LiveLeak Lyrics – Ken Carson

LiveLeak Lyrics by Ken Carson is a new english song by Ken Carson, released on Ken Carson’s official YouTube channel. Written by Ken Carson, ​skai, Gab3, Noah Mejia, and Kavi (Producer), and produced by ​skai, Gab3, Noah Mejia, and Kavi (Producer), the track is part of the album More Chaos. The song delivers a chaotic and high-energy experience, blending Ken Carson’s signature rage-infused style with an experimental sonic palette that complements the lyrical bravado and intensity.

This two-part song channels themes of recklessness, materialism, street influence, and emotional detachment, all wrapped in a hyper-aggressive tone. In Part I, Ken Carson flexes wealth, danger, and fame while maintaining a detached, thrill-seeking persona. He intertwines imagery of violence, fame, addiction, and lavishness, creating a world where chaos is the norm. Part II shifts slightly, adding sharper commentary on power and identity while continuing the narrative of dominance and danger. Across both parts, Ken Carson uses stream-of-consciousness delivery, adrenaline-pumping visuals, and dark humor to depict his lifestyle.

LiveLeak Details

LiveLeak Lyrics

[Part I]

[Chorus]
Huh, huh, huh, huh, huh, huh
Huh, huh, huh, huh, huh, huh, huh, ha
Ha, ha, ha, ha, ha, ha, ha, ha
Ha, ha, ha, ha, ha, ha, ha, ha

[Verse]
I don’t need no DJ to turn me up, lil’ bitch, I got it
Pull out the coupe, no mileage (Huh)
Maybach truck, hydraulics (Huh-huh)
My bitch do narcotics, yeah, my bitch love them drugs
Rockstar ho, everybody say she weird, I’m tryna get next to her
I ain’t nothin’ like them other niggas, I’ma give the best to ya
Try to slide in that hooptie, you gon’ pull off in a stretcher, yeah
I don’t smoke no LooseLeaf, bitch, this Grabba in my paper
My niggas push up all black, yeah, like Darth Vader
Mask up, bitch, swing yo’ blick, do whatever to get that paper
My bitch on whatever I’m on, she like Tomb Raider
Baguettes and pointer stones on, bitch, I’m too paid
Got a bitch who’ll fuck whoever in this room, she tryna get laid
Yeah, she go both ways
I’m in this bitch off Oxycontin
Bitch, I’m too rich, you can’t tell me nothin’
Bodies drop just like a bail or somethin’
Puttin’ money on your head or tail
Flip a coin, it went straight in the air, went down the wishing well
You was gon’ die regardless, bitch
Flip her, this a Jeff Hardy stick
Flip her, I’m fuckin’ a stripper
She want me to tip her, she know that I’m havin’, yeah
Know some niggas that’ll pull up, catch a body, then pull off laughin’, yeah
The area, yeah, she got her ass in there
My bag, yeah, I got the cash in here
Swag, yeah, I’m freestylin’ this shit
Make a O, I’m ’bout to jump in the pit
The bullets hot, yeah, you know how it get
Pussy shoulda made it ‘cross the fence
Niggas be doin’ fake drugs, that ain’t no Percocet, boy, that’s Fent’
I’ma get rich without tryin’ even if I get shot nine times like 50 Cent
I’m VL5 in this bitch, she ’bout to ride on this dick
I’ve been off Earth, ain’t nobody liver than this
I’ve been off Earth, ain’t nobody liver than this
Ain’t nobody liver than this, ain’t nobody liver than this

[Chorus]
Huh, huh, huh, huh, huh, huh
Huh, huh, huh, huh, huh, huh, huh, ha
Ha, ha, ha, ha, ha, ha, ha, ha
Ha, ha, ha, ha, ha, ha, ha, ha

[Part II]

[Intro]
Yeah

[Verse]
All this money comin’ in and out like a bank
No Andrew Jackson’s, only Ben Franks
Bitch, I’m in the field like Call of Duty, tryna up my rank
Don’t matter what cologne you put on, my partner gon’ leave you stank
I’m on ten, my adrenaline pumpin’, yeah, just like crank
My diamonds punchin’, yeah, my diamonds punchin’, yeah, just like Tank
I’m way too high, she asking me to cum, huh, but I can’t
I’m fuckin’ on your bitch, I’m goin’ dumb
He thought she was a saint, but she not
V-A-M-P-I-R-E, I’m a vampire
V-A-M-P-I-R-E, yeah, I got this bitch vamped out
She ain’t had no tattoos, now she got a tramp stamp, huh, with my name on it, yeah
That ain’t my bitch if you ain’t see my chains on her
I trap and do deals, same line, same phone, yeah
Opium my gang, somebody call Tyrone, they tryna clone us
I’m from ATL, my name ring bells, from Zone 6 to Zone 1
I’m not Drake, I’m not Future, but I’m on one
They upped that Drac’, yeah, end his future, he thought he was on somethin’
Shawty havin’ cake

LiveLeak Lyrics Meaning

[Part I]

[Chorus]
The repeated chants of “huh” and “ha” at the start serve as a percussive, almost hypnotic refrain that sets the chaotic tone of the track. It’s less about lyrical content and more about creating an overwhelming, frenzied atmosphere. Ken Carson uses these sounds to simulate the intensity and erratic energy that will follow throughout the song, foreshadowing the manic content to come.

[Verse]
Ken Carson opens with defiance, boasting that he doesn’t need external validation like a DJ to get hyped—his energy is self-sustaining. He paints a vivid image of excess, from high-end cars with hydraulics to a partner who indulges in narcotics. The verse delves into his rockstar lifestyle, punctuated by dark humor and violence, as he talks about shootouts, drug use, and unpredictable behavior. Lines about dodging fake drugs and referencing icons like Jeff Hardy and 50 Cent reinforce themes of resilience and dangerous living. Ken uses raw, unfiltered language to depict a life of excess, adrenaline, and hardened emotion, contrasting flashy visuals with the grim reality behind them. His references to VL5 and being “off Earth” suggest a complete departure from conventional norms—he exists in his own chaotic world where traditional rules don’t apply.

[Chorus]
The second chorus repeats the earlier chants, reinforcing the erratic and trance-like vibe that underpins Part I. It acts as a sonic boundary between sections, anchoring the listener back into the song’s disorienting energy after a dense lyrical storm.

[Part II]

[Intro]
The simple “Yeah” that kicks off Part II transitions the song into a new phase while retaining the same aggressive tone. It functions as a verbal exhale, a signal that something new is coming but still within the same chaotic universe.

[Verse]
Ken Carson opens the second part with imagery of endless money flow, comparing his lifestyle to a bank. He dismisses lower-value currency and asserts dominance in the field like a player in Call of Duty, referencing rank and warfare to highlight constant conflict and competition. The verse spirals into surreal intensity—he flexes expensive jewelry, detached sexuality, and drug-induced dissociation. The vampire metaphor returns, signifying both aesthetic and emotional detachment, as he turns women into vamped-out extensions of himself. There’s a clear identity statement here: Ken isn’t imitating anyone; he’s asserting his individuality through symbols of control, fame, and danger. Name-drops like Opium and mentions of Atlanta’s zones root him in his label and hometown pride, while also distinguishing himself from peers like Drake or Future. He emphasizes originality and the threat of violence toward those who mimic his style, ending on a note of raw, almost nihilistic dominance.

LiveLeak Official Video

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