DUNGKA! Lyrics by SB19 is a new english song by SB19. The song is released on SB19 Official’s YouTube channel, written by RADKIDZ, PABLO (SB19) & Josue (RADKIDZ), produced by RADKIDZ, PABLO (SB19) & Josue (RADKIDZ), and from the album Simula at Wakas, offering listeners an edgy and confrontational experience.
“DUNGKA!” is a bold anthem of self-assertion, setting firm boundaries against negativity and unwelcome interference. The lyrics carry an aggressive tone laced with humor, wit, and cultural expression. With repetitive refrains and intense delivery, the group pushes back against distractions and disrespect, demanding space and clarity. The song plays with street language, metaphors, and a confident swagger to convey a no-nonsense message about guarding one’s peace and calling out toxic energy.
DUNGKA! Details
| Song | DUNGKA! |
|---|---|
| Album | Simula at Wakas |
| Artists | SB19 |
| Written By | RADKIDZ, PABLO (SB19) & Josue (RADKIDZ) |
| Produced By | RADKIDZ, PABLO (SB19) & Josue (RADKIDZ) |
| Label | SB19 Official |
| Language | English |
| Released Date | Apr 25, 2025 |
DUNGKA! Lyrics
[Intro]
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n, do’n, do’n, do’n
Do’n, do’n, do’n, do’n
[Verse 1: Stell, Ken, Justin]
May kumatok sa pintuan kong nakakandado
Parang hibang, nagpupumilit kahit ‘di imbitado
Boy, halatadong desperado, huli ka balbon, balbon
Galawang para sa kaning tutong
‘Wag nang magtangka pang sumalisi, ooh
Daming patibong nag-aabang d’yan sa tabi
Pasensya ko’y medyo maiksi, ooh
Naku, naku, baka makita’ng hinahanap mo?
[Pre-Chorus: Pablo, Josh]
‘Yung bang malupit
Malupit humagupit
Dito sa bahay ko, ayokong magulo
Ang aabutin mo (Palo, palo)
‘Pag ‘di ka magtino, pasang mala-tattoo
Kung ‘di mo ‘to gusto (Do’n, do’n)
[Chorus: Ken, Justin]
Tumabi ka d’yan (Do’n, do’n)
Tumabi ka d’yan (Do’n, do’n)
Tumabi ka d’yan (Do’n, do’n)
Tumabi ka, kung ‘di mo ‘to gusto (Do’n, do’n)
Tumabi ka d’yan
[Verse 2: Josh, Pablo]
(Do’n ka, do’n ka) Kasi ‘di ‘to basta-basta pusta ‘di mo kaya, ‘uy
(Oompa, loompa) ‘Pag hitik sa bunga puno ng iba, nagdadabog ka
Lapuk ka, tira na ba ‘yan? ‘Ya, supot pa
Kapag ako na nagpakawala, baka ikaw pang paghahanapin nila
[Pre-Chorus: Stell, Ken]
Ayokong manakit
Manakit ng makulit
Dito sa bahay ko, ayokong magulo
Ang aabutin mo (Palo, palo)
‘Pag ‘di ka nagtino, pasang mala-tattoo
Kung ‘di mo ‘to gusto
[Chorus: Pablo]
Tumabi ka d’yan (Do’n, do’n)
Tumabi ka d’yan (Do’n, do’n)
Tumabi ka d’yan (Do’n, do’n)
Tumabi ka, kung ‘di mo ‘to gusto (Do’n, do’n)
Tumabi ka d’yan
[Breakdown]
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n, huy
Do’n ka na, do’n, do’n ka na, do’n
Do’n ka na, do’n ka na, do’n, do’n ka na, do’n, huy
[Interlude]
Ah, yeah
Maingay ba? Hahaha
Do’n ka na, uwi
[Chorus: All, Stell]
Tumabi ka d’yan (Do’n, do’n)
Tumabi ka d’yan (Do’n, do’n)
Tumabi ka d’yan (Do’n, do’n)
Tumabi ka, kung hindi mo ‘to gusto (Do’n, do’n; Oh)
Tumabi ka d’yan (Do’n, do’n)
Tumabi ka d’yan (Do’n, do’n; Do’n, do’n)
Tumabi ka d’yan (Do’n, do’n; Do’n, do’n)
Tumabi ka, kung hindi mo ‘to gusto (Do’n, do’n)
Tumabi ka d’yan
[Outro]
Do’n ka na, do’n, do’n ka na, do’n
Do’n ka na, do’n, do’n ka na, do’n, huy
DUNGKA! Lyrics Meaning
[Intro]
The repeated chant “Do’n ka na” (a colloquial phrase meaning “go over there”) immediately sets a defiant tone. It’s an audial pushback, a warning to those who intrude or meddle. The rhythm feels like a mantra or chant, reinforcing the theme of personal space and dominance from the outset.
