Un milione di mani Lyrics – Luchè ft Rose Villain

Un milione di mani Lyrics by Luchè is a new italian song by Luchè, featuring Rose Villain. The track is released on LucheOfficialChannel’s official YouTube channel, written by Federica Abbate, Geeno, Luchè, Rose Villain, D-Ross & Zef, and produced by D-Ross, Geeno & Zef. Taken from the album Il mio lato peggiore, this introspective collaboration delivers an emotionally charged experience, blending atmospheric production with poignant lyrics that explore themes of loneliness, love, and inner conflict.

The lyrics of Un milione di mani delve into the emotional scars left by past relationships and personal trauma, portraying loneliness as both a curse and a catalyst for self-destructive behavior. Luchè reflects on his struggles with intimacy, emotional detachment, and the lure of danger, while Rose Villain offers a raw, poetic response from the perspective of a wounded counterpart, questioning absence and betrayal. The song becomes a dual confession, filled with vulnerability, pain, and unresolved longing, set against the backdrop of haunting melodies and evocative storytelling.

Un milione di mani Details

Un milione di mani Lyrics

Testo da anticipazioni
[Testo di “Un milione di mani”]

[Intro: Luchè]
Colpa della solitudine se mi faccio toccare da milioni di mani
Tra la gente cerco un’altra te, perché non so vivere senza i miei traumi
Ridammi i miei guai, male che fai, tutte le volte che gridi il mio nome
Colpa della solitudine che ho

[Strofa 1: Luchè]
Ho conosciuto l’amore tardi
Nelle strade in cui sono cresciuto non era permesso e tu non lo sai
Dissi: “Non abbracciarmi quando perdo il controllo, non so perché lo fai”
Il karma sta facendo il suo sporco lavoro
È così chiaro ormai che non so stare da solo
La notte muoio, volo senza staccarmi mai dal suolo
Ho sete di qualcosa di velenoso, mi sento al sicuro se pericoloso
La mia nuda verità, se quella sera non mi avessi insegnato a volar
Non dormirei con persone che non sanno il mio vero nome
M’annoia senza rumore in un addio senza parole

[Ritornello: Luchè]
Colpa della solitudine se mi faccio toccare da milioni di mani
Tra la gente cerco un’altra te, perché non so vivere senza i miei traumi
Ridammi i miei guai, male che fai, tutte le volte che gridi il mio nome
Colpa della solitudine che ho

[Strofa 2: Rose Villain]
E tu dov’eri?
Tutte le volte che guardo nel vuoto ci vedo una parte di me
L’amore solleva il mio corpo dal suolo ma dopo mi lascia cadere
Sui vetri rotti, sui rasoi
Crolla il tetto su di noi
È meglio restare da soli, restare da soli, restare da soli
Penso che se lo ripeti, lo scrivi, lo [?], dopo si avveri
Sai, tutti i fiori sono neri
Stavo male, tu dov’eri? Dov’eri?
Quando pioveva forte, si, yeah
Mentre fuori c’è il sole
Tu che neanche ascolti il disco, non vuoi tutta la mia attenzione
Ora sono tutti amici, pronti a chiederti un favore
Forse non sai che un serpente ti morde se provi a dargli amore

[Ritornello: Luchè & Rose Villain]
Colpa della solitudine se mi faccio toccare da milioni di mani
Tra la gente cerco un’altra te, perché non so vivere senza i miei traumi
Ridammi i miei guai, male che fai, tutte le volte che gridi il mio nome
Colpa della solitudine che ho

Un milione di mani Lyrics Meaning

[Intro: Luchè]
Luchè opens the song with a striking confession that sets the emotional tone. He links his vulnerability and promiscuity to the deep void left by solitude, suggesting that physical contact with “millions of hands” is a hollow attempt to fill the emotional absence of someone meaningful. His trauma becomes a central character, shaping his need for connection while simultaneously sabotaging it. The intro presents loneliness as both the origin of his downfall and the thread that binds the entire song.

[Strofa 1: Luchè]
This verse explores Luchè’s emotional upbringing and the barriers he developed toward love. Raised in a harsh environment where affection was seen as weakness, he admits to being uncomfortable with care and intimacy. His reference to karma and the inability to be alone underscores a deeper fear of abandonment. The imagery of dying at night and craving danger reflects a desire for intensity, even if it’s toxic. He reveals that meaningful emotional connection—like the one “that taught him to fly”—is rare, and without it, he drifts through meaningless encounters. The final lines reflect a disillusionment with intimacy, where even goodbyes lack depth, hinting at a chronic emotional numbness.

[Ritornello: Luchè]
The chorus reinforces the theme of emotional isolation. Luchè repeats that his susceptibility to superficial relationships is a symptom of his loneliness. He searches for a replacement for someone irreplaceable, exposing how his unresolved traumas dictate his actions. The repetition of needing his “guai” (troubles) and the damage caused by someone calling his name highlights his attachment to pain as a familiar emotional anchor.

[Strofa 2: Rose Villain]
Rose Villain’s verse is a haunting echo of abandonment. She questions Luchè’s absence during her most painful moments, using metaphors like broken glass and collapsing roofs to illustrate emotional devastation. Her refrain of “restare da soli” emphasizes that solitude, though painful, feels safer than repeated emotional falls. Her lyrics suggest that trauma has conditioned her to mistrust love, associating it with danger. The verse closes with biting commentary on opportunism and betrayal, comparing a false friend or lover to a snake that bites even when offered love, reinforcing the sense that vulnerability often leads to pain.

[Ritornello: Luchè & Rose Villain]
In the final chorus, both voices blend, creating a shared emotional landscape marked by trauma, longing, and the inability to let go. Their harmonized delivery underscores the universality of their suffering, each trapped in their own solitude yet connected by the emotional residue of a fractured relationship. The repetition of the chorus lines gains weight through the dual perspective, capturing the cyclical nature of emotional dependence and disconnection.

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