Baddies Lyrics – Aya Nakamura & Joé Dwèt Filé

Baddies Lyrics by Aya Nakamura & Joé Dwèt Filé is a new french song by Aya Nakamura & Joé Dwèt Filé. The song is released on Aya Nakamura’s official YouTube channel, written by Aya Nakamura & Joé Dwèt Filé, produced by Joé Dwèt Filé, and delivers a confident, flirtatious energy that blends smooth vocals with afrobeats and R&B influences. While not part of a named album, “Baddies” stands out as a bold musical statement celebrating romantic power dynamics, feminine allure, and emotional tension in relationships.

The song explores themes of attraction, dominance, emotional push-and-pull, and mutual obsession. Aya Nakamura plays with her persona of a bold, unapologetic woman who confidently owns her sensuality and influence over her partner. Joé Dwèt Filé responds with admiration, balancing her fiery attitude with his calm devotion. The lyrics depict a relationship where control and affection intertwine, both partners feeding off each other’s intensity. With playful references, spicy metaphors, and an infectious chorus, “Baddies” portrays a love dynamic full of passion, power plays, and emotional vulnerability hidden beneath swagger.

Baddies Details

Song	Baddies
Artists	Aya Nakamura & Joé Dwèt Filé
Written By	Aya Nakamura & Joé Dwèt Filé
Produced By	Joé Dwèt Filé
Label	Aya Nakamura
Language	French
Released Date	May 15, 2025

Baddies Lyrics

[Intro: Aya Nakamura]
Hey

[Couplet 1: Aya Nakamura]
C’pas d’la magie, j’en fais des tonnes, avec mes atouts, j’le matrixe (Matrixe)
On parle des heures au téléphone, j’avoue, je le matrixe
Il dit qu’j’suis chiante et capricieuse, mais le voilà rebelote
Des calins, des caresses, en vrai, il en redemande
J’ai choqué, choqué, choqué, choqué, choqué le boug (J’ai choqué, choqué)
Choqué, choqué, choqué, choqué, choqué le boug (J’ai choqué le boug)
T’aimes trop les folles comme moi, assume (T’aimes trop les folles comme moi, assume)
Faut du cardio, j’te l’avais dit (Faut du cardio, j’te l’avais dit)

[Pré-Refrain: Aya Nakamura]
Mon body spicy, sexy, sexy, sexy (Sexy, sexy)
Même quand je marche, les gens disent, “Elle est sexy” (Sexy)
J’veux minimum dix compliments c’t’après-midi
Dès qu’il m’a vue, il a dit, “Je veux cette fille”

[Refrain: Aya Nakamura avec Joé Dwèt Filé]
Des attitudes de baddies (Des attitudes de baddies, ah-ah)
Ça te dérange? Tu m’as pas dit (Ça te dérange? Tu m’as pas dit, ah-ah)
Je le contrôle, Jacques a dit (Je le contrôle, Jacques a dit, ah-ah)
C’est normal, j’suis sa gadji (Mais c’est normal, j’suis sa gadji, ah-ah)
Je le domine, il donne tout, tout, tout (Il donne tout, tout, tout)
Avec moi, il est doux, doux, doux (Il est doux, doux, doux)
Je le domine, il donne tout, tout, tout (Il donne tout, tout, tout)
Avec moi, il est doux, doux, doux (Il est doux, doux, doux)

[Couplet 2: Joé Dwèt Filé]
Avec elle j’suis bon donc elle est méfiante (Méfiante)
Elle est trop chargée donc j’suis jamais méchant (Méchant)
C’est pas l’genre de meuf à qui tu poses des questions, non
Elle est crazy mais j’la kiffe et c’est pas récent
J’lui fait croire qu’elle décide (Wouh-ouh) mais après minuit, dis-leur qui tiens la manette, ah (Baow)
Dis-leur qui voit des paillettes, ah-ah
Qui en une nuit fait l’tour d’la planète, ah
Oh, des attitudes de baddies mais c’est ma baby, fort

[Pré-Refrain: Aya Nakamura & Joé Dwèt Filé]
Mon body spicy, sexy, sexy, sexy (Elle est sexy fort)
Même quand je marche, les gens disent, “Elle est sexy” (Bébé, t’es sexy fort)
J’veux minimum dix compliments c’t’après-midi (Dix compliments c’t’après-midi)
Dès qu’il m’a vue, il a dit, “Je veux cette fille”

[Refrain: Aya Nakamura, Joé Dwèt Filé, Aya Nakamura & Joé Dwèt Filé]
Des attitudes de baddies (Des attitudes de baddies, ah-ah)
Ça te dérange? Tu m’as pas dit (Ça te dérange? Tu m’as pas dit, ah-ah)
Je le contrôle, Jacques a dit (Je le contrôle, Jacques a dit, ah-ah)
C’est normal, j’suis sa gadji (Mais c’est normal, j’suis sa gadji, ah-ah)
Je le domine, il donne tout, tout, tout (Tout, tout, tout, tout)
Avec moi, il est doux, doux, doux (Doux, doux, doux, doux)
Je le domine, il donne tout, tout, tout (Tout, tout, tout, tout)
Avec moi, il est doux, doux, doux (Doux, doux, doux, doux)

