RAMEN PARA DOS Lyrics – Maria Becerra, Paulo Londra & XROSS

RAMEN PARA DOS Lyrics by María Becerra, Paulo Londra & XROSS is a new spanish song by María Becerra, Paulo Londra, and XROSS. The track was released on María Becerra’s official YouTube channel, written by María Becerra, Paulo Londra, and XROSS, and produced by XROSS and María Becerra. Although not tied to an album at the time of release, the song delivers a deeply emotional and urban-infused soundscape, blending heartfelt lyricism with modern Latin pop and trap elements to create a raw, introspective experience.

The song explores the aftermath of a broken connection, capturing the emotional fallout of miscommunication, longing, and psychological conflict between two people who were never truly together yet deeply entangled. María Becerra and Paulo Londra take turns expressing their individual perspectives—hers rooted in yearning and heartbreak, his in defense and self-preservation—resulting in a dual narrative that portrays emotional imbalance, misunderstood intentions, and unresolved tension. The recurring motif of “ramen para dos” becomes a symbol of loneliness and unfulfilled love, reinforcing the illusion of a relationship that was more imagined than real.

RAMEN PARA DOS Details

Song	RAMEN PARA DOS
Artists	Maria Becerra, Paulo Londra & XROSS
Written By	Maria Becerra, Paulo Londra & XROSS
Produced By	XROSS & Maria Becerra
Label	Maria Becerra
Language	Spanish
Released Date	May 9, 2025

RAMEN PARA DOS Lyrics

[Verso 1: María Becerra]
Hace diecisiete días que no sé nada de ti
Mi psicóloga me dijo que estás huyendo de mí
¿Dónde estás, que no respondes el phone?
Me dejaste alone, baby, ¿qué pasa? Te fuiste
Más te vale que sea porque te moriste
Ay, ¿cómo puede ser? No me quiere ver
Me paré en la puerta de tu casa a esperarte ayer
Where are you?

[Pre-Estribillo: María Becerra & Paulo Londra]
Hasta las parede’ me hablan de vos
Si hace tiempo que no hablo contigo
Y si me preguntan, yo finjo que no
Baby, es solo tu imaginación
Sigo pidiendo ramen para dos
Pero si nunca fuimo’ los do’
Pongo audios viejos pa’ escuchar tu voz (¿Cómo?)

[Estribillo: María Becerra & Paulo Londra]
Desde el día en que te fuiste
Yo no sé por qué mierda no volviste
Sigo aferrada a algo que no existe
Pensar que me olvidaste es tan triste (Tan triste)
Desde el día en que te fuiste (No, no, no, no, no)
Yo no sé por qué mierda no volviste (No, no, no, no, no)
Sigo aferrada a algo que no existe
Pensar que me olvidaste es tan triste (Oh-oh, no, no)

[Verso 2: Paulo Londra]
Cómo quisiera que hablemos sin tener que gritar
Tiene más imaginación que honestidad
Si me alejé solo fue por necesidad
No es pa’ mí esa intensidad
Es obsesión, no es amor, ahora el psicólogo es para los do’
Aseguras que me quieres como si me conociera’
Ojalá que alguien vea la situación
Entiéndelo, por favor
¿Cómo va a terminar algo que no empezó?
Estamo’ yendo de mal en peor y nadie me creyó
Todos piensan que el tonto y el malo soy yo
No sé qué hacer, salgo a correr, pero te veo en todos lado’
Como Pucca y Garu, estás loca como Helga, Hey, Arnold!

[Pre-Estribillo: Paulo Londra & María Becerra]
Hasta las paredes me hablan de vos
Vos no entendés que te necesito
Y si me preguntan yo digo que no
Sé que no es solo mi imaginación
Baby, entiende que estoy mejor alone
Ramen para dos
Así que te pido, no llames al phone (¿Qué?)

[Estribillo: Paulo Londra & María Becerra, Ambos]
Desde el que me fui sé (No, no, no)
Que iban a quedar las cicatrices (No, no)
Tuve que alejarme pa’ no herirte
Que sigamo’ hablando no nos sirve (Let’s go, sí)
Desde el que me fui sé (No, no, no)
Que iban a quedar las cicatrices
Tuve que alejarme pa’ no herirte (Okey)
Que sigamo’ hablando no nos sirve

[Verso 3: María Becerra]
Lady, ah
Baby, I’m crazy y tú quieres una Miss Stacy
Yo ponía tu canción en mi playlist
Vos preferiste a la puta basic
Después de lo que hiciste conmigo
Quedarte no tiene sentido
Hey, wait, que gana’ de pegarte un tiro
Y de paso morirme contigo, fuck them

[Pre-Estribillo: María Becerra & Paulo Londra, Ambos]
Y no sé por qué mierda no volviste (No, no, no, no, no, no, no
No)
Que sigamo’ hablando no nos sirve

