"Misery in Waking Hours" is a new English song by $UICIDEBOY$, released on June 14, 2024, from the album New World Depression. The track features contributions from Killa B and Ruby da Cherry, with writing credits to Aristos Petrou, Scott… Read More
Misery in Waking Hours Lyrics
- Lyrics
- Meaning
[Intro: Lara Moritz & John Hughes]
A self confessed serial killer talks exclusively to Channel 9
John Hughes admits killing a truck driver along I-29 in October of 2008
But he told me he has murdered many more people
And tonight we take you inside the mind of a serial killer
I don't think like normal people, never have
Have racing y— thoughts
It's been that way, since I was a kid
I'm constantly doesn't matter if I'm asleep or if I'm awake
I'm constantly thinkin' of a hundred things at one time
(You did good, $lick)
(It's a smash)
Okay, okay, okay
[Refrain: Killa B]
Bitches on my dick, 'cause they know, this shit is thick
And niggas in the mental, fatal shots to the temple
Bitches on my dick, 'cause they know, this shit is thick
And niggas in the mental, fatal shots to the temple
[Chorus: $crim]
Yeah, got me fucked up (Okay, okay, okay)
Yeah, got me fucked up (Yeah, yeah)
Ayy, got me fucked up (Okay, okay)
Yeah, ayy, yeah
[Verse 1: $crim]
Money what I'm 'bout (Wetto)
Too much cash to count (Brr)
Keep that bitch outside, ain't no hoes up in my house (Hahaha)
Smokin' out the ounce, uh
I'm watchin' recession (Yeah)
My bitch want affection, but I'm busy cleanin' weapons (Brr)
Pick up white trash, rolls presidential
I can't trust no mans, so me drivin' is essential (Skrrt)
Sippin' on some potion (Yeah)
I got no emotions (Nah)
Sold my opp a pack, now his dog is what he's smokin'
Since I was a youngin' I been moving like a MAC (Okay)
Fucking up a sac
Daddy smokin' crack (Let's get it)
By sixteen, I was pimpin', fuckin' bitches back to back (Let's get it)
Ben was with me in the trap, told me, "Rap and don't look back" (Let's get it, let's get it, let's get it, get it, get it)
Wish my dog was here, so I can give him every plaque (Every plaque)
Hope he lookin' down with me counting every rack (Every rack)
This shit deeper than rap, mane this shit deeper than labels (Let's get it)
Kids eatin' dinner with no father at the table (Let's get it)
Gotta keep it stable (Let's get it)
Gotta keep it pushin' (Let's get it)
Them hoes, they got me fucked up, think I'm worried 'bout pussy
Right here where I should be (North)
Eastern B-L-O-C (Grey)
Grey *59 stayed F-U-C-K-E-D to the U-P
[Refrain: Killa B]
Bitches on my dick, 'cause they know, this shit is thick
And niggas in the mental, fatal shots to the temple
Bitches on my dick, 'cause they know, this shit is thick
And niggas in the mental, fatal shots to the temple
[Chorus: Ruby da Cherry]
Yeah, got me fucked up (Got me fucked up)
Yeah, got me fucked up (Ayy)
Yeah, got me fucked up
Got me fucked up (Fucked up)
Bitch, you got me fucked up
[Verse 2: Ruby da Cherry]
Six feet under ground, yeah, but I can go deeper
Always got my heater, raise the temp like I'm fighting off a fever
Sleep with one eye open, always winking at the reaper
Used to get so high, they found me aimlessly floatin' up in the ether
Ruby, bring the phonk
Movin' shadows when the night fall (Yeah)
Fuck, this shit is bunk, feel like I'm snortin' Chinese drywall
Play it smooth like a baby, make his bitch think that I might crawl
AMG Mercedes got the bark like it'll bite y'all
Shinin' so hard, I'm turnin' tunnels into bright halls (Shit)
Blacklisted, spray my name in red up on the white wall
Eyeballs all on me, man, I hate this fuckin' fame shit
Caught in broad daylight, fuck, it's too late, I can't shape shift (No)
Always lookin' down, they think that Ruby need a facelift
Everyday I send out doppelgangers in the same fit (Huh?)
