天国 (Tengoku) Lyrics – Mrs. GREEN APPLE

Tengoku Lyrics by Mrs. GREEN APPLE is a new japanese song by Mrs. GREEN APPLE. The track is released on the official YouTube channel Mrs. GREEN APPLE, written and produced by 大森元貴 (Motoki Ohmori). Debuting on May 2, 2025, Tengoku delivers an emotionally charged and introspective experience, blending poetic lyricism with hauntingly delicate instrumentals that reflect the band’s signature artistry.

The song Tengoku, meaning “Heaven,” navigates the turmoil of loss, betrayal, and the lingering pain of cherished memories. Through the raw and expressive voice of Mrs. GREEN APPLE, the lyrics unravel a narrative of someone grappling with emotional decay while still holding on to fleeting fragments of love and warmth. The track captures the complexity of human emotions—rage, longing, despair, and bittersweet affection—all converging in a deeply vulnerable and spiritually charged atmosphere.

天国 (Tengoku) Details

Song	天国 (Tengoku)
Artists	Mrs. GREEN APPLE
Written By	大森元貴 (Motoki Ohmori)
Produced By	大森元貴 (Motoki Ohmori)
Label	Mrs. GREEN APPLE
Language	Japanese
Released Date	May 2, 2025

天国 (Tengoku) Lyrics

[Intro]
もしも
僕だけの世界ならば そう
誰かを恨むことなんて
知らないで済んだのに どうしても
どうしても
貴方の事が許せない

[Verse 1]
夜は ただ永い
人は 捨てきれない
見苦しいね
この期に及んで尚
朝日に心動いている

[Bridge]
抱きしめてしまったら
もう最期
信じてしまった私の白さを憎むの
あなたを好きでいたあの日々が何よりも
大切で愛しくて痛くて惨め

[Vesre 2]
もしも
あの頃、お日様を浴びた布団に
包まる健気な君が
そのままで居てくれれば
どれほど
どれほど良かったのか
もう知る由もない

[Pre-Chorus]
あぁ またお花を摘んで
手と手を合わせて
もうすぐ其方に往くからね
心に蛆が湧いても
まだ香りはしている
あの日の温もりを
醜く愛してる

[Chorus]
どうすればいい？
ただ、ともすれば もう
醜悪な汚染の一部
なら、どうすればいい？
いっそ忘れちゃえばいい？
そうだ 家に帰ってキスしよう

[Post-Chorus]
どうすればいい？を
どうすればいい？
腐ってしまうこの身を
飾ってください
私のことだけは忘れないで

[Chorus]
抱きしめてしまったら
もう最期
信じてしまった私の白さを憎むの
あなたを好きでいたあの日々が何よりも
大切で愛しくて痛くて惨め

[Post-Chorus]
あぁ またお花を摘んで
手と手を合わせて
もうすぐ其方に往くからね
心に蛆が湧いても
まだ香りはしている
あの日の温もりを
醜く愛してる

[Outro]
あぁ 天使の笑い声で
今日も生かされている
もうすぐ此方に来る頃ね
あの頃のままの君に
また出会えたとして
今度はちゃんと手を握るからね

天国 (Tengoku) Lyrics Meaning

[Intro]
The song opens with an emotional fracture. Mrs. GREEN APPLE explores the pain of betrayal in a world where, ideally, such anguish wouldn’t exist. The repeated “どうしても” (“no matter what”) emphasizes an irreconcilable conflict—an inner refusal to forgive someone who shattered their peace. The intro establishes a theme of innocence lost, poisoned by the intrusion of suffering.

[Verse 1]
Night becomes a metaphor for prolonged emotional darkness, while the refusal to let go of another person reveals deep human attachment. Despite knowing the pain, Mrs. GREEN APPLE’s lyrics show a heart that still responds to beauty—”朝日に心動いている” implies that even amid ruin, the sunrise can stir the soul. It’s a subtle nod to resilience amidst grief.

[Bridge]
In this section, the act of embracing someone becomes a symbolic final act—emotionally or literally. The singer blames their own naivety, symbolized by “white,” a color of innocence, now associated with regret. The paradox of loving someone so deeply that it becomes both precious and degrading is central here, revealing an internal war between cherished memories and self-contempt.

[Vesre 2]
Mrs. GREEN APPLE reminisces about a tender past—sunlit mornings and innocent warmth. The imagery of being wrapped in a comforter alludes to safety and purity. The longing for that version of the person to have remained unchanged suggests an irretrievable loss, making the present all the more painful. There’s a deep sense of nostalgia and irreversible change.

[Pre-Chorus]
The pre-chorus blends spiritual imagery with decay. The act of picking flowers and joining hands evokes a ritualistic farewell, perhaps alluding to death. Despite inner rot (“蛆が湧いても”), the lingering scent of warmth implies that even in ruin, love’s memory can persist. The paradox of “ugly love” captures the beauty and horror of clinging to what once was.

[Chorus]
Here, Mrs. GREEN APPLE questions moral erosion—what to do when one becomes part of the ugliness they despise. The line “醜悪な汚染の一部” confronts the fear of becoming corrupted. The suggestion to “go home and kiss” offers a surreal contrast, like a desperate attempt to reclaim normalcy or love through mundane gestures, further highlighting emotional dissonance.

[Post-Chorus]
This repetition reinforces the unraveling self. The plea to “decorate this rotting body” is both literal and metaphorical, suggesting a desire for dignity or remembrance despite inner decay. The last line—”don’t forget me”—expresses a final wish to be remembered beyond the suffering, tying memory to identity.

[Chorus]
The chorus returns, underscoring the emotional climax. The repetition adds intensity, reaffirming the betrayal, the self-loathing, and the bitter irony of once finding joy in a love that now causes ruin. The language becomes almost ritualistic, as if the act of repeating the pain is necessary to purge it.

[Post-Chorus]
The post-chorus echoes previous spiritual and decaying themes, linking love, death, and memory into a unified emotional landscape. Picking flowers and the mention of “蛆” (maggots) juxtapose life and decay again. The speaker clings to warmth from the past, even as it festers into something grotesque—this conflict defines the song’s haunting beauty.

[Outro]
The outro introduces the idea of heavenly laughter as a lifeline—perhaps a child’s laughter or a symbol of purity. It suggests that the protagonist continues to live because of that voice, anticipating reunion. There’s a promise of reconnection—of holding hands this time—as if hoping to redeem what was once lost through a more mindful, tender embrace.

天国 (Tengoku) Official Video

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