[Estribillo: María Becerra & Paulo Londra]
Desde el día en que te fuiste (Te fuiste)
Yo no sé por qué mierda no volviste (No volviste)
Sigo aferrada a algo que no existe
Pensar que me olvidaste es tan triste (Tan triste)
Desde el que me fui sé (No, no, no)
Que iban a quedar las cicatrices (No, no, no)
Tuve que alejarme pa’ no herirte (Algo que no existe)
Que sigamo’ hablando no nos sirve (So fucking sad)

[Outro: Paulo Londra & María Becerra]
Ey, ey, Leones con Flow (Yeah, yeah, yeah)
Paulo Londra
Y La Nena de Argentina (Yeah, yeah, yeah)
Dímelo, XROSS
Dos, dos, tres

RAMEN PARA DOS Lyrics Meaning

[Verso 1: María Becerra]
María Becerra opens the song with a sense of desperation and emotional confusion, emphasizing her mental toll after seventeen days without contact. Her visit to a psychologist and unanswered phone calls point to her growing anxiety and emotional dependency. Her dramatic suggestion that the only acceptable excuse for the silence would be death underscores her emotional instability and sense of abandonment. This verse paints her as someone who is spiraling, unable to process being ignored, and stuck in denial over the end of a connection that may have never been fully real.

[Pre-Estribillo: María Becerra & Paulo Londra]
This section illustrates María’s internal conflict. She’s haunted by memories—so vividly that even the walls remind her of the other person—yet she pretends to others that nothing is wrong. The line “ramen para dos” becomes a metaphor for her illusion of shared love, revealing that the relationship was perhaps one-sided. The use of old voice notes suggests she’s clinging to fragments of intimacy that no longer exist, making her suffering feel quietly obsessive.

[Estribillo: María Becerra & Paulo Londra]
Here, the chorus captures the emotional climax of her pain. María laments the absence of closure and her continued attachment to something intangible. The profanity underlines her frustration and heartbreak, while the repetition of being “aferrada a algo que no existe” (clinging to something that doesn’t exist) emphasizes the emptiness she’s come to accept. This refrain solidifies the central theme of mourning an illusion rather than a real relationship.

[Verso 2: Paulo Londra]
Paulo Londra counters with his side, revealing that his withdrawal was out of necessity rather than malice. He accuses María of misinterpreting his actions due to her imagination and intensity. His reflection touches on emotional incompatibility and the strain of dealing with obsessive behavior. He likens their dynamic to fictional, extreme character pairings like Pucca and Garu or Helga from Hey Arnold!, illustrating how chaotic and unbalanced their connection felt from his point of view. This verse reframes the narrative, shifting blame and offering emotional nuance.

[Pre-Estribillo: Paulo Londra & María Becerra]
Now it’s Paulo who confesses that he too is haunted by memories, but he insists that solitude is better for him. While María is begging for contact, Paulo sets a boundary, reiterating that continuing to communicate would only cause more harm. The mention of “ramen para dos” returns, this time from his perspective, reinforcing the shared yet mismatched symbolism of a love that never quite aligned.

[Estribillo: Paulo Londra & María Becerra, Ambos]
This chorus reiterates the mutual pain but from Paulo’s point of view. He acknowledges that leaving caused wounds but insists it was necessary. Both artists now admit that staying in contact is counterproductive, adding a layer of resigned acceptance to the narrative. The dual delivery suggests a moment of rare emotional clarity between them, where both see the futility in clinging to something broken.

[Verso 3: María Becerra]
María erupts in raw emotion, shifting from sadness to anger. She expresses frustration over being replaced by someone she deems inferior, labeling the new girl as “basic.” Her mental instability surfaces again, joking about violence and even a shared death, showing how deeply the experience has affected her. This verse is the emotional crescendo of her pain, exposing how betrayal has transformed her love into rage and despair.

[Pre-Estribillo: María Becerra & Paulo Londra, Ambos]
This transitional moment reinforces the futility of continued communication. It reflects both artists reaching a common ground of emotional exhaustion, echoing the line that talking any further won’t help. It captures the cyclical pain of unresolved relationships and the helplessness that follows.

[Estribillo: María Becerra & Paulo Londra]
In this final chorus, the emotional threads converge. María continues grieving the fantasy of a love that never solidified, while Paulo reflects on the scars left behind. The tension between their pain and need for distance underscores the tragedy of emotional misalignment. The repetition of “algo que no existe” serves as the lasting echo of the song, a poetic lament for something that was never really there.

[Outro: Paulo Londra & María Becerra]
The outro credits the artists and producer, closing the song on a unified note. While the lyrical narrative ends unresolved, this outro signifies that both artists have shared their truths, offering listeners a dual-sided story of love, delusion, and emotional fallout.

RAMEN PARA DOS Official Video

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