“TOO BAD” is a new english song by G-Dragon (지드래곤), featuring Anderson .Paak. Released on OfficialGDRAGON’s official YouTube channel, the track was written by G-DRAGON (지드래곤), Anderson .Paak, Bongo, Alissia & Yohan and officially launched on February 25, 2025. Blending sultry R&B grooves with G-Dragon’s signature wordplay, the song delivers a playful yet intense exploration of attraction and desire, enhanced by Anderson .Paak’s smooth and soulful vocal delivery.
At its heart, “TOO BAD” captures the thrilling push and pull of romantic chemistry. The lyrics paint a vivid picture of flirtation, longing, and the intoxicating effect of someone who is irresistibly captivating. G-Dragon brings his sharp lyricism and charisma to the verses, questioning intentions and indulging in the uncertainty of love, while Anderson .Paak’s chorus and post-chorus heighten the sensuality of the track. The interplay between their styles creates an addictive dynamic, making the song both playful and deeply evocative.
TOO BAD Details
Song | TOO BAD |
---|---|
Album | Übermensch |
Artists | G-Dragon (지드래곤) |
Featuring Artists | Anderson .Paak |
Written By | G-DRAGON (지드래곤), Anderson .Paak, Bongo, Alissia & Yohan |
Label | OfficialGDRAGON |
Language | English |
Released Date | Feb 25, 2025 |
TOO BAD Lyrics
[Intro]
G-A-P
Let me kill ’em like I usually do, man
[Verse 1: G-DRAGON]
Check it, how do you do? (What you do?)
Tiki-taka 난무 (Uh)
불이나 축이듯, 땀이 주르르르륵 (주르르르륵)
빛 쬐, beautiful (That’s cool)
살짝쿵 손만 잡고 (Like it, like it, like it)
짝짝꿍 볼 맞장구
게슴츠르레, g’azm, 오르게
Dang, is she that good?
[Chorus: Anderson .Paak]
Baby girl, too bad for me
There you go, toot that, as for me?
All I want is in arms reach
Break me off passionately
Baby girl, too bad for me
There you go, toot that, as for me?
All I want is in arms reach
Break me off passionately
[Verse 2: G-DRAGON]
긴가민가 어딘가 아리까리해
Flirting인가? Bluffing인가? You got me bad
MBTI가 sexy type 하니 내 색시나 해
G-D be like that, N-G M이 나이 Zett
I don’t think so
[Chorus: Anderson .Paak]
Baby girl, too bad for me
There you go, toot that, as for me?
All I want is in arms’ reach
Break me off passionately
Baby girl, too bad for me
There you go, toot that, as for me?
All I want is in arms reach
Break me off passionately
[Post-Chorus: Anderson .Paak]
You do somethin’ (To me)
The chills runnin’ (Through me)
I feel somethin’ (Pull me)
I’m still runnin’ (‘Til I reach)
You do somethin’ (To me)
The chills runnin’ (Through me)
I feel somethin’ (Pull me)
I’m still runnin’ (‘Til I reach)
[Bridge: G-DRAGON]
Come, do something to me
Come, do something to me
Come, do something to me
Too hot to touch, show me
Come, do something to me
Come, do something to me
Come, do something to me
One, two, you too, shall we?
[Chorus: Anderson .Paak]
Baby girl, too bad for me
There you go, toot that, as for me?
All I want is in arms reach
Break me off passionately
Baby girl, too bad for me
There you go, toot that, as for me?
All I want is in arms reach
Break me off passionately
[Post-Chorus: Anderson .Paak]
You do somethin’ (To me)
The chills runnin’ (Through me)
I feel somethin’ (Pull me)
I’m still runnin’ (‘Til I reach)
You do somethin’ (To me)
The chills runnin’ (Through me)
I feel somethin’ (Pull me)
I’m still runnin’ (‘Til I reach)
[Outro: G-DRAGON]
You do somethin’
The chills runnin’
I feel somethin’
I’m still runnin’ (‘Til I reach)
You do somethin’
The chills runnin’
I feel somethin’
I’m still runnin’
TOO BAD Meaning
[Intro]
The song opens with G-Dragon confidently stepping into the spotlight. The line “Let me kill ’em like I usually do, man” immediately sets the tone for his dominance, both in music and personal charm. The abbreviation “G-A-P” possibly plays on their initials (G-Dragon, Anderson .Paak) or hints at a stylistic gap they bridge between their distinct sounds.
