DAVEY BOY SMITH Lyrics – Westside Gunn

DAVEY BOY SMITH Lyrics by Westside Gunn is a new english song by Westside Gunn. The song is released on WESTSIDEGUNN’s official YouTube channel, written by Westside Gunn and Denny Laflare, produced by Denny Laflare, and is featured on the album HEELS HAVE EYES. This track delivers an unfiltered, braggadocious, and emotionally raw listening experience, blending high-stakes street narratives with sharp cultural critique and Westside Gunn’s signature flair.

The song captures Westside Gunn’s frustration with imitation and lack of authenticity in the rap game, while reasserting his role as a cultural icon and artistic innovator. Through detailed references to luxury fashion, street life, and nostalgic hip-hop energy, Gunn creates a world both lavish and dangerous. The lyrics blend violent street vignettes with reflections on loss, incarceration, and legacy, all while asserting creative dominance and criticizing those who copy his style without living the reality behind it.

DAVEY BOY SMITH Details

Song	DAVEY BOY SMITH
Album	HEELS HAVE EYES
Artists	Westside Gunn
Written By	Westside Gunn & Denny Laflare
Produced By	Denny Laflare
Label	WESTSIDEGUNN
Language	English
Released Date	Apr 18, 2025

DAVEY BOY SMITH Lyrics

[Intro]
Grrt
Ayo, fuck these niggas, lord
Can’t have shit, man
Everybody wanna fuckin’ be FLYGOD
You know niggas seein’ y’all niggas stealin’ my shit, you know, right? (The most gorgeous)
Niggas, y’all niggas can’t keep fuckin’ getting by with this shit no more, nigga (I’m tellin you fuck niggas)
You niggas is fuckin’ bums (FLYGOD)
Ayo

[Verse 1]
The stakes high on my Wade 5s
.9 in the Balmain waistline
My plug got me droolin’ showin’ bricks on FaceTime (Woo)
Peace to all my niggas doin’ fed and state time (Woo)
Where the paperwork? I ain’t no, “Heard through the grapevine” (Uh-uh)
Porterhouse steak well-done with some steak fries (Mm)
Poochie pull over in the red flyin’ saucer (Skrrt)
Crack bags scatterd on the saucer
Fiend came back, she sold the baby at a auction (Ah)
Wore my conehead backwards with a revolver (Boom-boom-boom-boom)
Everyday I miss Big Dump, wish I could bawl ’em
Threw the Teslas out, fiend’s knees bloody from crawlin’
Pay attention, young man, your mind’s fallin’ (Ah)
Up in Saks two hours after they closed
Dominican bitches titties out, baggin’ up the reggaeton (Banjo!)

[Interlude]
All head shots, nigga (All head shots, nigga)
Ayo

[Verse 2]
Force suspenders criss cross, Mack Daddy or Daddy Mac (Brrt, brrt)
Scream, “Go door to door” in the bulletproof Cadillac (Skrrt)
East side Buffalo CP action pack (Doot-doot-doot-doot-doot-doot-doot-doot-doot-doot, phew-phew-phew)
Niggas tryna dethrone the king, imagine that (Phew-phew-phew, fuck these niggas, lord)
Imagine no guns, no drugs in our habitat (Woo)
Johnny hit a stem, looked at me, and did the Cabbage Patch, woah

[Outro]
I got the best work, nigga (Phew-phew-phew-phew-phew-phew-phew, phew-phew-phew)
Fourth Rope takin’ over the motherfuckin’ world, nigga
Who else could make a motherfuckin’ tape in a night, nigga?
It’s already Wednesday, nigga, this shit come out tomorrow midnight, nigga
Hahahaha, this shit gon’ come out tomorrow night, nigga
Yo’ favorite rapper ain’t dropped shit in how long?
You know, I don’t even like to rap, that’s the thing about it
I’m not a fuckin’ rapper
See, y’all like rappers
I’m a artiste
I’m a specialist, nigga
I’m a culture curator, nigga
I’m ’bout to take it back when posters was on the wall
So I can make sure your bitch got me on the wall
Make sure your kids got me on they wall, nigga
FLYGOD

DAVEY BOY SMITH Lyrics Meaning

[Intro]
The intro sets a confrontational tone as Westside Gunn addresses imitators in the rap industry who have copied his style without credit or authenticity. Calling out “fuckin’ bums” and claiming his rightful place as “FLYGOD,” he reestablishes his influence over both the streets and the culture. The tension and disdain in his voice add to the raw, unscripted energy, making it clear that this track is as much a warning as it is a declaration.

[Verse 1]
Westside Gunn delivers a barrage of vivid imagery and street realism. From the luxury of Balmain and Porterhouse steaks to FaceTiming with his plug and mourning lost loved ones, the verse is a chaotic mix of status, violence, and sorrow. The line about a fiend selling her baby at an auction is a jarring illustration of desperation and moral decay. His reference to Big Dump reveals emotional vulnerability beneath the surface bravado, while his time spent in Saks after hours with women bagging reggaeton nods to his unpredictable lifestyle and surreal reality.

[Interlude]
Brief but impactful, this interlude reinforces the song’s hardened tone—“All head shots” isn’t just a street warning but a metaphor for precise, lethal delivery. It affirms that Gunn’s lyrics hit with surgical accuracy, continuing the energy from the previous verse.

[Verse 2]
Gunn plays with style and nostalgia, referencing ‘90s rap icons Kriss Kross and their fashion while riding in a bulletproof Cadillac. The Buffalo reference brings it back to his roots, keeping the narrative grounded. He expresses frustration at attempts to dethrone him, painting such aspirations as absurd. The verse closes with a darkly comedic moment as a drug user hits a stem and dances, highlighting the tragic absurdity of addiction and decay in Gunn’s world.

[Outro]
In the outro, Westside Gunn boasts about his speed and work ethic—making an entire project in one night—and draws a line between himself and conventional rappers. He claims the title of “artiste,” “specialist,” and “culture curator,” elevating his role in hip-hop from performer to icon. His ambition is legacy-driven—he wants to be remembered on bedroom walls, like past legends, not just heard but immortalized in visual memory. This monologue ties together the track’s themes of originality, domination, and cultural permanence.

DAVEY BOY SMITH Official Video

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