八芒星ダンス (Octagram Dance) Lyrics (Romanized) – Ave Mujica

(Octagram Dance) Lyrics (Romanized) by Ave Mujica is a new japanese song by Ave Mujica. The track is released on Ave Mujica’s official YouTube channel, written by Diggy-MO’ and あらケン (Araken) of SUPA LOVE, and produced by 松本拓輝 (Hiroki Matsumoto). Bursting with theatrical flair and rhythmic complexity, the song invites listeners into a chaotic yet mesmerizing soundscape that blends circus-like energy with dance-driven passion, creating an electrifying, genre-blending experience.

(Octagram Dance) dives into a surreal world of performance, rebellion, and self-expression through the metaphor of a wild, emotionally charged circus. Each lyric teeters on the edge of fantasy and chaos, with Ave Mujica embodying the performers of a hypnotic spectacle. Themes of autonomy, duality, and escapism drive the narrative, using rich visual language and symbolic characters to challenge conformity and celebrate the power of breaking free through dance and art. The repetition of phrases like “yes, ya gonna jump” serves as a rallying cry for liberation, inviting listeners to step into the octagram—the star-shaped stage of transformation and release.

八芒星ダンス (Octagram Dance) Details

Song	八芒星ダンス (Octagram Dance)
Artists	Ave Mujica
Written By	Diggy-MO’ & あらケン (Araken) (SUPA LOVE)
Produced By	松本拓輝 (Hiroki Matsumoto)
Language	Japanese

八芒星ダンス (Octagram Dance) (Romanized) Lyrics

[Intro: Mortis, Timoris, Amoris & Oblivionis, Doloris]
Aka no zou shishi kuma
Go-go insane
Kurakkaa shubousha
Welcome to the house of pain

[Verse 1: Doloris]
Yoru wa saakasu veeru no douke
Boukan shitenaide
Make it hot, acrobatic kissde
Unmei no keiji ni hi wo tsukete

[Pre-Chorus: Doloris]
Nai nasanai style wazawai
Ja shitagawanai
Ai azawarai yeap, ’til I die
Buddy, alright?

[Chorus: Doloris]
Yes, ya gonna jump, yes, ya gonna jump
Tsukinuketeku
Let me be the one, let me be the one
“Yes” hachibousei
Yes, ya gonna jump, yes, ya gonna jump
Warai sakebu
Hontou no life nandou wasurete

[Post-Chorus: Mortis, Timoris, Amoris & Oblivionis, Doloris]
Aka no zou shishi kuma
Go-go insane
Kurakkaa shubousha
Welcome to the house of pain

[Verse 2: Doloris, Oblivionis, Mortis, Timoris & Amoris]
Anata iki kirashi honou no naka
Watashi to oyoide so dream (One, two, three)
Kaiga teki dansu woo-la-la, this the drama (Ah)
Serifu wa iranai

[Pre-Chorus: Doloris]
“Ruff” mou mou enough, snuff, so nervous
Just got to be tuff
Wazuka ni sukasu kamasu, yeap, bluff a buzz-buzz
Tricky you puff

[Chorus: Doloris]
Yes, ya gonna jump, yes, ya gonna jump
Muchuu ni naru
Let me be the one, let me be the one
Hibana chirashite
Yes, ya gonna jump, yes, ya gonna jump
Ten ni odoru
Sakasama ni nozoku angel

[Bridge: Doloris]
Hidari mawariyo
Egaku kidou ga toriko ni suruwa
Yuiitsu muni no aato

[Guitar Solo]

[Pre-Chorus: Doloris]
Tsuretette

[Chorus: Doloris]
Yes, ya gonna jump, yes, ya gonna jump
Tsukinuketeku
Let me be the one let me be the one
“Yes” hachibousei
Yes, ya gonna jump, yes, ya gonna jump
Warai sakebu
Hontou no life nandou wasurete

[Post-Chorus: Mortis, Timoris, Amoris & Oblivionis, Doloris]
Aka no zou shishi kuma
Go-go insane
Kurakkaa shubousha
Welcome to the house of pain

八芒星ダンス (Octagram Dance) Lyrics Meaning

[Intro: Mortis, Timoris, Amoris & Oblivionis, Doloris]
The opening sets the tone for a surreal and explosive performance. References to red elephants, lions, and bears conjure a chaotic, circus-like dreamscape. The phrase “Welcome to the house of pain” introduces the metaphorical space where danger, spectacle, and emotional intensity collide, reflecting the underlying turmoil within this theatrical world.