Get the fuck away from me
Leave me the fuck alone
All of the credit I get is a lie, the whole time it was one of my clones (It was)
They say they got beef, but they chewin' up beyond meat (Beef, fuck off)
How these suckers think they on my level is beyond me
Boy, go get your bread up, shred some lettuce on that Bánh mì (Yeah, yeah)
Tryna tempt me with her honey, obvy, bitch, you got the wrong bee (Okay)
[Chorus: Ruby da Cherry & $crim, Ruby da Cherry]
Yeah, got me fucked up (Got me fucked up)
Yeah, got me fucked up (Ayy)
Yeah, got me fucked up
Got me fucked up
Bitch, you got me fucked up
[Intro: Lara Moritz & John Hughes] The intro establishes a theme of psychological instability, setting the stage for the song’s exploration of mental distress and existential questioning. It introduces the listener to a narrative of a serial killer’s mindset, reflecting a deeper psychological torment that parallels the song’s broader themes.
[Refrain: Killa B] The refrain underscores a sense of confidence and dominance, with the repetition of being "fucked up" signaling a state of being overwhelmed or intoxicated. It contrasts the surface-level bravado with the underlying despair and turmoil explored in the rest of the song.
[Chorus: $crim] The chorus captures the recurring theme of feeling overwhelmed and disconnected. The repetition of "got me fucked up" emphasizes a persistent state of confusion and emotional numbness, reinforcing the song’s exploration of the darker aspects of fame and personal struggle.
[Verse 1: $crim] $crim’s verse paints a vivid picture of his lifestyle, focusing on the superficial aspects of wealth and success while juxtaposing them with underlying issues of emotional detachment and substance abuse. His narrative reveals a conflicted persona, grappling with the demands of his public image and personal demons.
[Refrain: Killa B] The repeated refrain reinforces the idea of being overwhelmed by external and internal pressures, emphasizing the recurring theme of disillusionment and mental struggle.
[Chorus: Ruby da Cherry] Ruby da Cherry’s chorus reiterates the feeling of being "fucked up," adding another layer to the theme of existential confusion and emotional distress. It conveys a sense of frustration and disorientation that permeates the song.
[Verse 2: Ruby da Cherry] Ruby da Cherry’s verse explores themes of paranoia, fame, and the duality of his public persona versus his private struggles. The imagery of living underground and dealing with the pressures of fame reflects a sense of being trapped in a constant state of turmoil and self-reliance. His references to substance use and the superficial nature of fame illustrate the hollow aspects of his lifestyle.
[Chorus: Ruby da Cherry & $crim] The final chorus combines Ruby da Cherry and $crim’s perspectives, intensifying the recurring theme of being overwhelmed and disconnected. It encapsulates the song’s exploration of the internal and external conflicts faced by individuals living in a high-pressure, hedonistic environment.
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About Song
"Misery in Waking Hours" is a new English song by $UICIDEBOY$, released on June 14, 2024, from the album New World Depression. The track features contributions from Killa B and Ruby da Cherry, with writing credits to Aristos Petrou, Scott Arceneaux Jr., Sam Bo Bachrack, KXVI, and Cutxroat. The production is handled by Budd Dwyer, Sam Bo Bachrack, KXVI, and Cutxroat. The song is published on the $uicideboy$ YouTube channel, aligning with the group's signature dark and gritty aesthetic.
The song delves into themes of mental anguish, existential dread, and the struggles associated with fame and substance abuse. It juxtaposes a detached, almost nihilistic view of life with moments of personal reflection and emotional turmoil. The lyrics explore the impact of living in a high-stakes, hedonistic environment, where the pursuit of wealth and status clashes with inner suffering and a sense of disconnection from reality.
Credits
New World Depression Songs
Misery in Waking Hours Official Video
FAQs
The "Misery in Waking Hours" song is sung by $UICIDEBOY$.
The "Misery in Waking Hours" song by $UICIDEBOY$ lyrics was written by Aristos Petrou, Scott Arceneaux Jr., Sam Bo Bachrack, KXVI & Cutxroat.
The "Misery in Waking Hours" song by $UICIDEBOY$ was produced by Budd Dwyer, Sam Bo Bachrack, KXVI & Cutxroat.
$UICIDEBOY$ released "Misery in Waking Hours" song on Jun 14, 2024.
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