[Verse 1: Stell, Ken, Justin]
Stell, Ken, and Justin describe a metaphorical intruder trying to break into a locked-down space—symbolizing an unwelcome person trying to interfere or cause trouble. The lyrics mock the desperation of this character, framing them as both obvious and out of place. The mention of “kaning tutong” (burnt rice) hints at desperation for scraps, reinforcing how low the intruder’s actions appear. The verse captures both frustration and sharp wit.
[Pre-Chorus: Pablo, Josh]
Pablo and Josh heighten the tension, warning that chaos will be met with consequences. The phrase “palo, palo” (to be hit) underscores their seriousness. They liken their reaction to something permanent, like a tattoo—once provoked, the damage sticks. It’s a powerful message about setting limits and not tolerating disrespect.
[Chorus: Ken, Justin]
The chorus, delivered by Ken and Justin, is the heart of the confrontation. “Tumabi ka d’yan” (step aside) is a direct, commanding phrase, repeated to stress urgency and finality. It reinforces their demand for space and detachment from anything unwanted, rude, or energy-draining.
[Verse 2: Josh, Pablo]
Josh and Pablo sharpen the diss with vivid imagery and street-smart analogies. From mocking weak competition to asserting their dominance, they send a clear message: step up or step away. The language is aggressive and playful, with cultural nods like “oompa loompa” and “lapuk,” adding texture and flair to their lyrical style.
[Pre-Chorus: Stell, Ken]
Stell and Ken echo the earlier warning, but this time with a slightly more restrained tone—showing reluctance to be violent, yet firm about the outcome if provoked. It underscores that their goal is peace, but boundaries will be enforced.
[Chorus: Pablo]
Pablo’s solo take on the chorus adds intensity. The repetition of “Tumabi ka d’yan” becomes more emphatic, underscoring his personal stance on not tolerating chaos. It’s a lyrical barricade against drama.
[Breakdown]
The breakdown brings back the chant, this time more insistent. The buildup of “Do’n ka na” gains momentum, reinforcing the core message of distance and rejection of toxicity. The mood is confrontational yet rhythmic, enhancing the track’s bold identity.
[Interlude]
A humorous break adds contrast. The playful question “Maingay ba?” (Is it loud?) followed by laughter diffuses tension briefly, then ends with another assertive “Do’n ka na, uwi” (go home). It’s sarcastic and final, like a mic drop.
[Chorus: All, Stell]
The full group joins the final chorus, amplifying the demand for space with unified energy. Stell leads parts of the repetition, adding vocal height. The collective voice strengthens the message that this boundary-setting isn’t just personal—it’s a shared stand.
[Outro]
The outro closes with the familiar chant, sealing the track with rhythmic defiance. It’s a sonic reminder that once lines are drawn, they’re held firm—SB19 is standing their ground.
DUNGKA! Official Video
Simula at Wakas Songs
FAQs
The "DUNGKA!" song is sung by SB19.
The "DUNGKA!" song by SB19 lyrics was written by RADKIDZ, PABLO (SB19) & Josue (RADKIDZ).
The "DUNGKA!" song by SB19 was produced by RADKIDZ, PABLO (SB19) & Josue (RADKIDZ).
SB19 released "DUNGKA!" song on Apr 25, 2025.
More SB19 Songs
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