"En La Bentley" is a new spanish song by Jhayco, published on the JHAYCO YouTube channel. The song is part of the album Le Clique: Vida Rockstar (X) and was written by Jhayco, Smash David, Digital Jet, Sean Turk, Tainy,… Read More
En La Bentley Lyrics
- Lyrics
- Meaning
- Translations
[Part I]
[Chorus]
Drinking Moët, Moët
In the Bent, riding in the Bentley
What the? We left Chloe
And I'm going to La Concha to eat, to eat you, baby
Like a demon I'm going to possess you
I'm not Uber, but go, I'm going to pick you up
I take them out and count them, tell them to tell you
What I want to do to you
Drinking Moët, Moët
In the Bent, riding in the Bentley
What the? We left Chloe
And I'm going to La Concha to eat, to eat it, baby, yeah
Like a demon I'm going to possess you
I'm not Uber, but go, I'm going to pick you up
I take them out and I count them, tell them to tell you
What I want to do to you, yeah
[Verse]
Upload the story, upload it to the story
I'll put the toy in you, haha, and not the one from Toy Story
Tell me, mami, Ferrari eyes
Drop your lipsticks, drop your suit, I'll invest in the bodysuit
And I'm lean
Fifty thousand for the lip, you're my Sexyy Red and I'm your Chief Keef
I put you in and I don't love you, like Sweet and Melody, nah
It's ugly, baby, I'll die there
[Bridge]
I'm getting married
I want the whole cake, not a piece
You're so ahead, baby, that I'm late for you
I brought a gift so I can take it away the bow
In the cup holders the glasses'
[Chorus]
Drinking Moët, Moët
In the Bent, riding in the Bentley
What the what? We left Chloe
And I'm going to La Concha to eat, to eat you, baby
Like a demon I'm going to possess you
I'm not Uber, but go, I'm going to pick you up
I take them out and count them, tell them to tell you
What I want to do to you
Drinking Moët, Moët
In the Bent, riding in the Bentley
What the what? We left Chloe's
And I'm going to La Concha to eat, to eat you, baby, yeah
Like a demon I'm going to possess you
I'm not Uber, but go, I'm going to pick you up
I take them out and I count them, tell them to tell you
What I want to do to you
[Part II]
[Intro]
(Yes)
(Yes)
Yes
[Pre-Chorus]
The babies in the VI, where are they? (Where are they?)
The palo', the Backwoods, where are they? (Where are they?)
That gets wet and says: "Where is it?"
I touch that there and she says: "That's it" (That's it)
During the day she likes the heat
But at night she calls so I can turn on the sun
Heart emojis, but she doesn't want love (She doesn't want love)
And she doesn't owe me anything, but I do her the favor (Yes)
[Chorus]
And when she leaves (She leaves)
She gets in her car, I turn it on and I take her down
She always gets away (She gets away)
With her own (Yes)
I don't stop her, I let her flow (No)
I asked her: "Whose are you?" and said "yours"
In the stories always throwing barbs (Barbs)
Bad influence, I let her include me and influence me
[Post-Chorus]
In the weekends when she goes out (Goes out)
She gets in her car, I turn it on and I get her out
She always goes out (Goes out)
With her own
I don't stop her, I let her—
Yes (Yes), I asked her: "Whose are you?" and said "yours" (Yours)
In the stories always throwing barbs
Bad influence, I let it include me (-include) and influence me (-flow)
[Verse]
Come on, rip it up
Like a baby, if I bring it up, you touch it (touch it)
You and I grinding, baby, if he finds out, it's a scandal
But fuck it, baby, record yourself and tag him, because today I'll crown (Oh)
Tonight I'll crown
Baby, let's kill each other like the ozone layer (Ozone)
You're not a plant, but I'll give you fertilizer
And I swear it's going up, ah-ah, it's going up, yes
The little panty is going up
With me it's exclusive (Exclusive), super exclusive
It fucks you and you'll see that it's malicious and vengeful, but (But)
Ah-ah, it goes up, yes (Yes)
The little panties go up
With me it's exclusive (Exclusive), super exclusive (-siva)
On the top floor
[Pre-Chorus]
The babies in the VI, where are they? (Where are they?)
The palo', the Backwoods, where are they? (Where are they?)
That gets wet and she says: "Where is it?"
