In auto alle 6:00 Lyrics – Emis Killa ft Lazza

In auto alle 6:00 Lyrics by Emis Killa is a new italian song by Emis Killa, featuring Lazza. The track is released on Emis Killa’s official YouTube channel, written by Emis Killa, Lazza, Takagi, Ketra & Davide Petrella, and produced by Takagi & Ketra. With its moody, urban edge and emotionally charged delivery, the track blends rap and melodic hooks to create a raw and reflective listening experience driven by heartbreak, pride, and internal conflict.

The song explores the aftermath of a fractured relationship, where love has turned into a battlefield of emotional wounds and blame. Emis Killa and Lazza alternate verses to offer contrasting but connected perspectives on pain, regret, and toxic attachment. Through vivid metaphors, cinematic references, and emotionally distant declarations, the lyrics trace how romantic dysfunction can entangle memory, ego, and vulnerability—ultimately culminating in a repeated emotional loop symbolized by the imagery of being “in auto alle sei.”

In auto alle 6:00 Details

Song	In auto alle 6:00
Artists	Emis Killa
Featuring Artists	Lazza
Written By	Emis Killa, Lazza, Takagi, Ketra & Davide Petrella
Produced By	Takagi & Ketra
Label	Emis Killa
Language	Italian
Released Date	May 1, 2025

In auto alle 6:00 Lyrics

[Intro]
Non so perché ogni volta te ne vai
Io non voglio rincorrerti mai più
Ogni volta che vuoi tu

[Strofa 1: Emis Killa]
Ti ho scritto parole d’amore, le parole più nere
In entrambe mentivo, ma suonavano vere
Questa storia è una serie col finale a puntate
Gli altri stanno a vedere, noi con le armi puntate
E mi sparerai per vedermi cadere (Pah)
Siamo il cinema crime che non danno alla tele (Oh)
Se mi dedicherai delle lacrime vere
Non le potrò vedere come pagine nere

[Pre-Ritornello: Emis Killa]
E non mi manchi mai
Neanche quando fai la stronza, neanche quando te ne vai
Dici che la pagherò, ti amo come il crimine
Ti odio come la police quando ho bisogno di te

[Ritornello: Emis Killa & Lazza]
Ma dimmi perché
Non ti ho mai dedicato una lacrima
Ma so quello che voglio da te (Da te)
Mi hai piantato un coltello nell’anima
E adesso che vuoi?
Dimmi perché
Quante volte mi maledirai
Farsi male è una cosa che capita
Fermi in un replay, in auto alle sei
L’ultima cosa che vorrei è perdere te (Okay, Zzala)

[Strofa 2: Lazza]
Viaggi di Gulliver (Vroom) nel retro di una Cullinan (Ah)
Stavo ordinando crudité (Crudité), ma col fare di un hooligan (Grr)
Infelice, ma al culmine, quasi come da nullità
So che speri in un fulmine (Fium) che dal nulla mi punirà (Ah)
Io so che non lo ammetterai, ma l’anima mia è come fosse il tuo trofeo
Io mi volterò, tu non ci sarai come col mito di Orfeo (Uah)
Sono ancora qua come chi (Chi) non ha trovato una svolta (Ah-ah)
Calendario il mio nuovo AP (AP), segna la tua luna storta

[Pre-Ritornello: Lazza]
Non so come mai
Do ancora la caccia ai miei demoni come in Devil May Cry
Non dirmi mai bugie, non mi piace la vibe
Ma sai che, se lo chiedi, spengo pure il red light

[Ritornello: Emis Killa, Lazza, Emis Killa & Lazza]
Ma dimmi perché
Non ti ho mai dedicato una lacrima
Ma so quello che voglio da te (Da te)
Mi hai piantato un coltello nell’anima
E adesso che vuoi?
Dimmi perché (Uh)
Quante volte mi maledirai
Farsi male è una cosa che capita
Fermi in un replay, in auto alle sei
L’ultima cosa che vorrei è perdere te

[Outro]
Non so perché ogni volta te ne vai
Io non voglio rincorrerti mai più
Ogni volta che vuoi tu

In auto alle 6:00 Lyrics Meaning

[Intro]
The intro sets the emotional tone with a quiet sense of resignation and confusion. The speaker questions the repeated departures of a partner, signaling emotional fatigue and a desire to stop chasing someone who no longer brings peace. There’s a weariness to this opening—a cycle of leaving and returning that has worn down any will to continue the chase.

[Strofa 1: Emis Killa]
Emis Killa delivers a lyrical contrast between love and darkness, admitting to writing both romantic and painful words, all while lying. The relationship is framed like a violent TV series, hinting at emotional manipulation and conflict. The reference to crime cinema and armed confrontation turns the romance into a standoff, where vulnerability can be weaponized. He predicts betrayal and emotional violence, adding a noir-like fatalism to the bond.

[Pre-Ritornello: Emis Killa]
Here, Emis Killa denies missing his partner—even when she acts cruel or leaves. This defensive posture masks deeper hurt. His comparison of love to crime and hate to police frames his emotions within rebellion and mistrust. There’s love, but it’s corrupted, dangerous, and laced with unresolved pain and mistrust.

[Ritornello: Emis Killa & Lazza]
The chorus exposes the emotional damage: no tears were ever shed, yet the scars are deep. The metaphor of a knife in the soul captures the intensity of the betrayal. Despite the harm, there’s still a longing, a recognition that losing this person would be the worst outcome. The image of being “in auto alle sei” conjures a sense of stasis—trapped in a time loop where nothing progresses, and the pain is on repeat.

[Strofa 2: Lazza]
Lazza’s verse brings luxury and internal chaos together, describing a surreal life of excess masking emptiness. References to Gulliver’s Travels, a Cullinan car, and high-end food contrast sharply with the persona of a troubled, almost nihilistic lover. He imagines divine punishment while acknowledging that his soul feels like a possession to his ex. He connects mythological imagery (Orpheus) and luxury watches to the emotional disconnect, suggesting time and fate are constantly against them.

[Pre-Ritornello: Lazza]
Lazza continues with introspection, confessing his ongoing battle with inner demons. The Devil May Cry reference underlines his internal war. He pleads for honesty, revealing how fragile trust is in this broken relationship. Still, he offers compromise, symbolized by his willingness to “turn off the red light,” hinting at self-restraint for love’s sake.

[Ritornello: Emis Killa, Lazza, Emis Killa & Lazza]
The chorus returns, now shared between both artists, reinforcing the mutual nature of the pain. They acknowledge the repeating wounds, the habit of hurting each other, and the inability to move on. The shared vocal delivery emphasizes their mirrored emotional states, despite their different voices and styles.

[Outro]
The outro circles back to the beginning, underscoring the cycle of departure and emotional exhaustion. It reinforces the futility of pursuing someone who constantly leaves, leaving the narrator stuck in longing and self-preservation.

In auto alle 6:00 Official Video

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