FLIPA Lyrics – JC Reyes & Dei V

“FLIPA” is a new Spanish song by JC Reyes and Dei V, released on JC REYES’s official YouTube channel. Written by JC Reyes and Dei V, and produced by Yizus, the track is part of the album NACER DE NUEVO. With its catchy reggaeton rhythm and sensual vibe, the song offers listeners a thrilling, carefree anthem that embraces hedonistic pleasure and the pursuit of excitement in an intense, unapologetic manner.

The song’s lyrics explore themes of physical attraction, indulgence, and the thrill of intimate encounters. Both JC Reyes and Dei V describe a world where excitement is driven by impulsive desire, with mentions of partying, drugs, and casual romantic encounters. The lyrics focus on a dynamic of secrecy and physicality, highlighting how their relationships unfold in private and without emotional commitment. The repeated emphasis on wanting to “flip” the woman and “chingarte en la primera cita” encapsulates a carefree, lust-driven approach to romance and desire.

FLIPA Details

FLIPA Lyrics

[Intro: Dei V]
Ya yo sé que si llama tarde
Es porque quiere que yo vaya a darle
Y le gusta lo malo, yo no soy cobarde
Quiere que mi bicho en su totito lo guarde
Y tú ere’ como el blunt, siempre quiero darle
Un vicio del que no puedo alejarme
Dos Perco vo’a echarme
Y voy pa’ encima, ma, no vo’a quitarme, yeah

[Coro: Dei V]
Hoy me la robo, un Phillie enrolo
Los ojo’ cólico’ y la nota ‘el globo
Yo soy el que se lo pongo y ni le doy follow
Lo de nosotro’ lo tenemo’ underlow, low
Y esa baby está que flipa
Yo quiero comerte toíta’
Mami, vo’a chingarte en la primera cita
Tengo una notita, un bellaqueo dame ahorita, yeah

[Verso 1: JC Reyes]
Si me llama más de las 4, te paso a busca’
Cuando dice’ que de la disco te quiere’ escapa’
Con una nota nos besamo’ y donde no quepa
Te lo pone’ a la misma ve’ que tú te me trepa’
Cada ve’ que está borrachita se le moja la tota
Lo que uno necesita cuando la Perco explota
Su culo es dinamita, mai, cómo to’ eso rebota (Es dinamita)
Quie-Quiero meterte como el ki, fumando Cali, nunca fumo gare
Cuando diga’ nos vamo’ de aquí, vámono’ pa’ to’ los lugare’
Una amiga tuya anda con Dei V
Loco, la introducimo’ al Under Water

[Coro: JC Reyes]
Hoy me la robo, un Phillie enrolo
Los ojo’ cólico’ y la nota ‘el globo
Yo soy el que se lo pongo y no le doy follow
Siempre que me pide yo le llego solo
Y esa baby está que flipas
Yo quiero comerte toíta’
Mami, vo’a chingarte en la primera cita
Tengo una notita, un bellaqueo amerita, yeah

[Verso 2: Dei V]
Ese culo e’ una nave y yo quiero ser el piloto
Cuando lo mueve, cuida’o, terremoto
La llevo pa’ Shoko y después se lo coloco
Le agarro la mano cuando salimo’ y no me importa si tiran foto’
Era una nena de su casa
Pero ahora lo prende y lo pasa
Cualquiera que la ve desnúa’, se casa
Una perrita de raza, no fuma si no es ZaZa
La llevo de shopping
Ese chocho e’ un mantecado, mami, te vo’a echar el topping
Tú sabe’ que de ese cuerpo tuyo soy yonki
Tráete una amiga, que ando con el broki
Pero under water, que siempre ando lowkey

[Coro: Dei V]
Hoy me la robo, un Phillie enrolo
Los ojo’ colo y to’a la nota ‘el globo
Yo sé bien que se lo pongo y ni le doy follow
Lo de nosotro’ lo tenemo’ underlow, low
Y esa baby está que flipa
Yo quiero comerte toíta’
Mami, vo’a chingarte en la primera cita
Tengo una notita, un bellaqueo amerita, yeah

[Outro: JC Reyes]
(Hoy me la robo, un Phillei enrolo)
(Soy el que se lo pongo y no le doy follow)
(Siempre que me tira, yo le llego solo)
(Y esa baby está que flipa)
(Yo quiero comerte toíta’)

FLIPA Lyrics Meaning

[Intro: Dei V]
In the intro, Dei V immediately sets the tone for the track by addressing the spontaneous and intense nature of the relationship. His mention of receiving late-night calls signals that the attraction is based on physical desire, and the references to “vicio” and “Perco” suggest that both substances and passion are central to their connection. The line “y voy pa’ encima, ma, no vo’a quitarme” conveys the idea of persistence, emphasizing that once he’s in the moment, he won’t back down.

[Coro: Dei V]
The chorus reinforces the song’s theme of uncommitted attraction and impulsive romance. Dei V talks about stealing the girl away and indulging in the excitement without worrying about consequences or emotions, evident in the line “lo de nosotro’ lo tenemo’ underlow.” His focus on the physical aspects of the encounter, such as rolling a Phillie and “la nota ‘el globo,” highlights the carefree and wild energy of the track. The mention of not following her on social media also suggests a desire to keep the relationship casual and secretive.

[Verso 1: JC Reyes]
JC Reyes’s verse delves into the details of their interaction, where late-night encounters and spontaneous escapes from the club are depicted. His reference to the woman’s drunken state and the way she becomes more expressive shows the uninhibited nature of their physical connection. JC’s description of their chemistry is heightened by imagery such as “su culo es dinamita,” which emphasizes the explosive attraction and the intensity of the encounter.

[Coro: JC Reyes]
The second chorus continues to emphasize the carefree and secretive nature of the romance, as JC Reyes mirrors Dei V’s sentiments about being the one to fulfill the woman’s desires without emotional attachment. His casual, confident approach to the encounter reflects the song’s overall theme of no-strings-attached fun and indulgence. The repeated lines about showing up whenever she calls highlight the idea of being readily available for pleasure but without commitment.

[Verso 2: Dei V]
In the second verse, Dei V takes the lead in describing the physicality of the relationship, using metaphors such as “ese culo e’ una nave” to convey how enticing he finds the woman. His lines about taking her to high-end locations like Shoko and giving her lavish attention (“la llevo de shopping”) depict a lifestyle of indulgence, further elevating the carefree and pleasure-driven narrative of the song. The reference to being a “yonki” for her body suggests a deep obsession with her physicality, while the mention of “under water” reinforces their secretive, private connection.

[Coro: Dei V]
The chorus returns with Dei V reiterating the central message of the song: he wants to enjoy the thrill of the encounter without any emotional commitment. The repeated mention of keeping things “underlow” signals that they are living in the moment, avoiding external judgment or attachment. The energy of the chorus drives home the song’s playful and seductive nature, portraying a world where passion and desire rule without any strings attached.

[Outro: JC Reyes]
The outro repeats the chorus, reinforcing the track’s overall vibe of casual, secretive attraction. The repetition of key phrases like “hoy me la robo” and “no le doy follow” reinforces the uncommitted, lust-driven energy that characterizes the entire song. It serves as a final reminder that the connection is purely physical and fleeting, meant to be enjoyed in the moment.

FLIPA Official Video

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