I touch that there and she says: "That's it" (That's it)
During the day she likes the heat
But at night she calls so the sun turns on
Emojis of heart, but she doesn't want love (She doesn't want love)
And she doesn't owe me anything, but I do her the favor
[Chorus]
And when she goes out (She goes out)
She gets in her car, I turn it on and I take her down
She always goes out (She goes out)
With her own (Yes)
I don't stop her, I let her flow (No)
I asked her: "Who do you belong to?" and he said "yours"
In the stories always throwing jabs (Pokes)
Bad influence, I let him include me and influence me
[Post-Chorus]
In the finals when he comes out (Comes out)
[Parte I: Coro]
In this section, Jhayco describes his luxurious lifestyle, highlighting his Bentley, expensive drinks, and exclusive outings. The chorus reflects his confidence and command over his environment, where he feels empowered to possess whatever he desires. He invites his partner to join him in this world of opulence, promising to take control and provide indulgence.
[Verso]
Here, Jhayco delves deeper into his relationship with his partner, blending humor and sensuality. He compares their interactions to a game, emphasizing his playful yet dominant nature. The references to luxury items and the carefree attitude reflect his nonchalant approach to life, where material possessions and physical pleasure take precedence.
[Puente]
Jhayco expresses his desire for completeness and not just a part of what life offers. He is willing to invest in his partner and spoil her, symbolized by bringing a gift. His mention of slowing down for his partner shows a willingness to accommodate her in his fast-paced life, even if it means making sacrifices.
[Parte II: Intro]
The second part of the song starts with a short, repetitive intro that sets the tone for the continuation of the luxurious and indulgent themes. The repetition of "Sí" emphasizes affirmation and continuation of the lavish lifestyle described in the first part of the song.
[Pre-Coro]
In this section, Jhayco describes the unpredictable nature of his partner, who enjoys both the warmth of the day and the excitement of the night. Despite her flirtatious behavior, she isn't interested in love, showing that their relationship is more about fun and indulgence than emotional connection. Jhayco is willing to fulfill her desires, reflecting the transactional nature of their relationship.
[Coro]
The chorus of the second part of the song continues to emphasize Jhayco's partner's independence and assertiveness. She always gets her way, and Jhayco lets things flow naturally, allowing her to influence and include him in her life. Despite her seemingly carefree attitude, there is an underlying tension as she keeps challenging Jhayco's control, making their dynamic complex.
[Post-Coro]
The post-chorus reflects the same themes as the chorus but reinforces the idea that Jhayco’s partner remains in control. She is a "mala influencia" (bad influence), and Jhayco accepts this, letting her take the lead while he enjoys the ride. The repetition here further solidifies the power dynamics and the thrill of letting go of control.
[Verso]
Jhayco returns to a more playful and rebellious tone, describing their secretive and potentially scandalous interactions. He embraces the thrill of breaking norms and expectations, even if it leads to controversy. The mention of “exclusive” and “superexclusive” highlights the uniqueness of their relationship, where they indulge in things that are out of reach for most people. The verse ends on a note of excitement and anticipation, emphasizing the adventurous and dangerous side of their connection.
[Pre-Coro]
This section mirrors the earlier pre-chorus, further exploring the desires and tendencies of Jhayco’s partner. She continues to seek thrills and avoids emotional attachments, with Jhayco being the one who fulfills her needs without expecting anything in return. The repeated focus on her independence and the transactional nature of their relationship highlights the complex dynamics at play.
[Coro]
The chorus reiterates the themes of independence and influence, with Jhayco acknowledging that his partner always gets what she wants. Despite this, he remains captivated by her, allowing her to take control and influence him, which further emphasizes the power struggle in their relationship.
[Post-Coro]
The final section of the song reinforces the same ideas, with Jhayco continuing to let his partner take the lead. Her ability to influence and challenge him remains a central theme, making their relationship one of constant excitement and unpredictability.
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About Song
"En La Bentley" is a new spanish song by Jhayco, published on the JHAYCO YouTube channel. The song is part of the album Le Clique: Vida Rockstar (X) and was written by Jhayco, Smash David, Digital Jet, Sean Turk, Tainy, and Juno Watt. The track was produced by Smash David, Digital Jet, Tainy, and Sean Turk and was released on September 6, 2024.
The theme of "En La Bentley" revolves around luxury, power, and indulgence in the high life. Jhayco explores themes of wealth, desire, and the fast-paced lifestyle of the rich and famous. The song's lyrics describe living extravagantly, enjoying luxury cars, expensive drinks, and high-end experiences, while also delving into the complex dynamics of relationships and influence in such a world
Credits
Le Clique: Vida Rockstar (X) (English Translation) Songs
En La Bentley Official Video
FAQs
The "En La Bentley" song is sung by Jhayco.
The "En La Bentley" song by Jhayco lyrics was written by JHAYCO, Smash David, Digital Jet, Sean Turk, Tainy & Juno Watt.
The "En La Bentley" song by Jhayco was produced by Smash David, Digital Jet, Tainy & Sean Turk.
Jhayco released "En La Bentley" song on Sep 6, 2024.
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