ILMB Lyrics – Sheck Wes ft Travis Scott

ILMB Lyrics by Sheck Wes is a new english song by Sheck Wes, featuring Travis Scott. The song is released on Sheck Wes’s official YouTube channel, written by Sheck Wes, Travis Scott & AM (Producer), and produced by AM (Producer). Delivering a raw and emotionally complex performance, the track offers listeners a bold and conflicted look into love, loyalty, and fame, all wrapped in an atmospheric, trap-influenced production.

The song explores the tangled emotions that come with love and fame, particularly when two people experience relationships from different emotional standpoints. Repeated affirmations of “I love my bitch” evolve from passion to confusion, frustration, and even disillusionment, illustrating how love can become unstable under pressure. Sheck Wes reflects on loyalty, loss, and the emotional burdens of success, while Travis Scott adds a lavish, chaotic perspective rooted in the high life. The lyrics paint a vivid picture of complicated love dynamics—filled with longing, contradictions, and emotional turbulence.

ILMB Details

Song	ILMB
Artists	Sheck Wes
Featuring Artists	Travis Scott
Written By	Sheck Wes, Travis Scott & AM (Producer)
Produced By	AM (Producer)
Label	Sheck Wes
Language	English
Released Date	Apr 9, 2025

ILMB Lyrics

[Chorus: Sheck Wes]
I love my bitch (Yeah)
I love my bitch, I love my bitch, I love my bitch, I love my bitch (Yeah)
But we don’t look at love the same (Bitch)
I love my bitch (I love my bitch)
But do we look at love the same? (No)
I love my bitch (I love my bitch)
But we don’t look at love the same

[Verse 1: Sheck Wes]
She say I’m nonchalant (Nonchalant)
I don’t care now that I changed
You the one I want (You the one I want)
You ain’t gotta call me names
I ain’t gotta front, I got a gang of hoes like Flavor Flav (Yeah)
I ain’t got my gun, my gangster bitch tote one every day (Bitch)
She roll up my blunts, heat up my meals, and watch me play 2K (Yeah)
She so in love (Woah), say anything like nowadays (Yeah)

[Chorus: Sheck Wes]
I love my bitch (Bitch)
But do we look at love the same?
I love my bitch (I love my bitch)
I love my bitch (I love my bitch)
I love my bitch, I love my bitch, I love my bitch, I— (Yeah, bitch)

[Verse 2: Sheck Wes]
Who’s by my side when I was on my lonely?
Who’s on my side when I ain’t see the homies?
Long live Gigi, long live Kobe
Gotta listen Chief Keef, I can’t love no thotties (Yeah)
You be lovin’ thotties that be ******* everybody
Got a couple thotties poppin’ pussy in the party (Bitch)
I be in the party getting higher than Bob Marley (Bitch)
I’ll buy you a G-class, you buy me a ‘Rari
I need me a rich bitch, sponsor me (Come sponsor me)
Fallin’ out of love, gon’ be a tragedy (Yeah)

[Chorus: Sheck Wes & Travis Scott]
I love my bitch (I love my bitch)
But she get up on my nerves (Yeah)
I love my bitch (I love my bitch)
I love her swag, I love her curves (Yeah)
I love my bitch (I love my bitch)
She’s never feelin’ insecure (I love her)
I love my bitch (Yeah)
She love me back, I swear, I’m sure
Like, I love my bitch (I love my bitch)
I love my bitch (I love my bitch)
I love my bitch, I love my bitch, I love my bitch (Yeah, yeah)
I love my bitch (Bitch), I love my bitch (Yeah)

[Verse 3: Travis Scott & Sheck Wes]
And she give me all the love
Snuck Lil Uzi Vert (Woo) and her purse right in the club
Said, “I love you” first (Huh?), she said, “Only in God I trust”
To make the matters worse, I left them hundreds, fifties in them duff’
I asked a lot and still you know my AP bitches keep the stuff (Ah, mm)
One thick like Georgia cause’ she moved to NY, think she know ’bout ‘roughs (Mm)
Ask me about Brazil, thirty thousand, bitch, come get a dub, please (Mm)
New in the town, my bitch, she brought some bitches bad as us
Shoutout to College Town, who got sorority baddies down to rush
We took the hotel down, filled up with every baddie that I love (Oww)
She poppin’ and tweakin’, we listen, don’t judge
I used to have my bitch (Yeah), then I left my bitch or my bitch left me (Ya dig?)
I’m gettin’ too Boston Richey, can somebody help me? (Fuck)
The way I’m ballin’ out at Oscar, need an ESPY (Bitch)
I think I love my bitch, I love my bitch, like yeah (Yeah, mm)

