NOKIA Lyrics – PARTYNEXTDOOR & Drake ft Elkan

“NOKIA” is a new english song by PARTYNEXTDOOR and Drake, featuring Elkan. Released on February 14, 2025, on Drake’s official YouTube channel, the song was written by Drake and produced by Elkan. The track offers a moody and hypnotic vibe, blending catchy beats with a seductive atmosphere. Its release marks a fresh collaboration between the two artists, showcasing their signature styles in a dynamic mix of R&B and contemporary sounds.

The lyrics of “NOKIA” explore themes of desire, intrigue, and the complexities of modern relationships. The song’s repeated question, “Who’s callin’ my phone?” reflects an ongoing sense of curiosity and uncertainty about romantic connections and the people in the artists’ lives. The chorus, with its mentions of names like Stacy, Becky, and Keisha, suggests a series of fleeting relationships or encounters, perhaps reflecting the often transitory nature of connections in the entertainment world. Meanwhile, Drake’s verse delves deeper into his personal emotions, expressing a mix of frustration and longing. The second part of the song continues with Elkan’s melodic contributions, emphasizing playful flirtation and a carefree attitude. Overall, “NOKIA” encapsulates both a seductive narrative and an exploration of relationships in the digital age, where attention is often fleeting, and identity is built on moments of connection.

NOKIA Details

Song	NOKIA
Album	$ome $exy $ongs 4 U
Artists	PARTYNEXTDOOR & Drake
Featuring Artists	Elkan
Written By	Drake
Produced By	Elkan
Label	Drake
Language	English
Released Date	Mar 31, 2025

NOKIA Lyrics

[Pre-Chorus: Drake]
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who? Who?)
Who’s callin’ my phone? (Who? Who?)
Who’s callin’ my phone? (Yeah, yeah)
Who’s callin’ my phone? (OVO Sound, 2025)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone?

[Chorus: Elkan & Drake]
Is it Stacy? (Who’s callin’ my phone?)
Is it Becky? (Who’s callin’ my phone?)
Is it Keisha? (Who’s callin’ my phone?)
Is it Ellie? (Who’s callin’ my phone?)
Was it Dani? (Who’s callin’ my phone?)
Is it PARTY? (Who’s callin’ my phone?)
Where’s the function? (Where the fuck the function?)
Send the addy (Where the fuck the function?)

[Verse: Drake]
The way I feel right now, I feel like we need to be all alone
So if you just playin’ around, you need to tell your girl, “Take your fine ass home,” and that’s real
Stop teasin’ me, yeah, what? Stop teasin’ me
I could change your life so easily
I keep beggin’ you to stay, but you’re leavin’ me
Leavin’ me, we got sticks in the club illegally
Got the whole 6ix side, they believe in me
We got members east of the DVP
We got members west on the 401
We had a lock on the game, but it’s more to come
You gotta pop that ass ’til the morning come
You want shots for the girls? Then order some

[Pre-Chorus: Drake]
Who’s callin’ my phone? (Who’s callin’ that?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who? Who?)
Who’s callin’ my phone? (Who? Who?)
Who’s callin’ my phone? (Who? Who?)
Who’s callin’ my— (Ayy)

[Chorus: Elkan & Drake]
Is it Stacy? (Who’s callin’ my phone?)
Is it Becky? (Who’s callin’ my phone?)
Is it Keisha? (Who’s callin’ my phone?)
Is it Ashley? (Who’s callin’ my phone?)
Was it Dani? (Who’s callin’ my phone?)
Is it PARTY? (Who’s callin’ my phone?)
Where’s the function? (Where the fuck the function?)
Send the addy (Where the fuck the function?)

[Part II]

[Intro: Elkan]
Baby girl
Baby girl
Baby girl

[Chorus: Drake & Elkan]
Baby girl
Let me see you do your dance, let me see you twirl
Shakin’ ass in the club with your homegirls
Take a pic for the ‘Gram, show the whole world (Show the whole world), yeah
Is that your bestie?
I’ma ice both of y’all like Gretzky
I’ma at you like bless me
Hit the dance floor, get nasty, impress me
Baby girl
Let me see you do your dance, let me see you twirl
Shakin’ ass in the club with your homegirls
Take a pic for the ‘Gram, show the whole world (Show the whole world), yeah
Is that your bestie?
I’ma ice both of y’all like Gretzky
I’ma at you like bless me
Hit the dance floor, get nasty, impress me