[Verse 1: Doloris]
Doloris describes the night as a circus and herself as a veiled clown, flipping the image of a passive observer into that of an empowered performer. Through phrases like “acrobatic kiss” and “fire to fate’s revelation,” she calls for active transformation and sensual confrontation with destiny. The imagery reflects boldness, spontaneity, and the unpredictability of life on stage.

[Pre-Chorus: Doloris]
This section rejects conformity and fate with sharp defiance. Doloris declares her refusal to follow a doomed style and embraces mockery and emotional chaos until death. The lines reveal her commitment to her own path, forming a creed of resilience and unshakable individuality.

[Chorus: Doloris]
The chorus is a thrilling invocation, urging both herself and others to leap into the unknown. The octagram becomes a symbol of transcendence—an eight-pointed star representing power and mystical energy. Doloris encourages abandoning the concept of a “real” life, implying that true liberation lies in the ecstatic freedom of performance and expression.

[Post-Chorus: Mortis, Timoris, Amoris & Oblivionis, Doloris]
This recurring section reinforces the manic circus motif. The repetition of vivid, symbolic creatures and “go-go insane” builds a hypnotic, ritualistic cadence. It amplifies the sense that the audience is trapped in a relentless yet exhilarating carnival of emotions.

[Verse 2: Doloris, Oblivionis, Mortis, Timoris & Amoris]
This verse adds romantic and visual drama, portraying passion as both a dance and a firestorm. Doloris invites a partner to dive with her into flames—symbolic of risky yet beautiful emotional immersion. The dance becomes wordless, suggesting that connection and artistry can transcend speech and logic.

[Pre-Chorus: Doloris]
Here, Doloris confronts internal pressure and psychological warfare. With rapid shifts from tension (“nervous”) to strength (“tuff”), she portrays the necessity of mental armor in a deceptive world. The use of onomatopoeia and slang adds texture to her emotional state—defiant, chaotic, and ready for the next act.

[Chorus: Doloris]
The second chorus elevates the stakes. Doloris is now dancing among sparks and angels viewed from upside down—a metaphor for seeing divinity or beauty in inversion and madness. The chaotic joy of letting go and dancing through pain takes center stage.

[Bridge: Doloris]
This bridge introduces elegance and control within the chaos. The counterclockwise motion and unique trajectory symbolize defiance against the norm. Doloris refers to the performance as “唯一無二の芸術” (a one-of-a-kind art), reinforcing the theme of individuality expressed through the spectacle.

[Guitar Solo]
The instrumental break offers a dramatic pause in the narrative, allowing emotion and theatrical energy to swell without words—an embodiment of the song’s idea that some moments can only be felt, not spoken.

[Pre-Chorus: Doloris]
The brief line “連れてって” (“take me away”) marks a moment of vulnerability, echoing a desire for escape or transcendence, as if seeking to be lifted from the chaos by the rhythm and spectacle.

[Chorus: Doloris]
The final chorus bursts back with intensity. The repetition now feels more desperate and ecstatic. Doloris invites complete immersion into the ritual, rejecting the concept of ordinary life once and for all. Laughter and screams fuse into a release, dancing on the edge of mania and liberation.

[Post-Chorus: Mortis, Timoris, Amoris & Oblivionis, Doloris]
In its final return, the post-chorus reaffirms the surreal, powerful setting of the “house of pain.” The imagery solidifies Ave Mujica’s world as one where emotions roar and identities dissolve into collective performance—a space where the octagram dance reigns supreme.

八芒星ダンス (Octagram Dance) Official Video

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