Miami Lyrics – Morgan Wallen

Number 3 and Number 7 Lyrics by Morgan Wallen & Eric Church is a new english song by Morgan Wallen and Eric Church. The song is released on Morgan Wallen’s official YouTube channel, written by Rocky Block & Blake Pendergrass, produced by Joey Moi & Charlie Handsome, and from the album I’m The Problem, offering listeners an emotionally charged, introspective country ballad steeped in regret and memory.

The lyrics of Number 3 and Number 7 navigate the haunting aftermath of reckless youth and the painful consequences of choices made behind the wheel and under the influence. Told through the vivid recollections of both Morgan Wallen and Eric Church, the song uses metaphors of racing and drinking to convey the inner turmoil, guilt, and the sobering realization that some lessons come at too high a cost. It’s a confession shaped by scars, both physical and emotional, and a poignant reflection on second chances not always deserved.

Miami Details

Miami Lyrics

[Verse 1]
It gets cold in Tennesse in January
I done tagged out all my bucks
Sweatin’, no one seein’ ducks
Thought that I could use some out the ordinary
Trade them pine trees for a palm
By the ocean, peace and calm
So I bought a seat and caught a bus
Headed straight to South Beach
And there she was

[Pre-Chorus]
Savannah in her accent
Coconut and Captain
And by the end of the day
She was beggin’ me to stay in Miami

[Chorus]
It ain’t nothin’ like where I’m from, oh
Yeah, I can’t keep my gun in my truck in Miami
They don’t know my name at these bars
And you can’t even see any stars in Miami
You got me MIA for a couple days now
But it don’t hit the same as my Tennessee town (Miami)
Except for gettin’ sand in my boots
Ask yourself, “What the hell is a redneck gon’ do in Miami?”
Miami

[Verse 2]
That sun went down and then she dragged me to the city
Took some elevator up, now it’s whiskey in the club
And she dancin’ with her body up against me
There ain’t no out to these skirts, but they still got some curves in Miami

[Chorus]
It ain’t nothin’ like where I’m from, oh
Yeah, I can’t keep my gun in my truck in Miami
They don’t know my name at these bars
And you can’t even see any stars in Miami
You got me MIA for a couple days now
But it don’t hit the same as my Tennessee town (Miami)
Except for gettin’ sand in my boots
Ask yourself, “What the hell is a redneck gon’ do in Miami?”
Miami

[Bridge]
Yeah, and then I bought a seat and caught a bus
Honestly, a part of me was still in love
With Havana in her accent
Coconut and Captain
Swear it almost happened
Damn, I almost stayed my ass in Miami

[Chorus]
It ain’t nothin’ like where I’m from, oh
Yeah, I can’t keep my gun in my truck in Miami
They don’t know my name at these bars
And you can’t even see any stars in Miami
You got me MIA for a couple days now
But it don’t hit the same as my Tennessee town (Miami)
Except for gettin’ sand in my boots
Ask yourself, “What the hell is a redneck gon’ do in Miami?”
Miami

Miami Lyrics Meaning

[Verse 1: Morgan Wallen]
Morgan Wallen opens with a nostalgic but dangerous memory of youth, where adrenaline, alcohol, and rebellion converge. The mention of “her daddy’s truck” and “her daddy’s bottle” symbolizes borrowed recklessness—power and poison not yet earned or understood. Driving fast while intoxicated mirrors a deeper sense of emotional chaos. At sixteen, he’s not yet fully grown, yet already making grave decisions, portraying how youthful freedom can lead to irreversible consequences and shame that lingers.

[Chorus: Morgan Wallen]
In this chorus, Wallen vividly imagines himself as a front-runner in a race—confident, unstoppable, and blind to the danger ahead. The metaphor of racing toward a checkered flag represents chasing thrills and validation. However, the crash—wrapping the truck around a tree—marks the devastating collision between illusion and reality. The line about second chances recognizes how lucky he was to survive, while the mention of “number three and number seven” serves as symbolic numbers that, when combined, only bring misfortune—a coded reference to bad luck, poor decisions, or even specific personal experiences that led to ruin.

[Verse 2: Eric Church]
Eric Church picks up the narrative in the aftermath of the crash. The flashing lights and memories evoke the emergency response and trauma that followed. Physical pain—glass in his arm—and the emotional imprint of a scar that “never lets you forget” deepen the weight of the moment. Church admits defeat, acknowledging he lost the race from the moment he began it. This self-awareness adds a sobering layer to the song, shifting from thrill to regret with powerful introspection.

[Chorus: Eric Church]
Church revisits the chorus with the same imagery but through his personal lens. His delivery carries the weight of lived experience and remorse. The repetition of the racing metaphor now feels heavier—less about excitement, more about fate. The repeated notion of narrowly missing death underlines how reckless behavior often gets more passes than it deserves, and yet still doesn’t justify the damage done. Again, “number three and number seven” resurfaces as a poetic warning—some combinations in life spell trouble.

[Bridge: Morgan Wallen]
Wallen returns to the same elements from the opening lines, reinforcing the cycle of temptation and recklessness. This short passage acts like a haunting echo of the past—unchanged, unlearned, and ever-lurking. The repetition shows how the memory clings, forever replaying that moment in his mind.

[Chorus: Morgan Wallen & Eric Church]
The final chorus, now sung together by Wallen and Church, becomes a shared confession. The harmonized vocals emphasize the universality of their experience—two men bound by the same misjudgment, trauma, and reflection. Their united voices amplify the regret and the hard-earned wisdom that came too late. The final line’s repetition, “don’t add up to much good,” feels like a resigned mantra, an acknowledgment that certain risks—especially when paired—only end in pain.

Miami Official Video

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