[Chorus: Sheck Wes]
I love my bitch (I love my bitch; yeah, bitch)
I love my bitch, I love my bitch, I love my bitch, I love my bitch (Yeah, bitch)
But we don’t look at love the same (Bitch)
I love my bitch (I love my bitch)
But do we look at love the same? (No)
I love my bitch (I love my bitch)
But the love, I swear, ain’t changed (Yeah)
I love my bitch (I love my bitch)
But she switched up for the fame
I love my bitch (I love my bitch)
But I’m too real and she too fake
I love my bitch, I love my bitch, I love my bitch, I love my bitch (Like yeah, bitch)
I love my bitch (Yeah, bitch)

[Outro: Sheck Wes]
(Oww) I love my bitch
But do we look at love—?

ILMB Lyrics Meaning

[Chorus: Sheck Wes]
Sheck Wes opens with a passionate, repetitive declaration of love, but immediately questions if the feelings are mutual. The contrast between loving someone deeply and realizing they might not perceive love the same way introduces the core tension of the song. The word “bitch,” while provocative, is used here as a term of endearment, layered with raw emotional energy. This repetition emphasizes obsession, emotional confusion, and the inability to let go, even when love is unbalanced.

[Verse 1: Sheck Wes]
In the first verse, Sheck Wes offers more insight into the disconnect between him and his partner. She accuses him of being emotionally distant, yet he insists she’s the one he truly wants. Despite his claim, he brags about having multiple women, creating a contradiction that mirrors his confusion about love. His partner is depicted as both nurturing and tough, embodying the complexities of a ride-or-die figure, but the relationship is built on shaky ground—intimacy, loyalty, and ego all clashing.

[Chorus: Sheck Wes]
Revisiting the chorus reaffirms the internal struggle—he continues to proclaim his love but is haunted by the lack of emotional reciprocity. The line repetition now carries more tension, suggesting obsession over something slipping away or already lost. The emotional push-pull builds the sense that the relationship is spiraling into dysfunction.

[Verse 2: Sheck Wes]
Here, Sheck Wes reflects on who stood by him during tough times, emphasizing loyalty as a core value. He mourns lost friends (“Long live Gigi, long live Kobe”), adds commentary on faithfulness, and criticizes those who fall for untrustworthy partners. The mix of emotional introspection and braggadocio about wealth, parties, and materialism highlights the conflicting pressures of fame—seeking real love while living in a world of temptation and shallow encounters.

[Chorus: Sheck Wes & Travis Scott]
With Travis Scott joining, the chorus takes on a more melodic and expansive tone. There’s a mix of admiration and irritation—Sheck loves everything about her, from her looks to her loyalty, but acknowledges the friction. Travis adds an almost dreamlike contrast, showing affection mixed with weariness. The duet creates a fuller picture of modern relationships strained by fame, image, and differing expectations.

[Verse 3: Travis Scott & Sheck Wes]
Travis Scott’s verse dives into luxury, chaos, and emotional complexity. He shares moments of intimacy—like hiding drugs in a purse—alongside boasts of wealth and wild experiences. There’s a sense of detachment even in moments of affection. References to cities, women, and money are peppered with vulnerability as he admits his past failures in love. The verse mirrors Sheck’s turmoil, reinforcing how even those at the top face the same emotional contradictions. Travis blends reckless energy with raw honesty, making the verse both exhilarating and tragic.

[Chorus: Sheck Wes]
The final chorus hits with a deeper sense of betrayal and loss. Though Sheck still professes love, he notes how fame has changed his partner. He accuses her of fakeness and contrasts it with his own authenticity. The love is still there, but now it’s mixed with pain, bitterness, and disillusionment. The repeated lines now feel like a mantra for someone trying to hold on to something already gone.

[Outro: Sheck Wes]
The outro closes with one last echo of the central question: do they even see love the same way? It leaves the listener hanging in unresolved emotion, fitting for a song rooted in romantic ambiguity, vulnerability, and the emotional toll of fame.

ILMB Official Video

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