, “Tuesday” explores themes of love, repression, internalized shame, and ultimately, self-acceptance and liberation.

At its core, “Tuesday” tells the painful story of a young woman navigating the complexities of love and identity in a world that refuses to accept her. TORRES recounts a past relationship with a girl named Tuesday, marked by secrecy, societal pressure, and betrayal. The song captures the trauma of being forced into silence, the self-destructive consequences of that repression, and the long journey toward healing. As the story unfolds, the regret and sorrow transform into resilience, culminating in a cathartic release of past burdens. Through its vivid storytelling and deeply evocative lyrics, “Tuesday” is a powerful anthem of reclaiming one’s truth.

Tuesday Details

Song	Tuesday
Artists	Julien Baker & TORRES
Written By	TORRES & Julien Baker
Produced By	TORRES, Julien Baker & ​illuminati hotties
Label	Julien Baker
Language	English
Released Date	Feb 26, 2025

Tuesday Lyrics

[Verse 1: TORRES]
Left Georgia for Tennessee when I was eighteen
Met a girl named Tuesday who shined her light on me
She was five foot nine with a storm in her eye
And of all the shoulders on which she could’ve cried
She picked mine
She picked mine

[Chorus: TORRES, TORRES & Baker]
Now I wish that I hadn’t
Stepped down and lied
When I acted like it was
Nothing to me
And if I could only
Go back in time
I’d rewrite our whole story

[Verse 2: TORRES, TORRES & Baker]
Well, her mama caught wind
That her daughter’s friend
Might be of the wrong persuasion
Next thing I know, her mama’s calling
Telling her daughter
Just the thought of it made her sick over the toilet
Instead of backing me up, Tuesday melted right down
Asked me to write her mother and say, “Sorry for the confusion”
That of course there had been no sin
To emphasize how much I love Jesus
And men

[Chorus: TORRES, TORRES & Baker]
How I wish that I hadn’t
Stepped down and lied
When I acted like it was
Nothing to me
‘Cause that night, for the first time
I took a knife
To the paper-thin
Skin on my arm
Oh my Lord, oh my Christ
Is this the end?
I heard myself cry
From the tile
The darkness of eternal night started
Closing in
And I thought surely
No future exists

[Verse 3: TORRES]
Tuesday, now I hardly think of you
But when I do I only think of shame
And girl I tell ya, if I could do it again
I sure as hell wouldn’t do it the same

[Chorus: TORRES, TORRES & Baker]
No, I cannot believe that
I stepped down and lied
I should have told
You I loved you
And now I know that
Your shame was not mine
And I am perfect
In my Lord’s eyes

[Outro: TORRES]
For a decade, I let you live in my head
But with this exorcism, I put our story to bed
And one more thing: If you hear this song
Tell your mama she can go suck an egg

Tuesday Meaning

[Verse 1: TORRES]
The song opens with TORRES reminiscing about leaving Georgia for Tennessee, a symbolic shift representing change and new beginnings. She introduces Tuesday, a captivating presence in her life, emphasizing their immediate emotional connection. The choice of words—”of all the shoulders on which she could’ve cried, she picked mine”—suggests that their bond was not just coincidental but deeply significant. This verse sets the stage for the central relationship, hinting at the vulnerability and trust that initially defined it.

[Chorus: TORRES, TORRES & Baker]
Regret takes center stage in the chorus, as TORRES laments the moment she denied her feelings and pretended they meant nothing. The repetition of “stepped down and lied” underscores the internal conflict of suppressing her true emotions. She expresses a longing to rewrite history, wishing she had been brave enough to stand by her love rather than succumbing to fear and societal expectations. The melancholic tone and harmonies with Baker amplify the deep sorrow embedded in these words.

[Verse 2: TORRES, TORRES & Baker]
This verse introduces the external force that ultimately fractures the relationship—Tuesday’s mother. When she suspects that her daughter’s friendship with TORRES may be more than platonic, her reaction is extreme, filled with disgust and rejection. Tuesday, rather than defending their love, succumbs to pressure and asks TORRES to write a letter denying their relationship. The lyrics painfully depict the protagonist’s forced compliance, highlighting the devastating impact of religious and societal condemnation. The references to “no sin” and “love Jesus and men” reveal the oppressive environment that demands she erase her true self to be accepted.

[Chorus: TORRES, TORRES & Baker]
The chorus returns, but this time, the regret deepens. The revelation that suppressing her truth led to self-harm is heartbreaking, showing the devastating toll of denying one’s identity. The line “Oh my Lord, oh my Christ, is this the end?” is both a cry for help and a reflection of internalized religious guilt, reinforcing the emotional weight of the rejection she faced. As she describes the overwhelming darkness closing in, the listener is drawn into her anguish, feeling the depth of her despair.

[Verse 3: TORRES]
Time has passed, and TORRES now looks back on Tuesday with a mix of detachment and shame. She acknowledges that, although Tuesday was once significant in her life, the overwhelming emotion tied to those memories is no longer love, but regret. The final line—”if I could do it again, I sure as hell wouldn’t do it the same”—marks a turning point, signaling her realization that she should have never sacrificed her truth for acceptance.

[Chorus: TORRES, TORRES & Baker]
This final chorus shifts from regret to empowerment. TORRES no longer berates herself for stepping down and lying; instead, she acknowledges that she should have proudly professed her love. The most powerful line—”Your shame was not mine”—marks a moment of clarity, as she disowns the guilt that was imposed upon her. By asserting that she is “perfect in my Lord’s eyes,” she reclaims her self-worth, separating divine love from the human prejudice she once suffered under.

[Outro: TORRES]
The outro serves as a triumphant closure, a long-overdue exorcism of past trauma. After carrying the weight of this experience for a decade, TORRES finally puts it to rest, symbolizing the ultimate act of healing. The final, unapologetic message to Tuesday’s mother—”Tell your mama she can go suck an egg”—is both defiant and liberating, rejecting the shame and condemnation once forced upon her. With this bold send-off, TORRES asserts her right to exist authentically, free from the chains of past oppression.

Tuesday Official Video

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