TOPIA TWINS Lyrics – Travis Scott ft Rob49 & 21 Savage

“TOPIA TWINS” is a new english song by Travis Scott featuring Rob49 and 21 Savage, published on Travis Scott’s YouTube channel. The song was written by Travis Scott, Rob49, 21 Savage, Wheezy, Cadenza, Harry Edwards, Dez Wright, Hoops (Producer), Dougie F, and Cash (XO). It is part of the album UTOPIA, released on January 5, 2024.

The lyrics of “TOPIA TWINS” explore the concept of a false utopia created through hedonistic pursuits and shallow relationships. Travis Scott reflects on the idea that material pleasures and surface-level connections with women might bring him happiness, but ultimately lead to emptiness. The omission of the letter “U” in the title may symbolize the disconnect from true utopia, hinting at the awareness of the pain that accompanies this lifestyle. The track presents a critique of the glamorous facade that often hides deeper issues of dissatisfaction and internal conflict.

TOPIA TWINS Details

TOPIA TWINS Lyrics

[Intro: Travis Scott & Rob49]
Twin bitches, twin bitches
Twin bitches hoppin’ off a jetski (Yeah)
(Ayy, what we doin’?)
Twin bitches, twin bitches (Yeah)
Twin bitches hoppin’ off a jetski (Yeah, yeah)

[Verse 1: Rob49]
It’s so hard to hide I’m a dawg, nigga, I make a mistake and show it
Way I shoot my shot at all these hoes, I fuck my shoulder up
Travis, what if they twins and they Siamese, but they wanna fuck us both? (Yeah)
Buy her what she want and suck her toes, I’m tryna make her cum
Told her throw it back and put that pussy on me (Yeah)

[Verse 2: Travis Scott & Rob49]
Told her sit it on this dick, I took the glizzy off me
And you know this life been busy, man, I’m Bizzy, homie
And I come through, throw a pack, she never leave me lonely (Yeah, yeah)
I can’t do no cuddles, can’t stay ’til the mornin’ (Can’t stay ’til the mornin’)
She an angel in the streets, a demon undercover (Yeah)
Lie to shorty like I hate her, fuck her like I love her (Fuck her like I love her)
I be stuntin’ like my daddy, I’m from New Orleans project (From New Orleans project)
Yeah

[Chorus: Travis Scott]
Sittin’ sideways with a drink while I think
Bitches get cold in the summer, keep a mink
Tell me what you doin’ for her, better not think
Another nigga do it for her before you blink
Highway movin’ right behind me, a fleet
If she get too annoyin’, find a beach
Twin bitches, twin bitches
Twin bitches hoppin’ off a jetski (Perfect)

[Verse 3: 21 Savage & Travis Scott]
Twin bitches (21), twin Dracs
Twin Glocks, twin jets (21)
Charter planes, I don’t ride prop
Slow stroke (Yeah, perfect) from the back, I been drinkin’ Wock’
X-rays, CAT scans, nigga, ask my opps (21)
Ten bad bitches in the studio, they all props (Perfect)
Treat them niggas like rhythmic radio, they all pop
Should’ve got some lipo’, she got shots, now her ass dropped
Slime sittin’ in the cell, I bet he comin’ home like Pac (On God, perfect)
She give me wet mouth, I need a mop
I don’t want that clean head, lil’ bitch, I want that slop (21)
She can’t bring her phone, ain’t no givin’ out my drop
Rockin’ Lanvins when I step on niggas’ blocks (On God)
Need a dealer license, all these cars I done copped
They keep lookin’ for her head, but it’s goin’ down like Joc (21)
Oh, he think he tough? He just actin’, he The Rock (Yeah)
Amazon Prime, give me two days, I bet he drop (Pussy)

[Chorus: Travis Scott]
Sittin’ sideways with a drink while I think
Bitches get cold in the summer, keep a mink
Tell me what you doin’ for her, better not think
Another nigga do it for her before you blink
Highway movin’ right behind me, a fleet
If she get too annoyin’, find a beach
Twin bitches, twin bitches
Twin bitches hoppin’ off a jetski

[Verse 4: Travis Scott & 21 Savage]
It’s not electric, this shit gassed up, can you catch it? (Skrrt, skrrt)
The Virgil jetski one of one-fifty, check the leverage (Pussy)
Got two twins, they top tier, that’s my favorite fetish
Deep in her throat ’til she tear, I’m her favorite beverage (Straight up)
Ran out of time, made ten APs, man, I can’t retire
Been on the road collectin’ rubber bands to match attire (Yeah)
I got the vision, ain’t no dippin’ in that ayahuasca
This shit get thicker than a bitch with stripes, LSU Tigers (Pussy)
Ayy, twin, call up twin, tell her I’m in town now (21)
London bitch, she wanna link, she dropped the pin to pound town (21)
Ass thick, when she walk, it got its own surround sound (Yeah)
And she tryna ride me like a wave, I’ma drown, drown
She say she like the way the soul chop, it make her bounce, bounce (21)
She from the west, but when she with me, she from down south
Flew into town, not to hotel, but to the town house
I send the drop, they hit the drop, we brought the drops out (On God)

[Chorus: Travis Scott & 21 Savage]
Sittin’ sideways with a drink while I think
Bitches get cold in the summer, keep a mink
Tell me what you doin’ for her, better not think
Another nigga do it for her before you blink (On God)
Highway movin’ right behind me, a fleet
If she get too annoyin’, find a beach (21)
Twin bitches, twin bitches (Yeah)
Twin bitches hoppin’ off a jetski

TOPIA TWINS Meaning

[Intro]
In the intro, Travis sets the tone for the song, immediately drawing attention to the theme of excess. The repetition of “twin bitches” and the image of them “hoppin’ off a jetski” suggests a lavish lifestyle filled with attractive companions, yet it also hints at the fleeting nature of these encounters. This establishes a superficial foundation upon which the rest of the song builds.

[Verse 1]
Rob49 expresses his raw and unfiltered perspective on romantic encounters, revealing a sense of bravado. His mention of “twins” and their attraction creates a playful yet objectifying tone. The reference to buying gifts and intimate actions underscores a transactional view of relationships, where physical pleasure is prioritized over emotional connection.

[Verse 2]
In this verse, Travis juxtaposes his busy lifestyle with the fleeting intimacy he experiences. His inability to commit or stay overnight highlights a fear of vulnerability, reinforcing the idea that his connections are shallow. He acknowledges the duality of the women in his life—describing them as “angels in the streets” and “demons undercover”—which reflects his inner conflict between desire and the consequences of his actions.

[Chorus]
The chorus further emphasizes Travis’s contemplative state as he navigates his indulgences. The imagery of “sittin’ sideways with a drink” conveys a moment of reflection amidst the chaos of his life. He warns of the fleeting nature of relationships, suggesting that another man may fulfill the desires of the women he pursues before he has the chance. This reveals an underlying insecurity masked by bravado.

[Verse 3]
21 Savage’s contribution highlights a similar ethos of excess and bravado. He references luxury items and a carefree lifestyle, portraying the allure of fame and fortune. However, there’s an implicit acknowledgment of the emptiness that often accompanies such a lifestyle. His lines about needing a “mop” for a “wet mouth” further depict a crude view of intimacy, reinforcing the song’s overarching theme of superficiality.

[Verse 4]
In this closing verse, Travis continues to grapple with the concepts of pleasure and commitment. His mention of “twin tiers” and a “favorite fetish” further emphasizes the objectification of women and the shallow pursuits that define his interactions. The juxtaposition of pleasure and the reality of time slipping away reinforces the transient nature of his lifestyle and relationships.

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