[Verse 1: G-DRAGON]
Here, G-Dragon engages in flirtatious wordplay, playfully questioning the situation. His reference to “Tiki-taka 난무” likens their interaction to the back-and-forth motion of a soccer pass, emphasizing the exchange of energy between two people. The sensual imagery of sweat, touch, and eye contact builds a vivid scene of attraction. The final line, “Dang, is she that good?”, hints at being completely captivated, almost in disbelief at the intensity of the moment.
[Chorus: Anderson .Paak]
Anderson .Paak takes over with a chorus that drips with longing and desire. The phrase “Baby girl, too bad for me” suggests an irresistible pull toward someone who may be dangerous or unattainable. His smooth, rhythmic delivery enhances the sensual mood, with lines like “Break me off passionately” reinforcing the physical and emotional depth of their connection.
[Verse 2: G-DRAGON]
Here, G-Dragon plays with ambiguity, questioning whether the interaction is genuine or just a game. The phrase “긴가민가 어딘가 아리까리해” (unsure, somewhere in between) highlights his uncertainty, making the attraction feel even more intense. The reference to “MBTI가 sexy type” (MBTI being a personality test) humorously suggests that their chemistry might be written in their psychological traits. The cryptic final line “G-D be like that, N-G M이 나이 Zett” could be a playful self-reference or nod to a deeper inside joke, adding a layer of mystery.
[Chorus: Anderson .Paak]
Repeating the chorus, Anderson .Paak reinforces the song’s themes of seduction and desire. His effortless delivery makes the emotions feel natural, as if he’s giving in to the inevitable pull of attraction.
[Post-Chorus: Anderson .Paak]
This section deepens the emotional and physical connection. The phrase “You do something to me” conveys the power of the other person’s presence, while “The chills runnin’ through me” suggests an overwhelming, almost electric feeling. The repetition of “I’m still runnin’ (‘Til I reach)” adds a sense of pursuit, as if no matter how much he tries, he can’t resist the pull toward this person.
[Bridge: G-DRAGON]
G-Dragon takes a more direct approach here, inviting action with “Come, do something to me.” The repetition heightens the urgency, creating a hypnotic effect. The line “Too hot to touch, show me” signals a mix of desire and challenge—he wants to get closer but acknowledges the intensity of the attraction. The ending phrase “One, two, you too, shall we?” suggests a playful yet daring proposition, as if urging the other person to take the next step.
[Chorus: Anderson .Paak]
With another repetition of the chorus, the song locks in its central theme: an irresistible, almost dangerous attraction that neither party can resist. The melodic hook becomes even more infectious, drawing listeners deeper into the mood.
[Post-Chorus: Anderson .Paak]
By repeating the post-chorus, Anderson .Paak emphasizes the lingering effect of this connection. The chills, the pull, and the endless chase for fulfillment remain unresolved, making the song feel both intoxicating and slightly elusive.
[Outro: G-DRAGON]
The outro echoes the post-chorus, reinforcing the idea that the chase continues. G-Dragon’s delivery feels almost hypnotic, as if trapped in the cycle of attraction. The repetition of “I’m still runnin’ (‘Til I reach)” leaves the song open-ended, suggesting that the pull of desire never truly fades.
“TOO BAD” thrives on tension, chemistry, and the thrill of the unknown. G-Dragon and Anderson .Paak masterfully weave together flirtation, uncertainty, and raw attraction, creating a track that is as smooth as it is electrifying.
TOO BAD Official Video
Übermensch Songs
FAQs
The "TOO BAD" song is sung by G-Dragon (지드래곤) featuring Anderson .Paak
The "TOO BAD" song by G-Dragon (지드래곤) lyrics was written by G-DRAGON (지드래곤), Anderson .Paak, Bongo, Alissia & Yohan.
G-Dragon (지드래곤) released "TOO BAD" song on Feb 25, 2025.
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