[Verse: Drake]
Ayy, how many hoes in this club?
Is it just me and you, my love?
I don’t mean to call you no ho
I just heard about the things that you do, my love
And you’re just like me, if it’s true, my love, ayy
You could see right through my love, ayy
I see your waist shrunk, my love, ayy
You got some bass in the trunk, my love, damn
How many hoes in this club?
Is it really just me, my love?
You know my dad ‘nem pimpin’ for real
You ever been down to Memphis, Tennessee, my love? Uh
I ain’t sayin’ I agree, my love
I’m just tellin’ you the things that I see, my love
I got drinks, jokes, sex, and cash
Those are four things I can guarantee, my love, ayy

[Chorus: Drake & Elkan]
Baby girl
Let me see you do your dance, let me see you twirl
Shakin’ ass in the club with your homegirls
Take a pic for the ‘Gram, show the whole world (Show the whole world), yeah
Is that your bestie?
I’ma ice both of y’all like Gretzky
I’ma at you like bless me
Hit the dance floor, get nasty, impress me
Baby girl
Let me see you do your dance, let me see you twirl
Shakin’ ass in the club with your homegirls
Take a pic for the ‘Gram, show the whole world (Show the whole world), yeah
Is that your bestie?
I’ma ice both of y’all like Gretzky
I’ma at you like bless me
Hit the dance floor, get nasty, impress me

NOKIA Lyrics Meaning

[Pre-Chorus: Drake]
The pre-chorus serves as a repetition of the phrase “Who’s callin’ my phone?” suggesting an overwhelming sense of curiosity and perhaps even irritation at the unknown callers. This repeated question creates a sense of unease and anticipation, setting the tone for the song’s exploration of relationships and emotional tension.

[Chorus: Elkan & Drake]
In the chorus, Elkan and Drake ask who’s calling their phones, listing various names like Stacy, Becky, and Keisha. This could symbolize the wide range of potential romantic interests in their lives, all while underscoring the ambiguity and fleeting nature of their relationships. The mention of “Where’s the function?” and “Send the addy” further suggests the desire to escape and find connections in a party setting, emphasizing a carefree, hedonistic lifestyle.

[Verse: Drake]
Drake’s verse takes a more introspective turn, expressing his desire for solitude while addressing a woman who may be stringing him along. His lyrics express frustration at being teased emotionally and a desire to break free from the superficiality of their interactions. The mention of “sticks in the club” and the reference to different areas of Toronto show that Drake’s connections and influence stretch far, and he reflects on the lifestyle that comes with fame, including the complexities of his relationships.

[Pre-Chorus: Drake]
The pre-chorus repeats the earlier questioning, which emphasizes the ongoing confusion and sense of intrigue surrounding the mysterious phone calls. It reinforces the theme of desire for clarity amidst a tangled web of romantic encounters and unanswered calls.

[Chorus: Elkan & Drake]
The second chorus mirrors the earlier one, reinforcing the themes of desire and ambiguity. The repetition of the names and the mention of a function highlights the search for excitement and connection. There’s a sense of longing for something deeper, yet the tone remains playful and lighthearted as they search for attention amidst a party setting.

[Part II]

[Intro: Elkan]
Elkan’s brief intro sets a playful, flirtatious tone with his repeated calls to “Baby girl,” signaling the shift toward a more intimate interaction within the song. This leads into the continuation of the upbeat and seductive narrative.

[Chorus: Drake & Elkan]
In the second part of the chorus, the repeated invitation to “do your dance” and “shakin’ ass” emphasizes the carefree, party-like atmosphere. The focus is on enjoying the moment and capturing attention on social media, adding a modern layer to the flirtation. The mention of “ice both of y’all like Gretzky” refers to a lavish lifestyle, where wealth is used to impress and captivate those around them.

[Verse: Drake]
Drake’s verse deepens the narrative with reflections on the dynamic between him and a woman in the club. His questioning of how many “hoes” are in the club reflects a sense of competition and the search for authenticity in a world full of superficial encounters. He expresses that, despite his seemingly casual approach, he recognizes the complex realities of relationships and offers a glimpse into his upbringing and lifestyle. The verse portrays Drake as someone who sees through the facades, offering both experiences of luxury and vulnerability.

[Chorus: Drake & Elkan]
The final chorus reinforces the same themes from earlier but with added intensity in the call for attention and admiration. The playful repetition and desire for connection remain central, as both artists invite their romantic interests to express themselves and enjoy the moment in a shared space. The chorus continues to reflect the theme of seeking recognition and creating a spectacle on the dance floor.

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