[Pont: Aya Nakamura]
C’était pas prévu comme ça bébé
Mais j’te voulais, t’as trop de charme, oh oui
Mais ça s’est fait comme ça, bébé
Il est possible qu’entre nous ça s’enflamme
C’était pas prévu comme ça bébé
Mais j’te voulais, t’as trop de charme, oh oui
Mais ça s’est fait comme ça, bébé
Il est possible qu’entre nous ça s’enflamme

[Refrain: Aya Nakamura, Joé Dwèt Filé, Aya Nakamura & Joé Dwèt Filé]
Des attitudes de baddies (Des attitudes de baddies, ah-ah)
Ça te dérange? Tu m’as pas dit (Ça te dérange? Tu m’as pas dit, ah-ah)
Je le contrôle, Jacques a dit (Je le contrôle, Jacques a dit, ah-ah)
C’est normal, j’suis sa gadji (Mais c’est normal, j’suis sa gadji, ah-ah)
Je le domine, il donne tout, tout, tout (Tout, tout, tout, tout)
Avec moi, il est doux, doux, doux (Doux, doux, doux, doux)
Je le domine, il donne tout, tout, tout (Tout, tout, tout, tout)
Avec moi, il est doux, doux, doux (Doux, doux, doux, doux)

[Outro: Aya Nakamura]
C’était pas prévu comme ça bébé
Mais j’te voulais, t’as trop de charme, oh oui
Mais ça s’est fait comme ça, bébé
Il est possible qu’entre nous ça s’enflamme
C’était pas prévu comme ça bébé
Mais j’te voulais, t’as trop de charme, oh oui
Mais ça s’est fait comme ça, bébé
Il est possible qu’entre nous ça s’enflamme

Baddies Lyrics Meaning

[Intro: Aya Nakamura]
Aya Nakamura opens the track with a casual “Hey,” immediately setting a confident and relaxed tone. This brief line serves as a vocal signature, easing the listener into the song’s mood and framing her character as self-assured and ready to speak her truth.

[Couplet 1: Aya Nakamura]
In the first verse, Aya Nakamura expresses how effortlessly she captivates her partner, not through magic, but by playing to her strengths. She acknowledges her emotional complexity—being called difficult and capricious—yet her partner keeps returning for more affection. Her repetition of “choqué le boug” underscores the impact she has on him, suggesting she’s constantly surprising or overwhelming him emotionally. The verse highlights her dominance and unapologetic confidence, reinforced by the line “faut du cardio,” warning that it takes energy to keep up with her.

[Pré-Refrain: Aya Nakamura]
Here, Aya emphasizes her physical confidence, describing herself as “spicy” and “sexy.” Her desire for daily admiration—“minimum dix compliments”—reveals her need for validation while simultaneously asserting her high standards. The moment her partner sees her, he’s instantly captivated, affirming the control she wields over him without needing to try too hard.

[Refrain: Aya Nakamura avec Joé Dwèt Filé]
The chorus is a celebration of the “baddie” attitude—bold, commanding, and irresistible. Aya asserts that her dominance is natural, as she’s “his gadji” (his girl). The dynamic is clear: she takes the lead, and he responds by giving her his full devotion. Joé Dwèt Filé’s soft delivery mirrors the gentle way he responds to her control, reinforcing the power she holds in the relationship.

[Couplet 2: Joé Dwèt Filé]
Joé Dwèt Filé offers his perspective, showing he’s aware of Aya’s power but unbothered by it. He describes her as wary and assertive, the kind of woman who doesn’t tolerate nonsense. Though he lets her believe she’s in charge, he subtly hints at his own influence “after midnight.” His tone blends admiration with playful pushback, highlighting a mutual exchange of control and desire that feels electric rather than oppressive.

[Pré-Refrain: Aya Nakamura & Joé Dwèt Filé]
Together, the duo revisits the theme of physical allure and emotional pull. Joé backs Aya’s self-assurance with his own affirmation, reinforcing how attractive and commanding she is. The duet format here enhances the idea that both partners recognize and enjoy the fiery chemistry between them.

[Refrain: Aya Nakamura, Joé Dwèt Filé, Aya Nakamura & Joé Dwèt Filé]
Repeating the chorus jointly, the artists highlight the rhythm of their dynamic—one gives, the other leads—but both find satisfaction in it. Aya remains the dominant force, but Joé’s presence brings balance and depth, reinforcing the passionate connection built on admiration, tension, and desire.

[Pont: Aya Nakamura]
In a more reflective tone, Aya admits that the relationship wasn’t planned but evolved naturally due to undeniable attraction. The repetition of how it “wasn’t supposed to happen” reveals vulnerability, showing that despite the tough exterior, emotions have grown deeper than anticipated. There’s potential for things to ignite beyond just a playful romance.

[Refrain: Aya Nakamura, Joé Dwèt Filé, Aya Nakamura & Joé Dwèt Filé]
The chorus returns with full force, solidifying the central message of mutual allure, dominance, and emotional entanglement. The relationship dynamic remains consistent—Aya leads, Joé responds—but this time, it feels even more impassioned, as their connection deepens.

[Outro: Aya Nakamura]
The song closes with Aya repeating the bridge, reinforcing the idea that their bond wasn’t premeditated but feels fated. Her admission of wanting him and the possibility of flames between them adds emotional weight, closing the song on a tender yet charged note.

Baddies Official Video

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