"Te Vienes Con El Turro" is a new Spanish song by L-Gante and DT.Bilardo, published on L-Gante's YouTube channel. The song is part of the album "Celda 4" and was written by L-Gante, Julian Conso, and DT.Bilardo. The production was… Read More
Te Vienes Con El Turro Lyrics
- Lyrics
- Meaning
- Translations
[Intro]
Ah, now yes, bro
JCKC
Hello
[Pre-Chorus]
Even if you don't want to see me, you'll never be able to erase my footprint
Of all the chicks, she's the most beautiful and she doesn't forget that situation
When we both fell
And because of people we always fight
It's been more than a hundred times that we've had it
Excuse me for the time, ma, if I call you (Cumbia 420 for the blacks)
[Chorus]
Why don't you stop? And you come with the thug
Who always blew your mind like the smoke from my joint, ma
Let's have a beer, if he says to me, I'll look for you
But don't get me started with that, because I don't argue with him (Eh)
[Verse 1]
She's not a saint but I'll light a candle for her
She makes me go down if I'm half-crazy
She gets her head, she gets the soap opera going
She always prays to me when her boyfriend is jealous
Let's forget what they say around
Smoking a couple of joints and a jug of Termidor
When she does it with me, she feels it much better
The other one makes him delirious because he's a traitor, eh
Mommy, you're the queen of those that I like, me (Hello)
[Pre-Chorus]
Even if you don't want to even see me, you'll never be able to erase my trace
Of all the girls, she's the most beautiful and she doesn't forget that situation
When the where we fell
And because of people we always fight
It's been more than a hundred times that we've fallen
Excuse me for the time, ma, if I call you (Cumbia 420 for the blacks)
[Chorus]
Why don't you leave it? And you come with the thug
Who always blew your mind like the smoke from my joint, ma
Let's have a beer, if he tells me, I'll look for you
But don't get carried away with that, because I don't argue with him
[Verse 2]
I want to know how to make you notice me (Me)
Cut it out, I'm in love, baby (Baby)
Today I'm looking for you, pay attention to the time, because I fall on the bike
[Chorus]
Why don't you leave it? And you come with the thug
Who always blew your mind like the smoke from my joint, ma
Let's have a beer, if he tells me, I'll look for you
But don't start with that, because I don't argue with him
[Outro]
L-Gante Keloke
The RKT movement
Cumbia 420 for the blacks
Cell 4
And here I came with DT. Bilardo
And Maxi El Brother, pa
With style and elegance, dog (Ah, now yes, bro)
The Mafilia, you know
[Intro]
The introduction sets a relaxed and confident tone, with L-Gante preparing to tell his story. The mention of JCKC hints at the production's style, and the casual greeting signals a conversational narrative.
[Pre-Estribillo]
In the pre-chorus, L-Gante reflects on a past relationship that, despite its ups and downs, left a lasting impact on both parties. He acknowledges the conflicts they had, often fueled by external influences, but also emphasizes the deep connection they shared. This section highlights the lingering emotions and the struggle to move on.
[Estribillo]
The chorus is where L-Gante directly addresses the woman, urging her to leave her current boyfriend and be with him. He promises a carefree and exciting relationship, contrasting it with the tension she experiences in her current situation. The use of colloquial language and references to smoking and drinking adds to the laid-back, rebellious vibe he wants to convey.
[Verso 1]
In the first verse, L-Gante describes the woman's complexity—she's not perfect, but she has a significant impact on him. He appreciates her presence in his life, even though she tends to overthink and get jealous. L-Gante also hints at their intimate connection, suggesting that being with him brings her more happiness than her current relationship. He portrays her as the kind of woman he is naturally drawn to, solidifying his desire to be with her.
[Pre-Estribillo]
The pre-chorus is repeated, reinforcing the idea that their past relationship was intense and memorable. Despite the conflicts, L-Gante believes their connection is undeniable and worth rekindling.
[Estribillo]
The chorus repeats, with L-Gante continuing to entice the woman to choose him over her current partner. He emphasizes the ease and enjoyment they could have together, avoiding the stress and conflict that come with her current relationship.
[Verso 2]
In the second verse, L-Gante expresses his feelings more openly, admitting that he is in love with her. He is determined to win her over and plans to take action to show his intentions, hoping that she will notice him and respond positively.
[Estribillo]
The chorus is repeated once more, with L-Gante making his final appeal for the woman to leave her current partner and be with him. He wants her to make the decision and is ready to meet her whenever she agrees.
[Outro]
The outro wraps up the song with L-Gante proudly mentioning his collaborators and the style of music they represent. He ends with a sense of unity and pride, reinforcing his confidence and the themes of the song.
More L-Gante Songs
About Song
"Te Vienes Con El Turro" is a new Spanish song by L-Gante and DT.Bilardo, published on L-Gante's YouTube channel. The song is part of the album "Celda 4" and was written by L-Gante, Julian Conso, and DT.Bilardo. The production was handled by DT.Bilardo and JCKC.
The theme of "Te Vienes Con El Turro" revolves around a complicated romantic situation where L-Gante is trying to persuade a woman to leave her current partner and be with him instead. The lyrics explore themes of love, jealousy, and the tension between social expectations and personal desires.
Credits
Celda 4 English Translation Songs
Te Vienes Con El Turro Official Video
FAQs
The "Te Vienes Con El Turro" song is sung by L-Gante.
The "Te Vienes Con El Turro" song by L-Gante lyrics was written by L-Gante, Julian Conso & DT.Bilardo.
The "Te Vienes Con El Turro" song by L-Gante was produced by DT.Bilardo & JCKC.
L-Gante released "Te Vienes Con El Turro" song on Aug 15, 2024.
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