END CREDITS Lyrics by Daylyt is a new english song by Daylyt. The track is released on IAMDAYLYT2k’s official YouTube channel, written and produced by Daylyt, and it is not currently part of an album. This powerful standalone release offers listeners a densely layered, introspective experience that showcases Daylyt’s lyrical genius, sociopolitical insight, and unfiltered emotion. With no featured artists, “END CREDITS” is a deeply personal manifesto and a bold statement about the past, present, and future of hip-hop culture.
The central theme of “END CREDITS” revolves around Daylyt’s journey as an underdog lyricist, navigating industry politics, cultural gatekeeping, and personal struggles. Through vivid storytelling and sharp metaphors, he critiques the rap game’s obsession with clout and violence while championing conscious rap and artistic authenticity. The song doubles as a tribute to fellow artists, a call for unity in hip-hop, and a philosophical commentary on race, legacy, and media manipulation. Daylyt seamlessly blends raw memories with larger societal critiques, creating a lyrical essay that demands replay and reflection.
END CREDITS Details
| Song | END CREDITS |
|---|---|
| Artists | Daylyt |
| Written By | Daylyt |
| Produced By | Daylyt |
| Label | IAMDAYLYT2k |
| Language | English |
| Released Date | May 22, 2025 |
END CREDITS Lyrics
[Verse]
I ain’t just poppin’ my chest
I did my a lot to get my spot in the best
Me and Dot got somethin’ in common
We ain’t pop in the west
We went east to feast for years
Before the city would back us
It was hard for the skill to lay niggas to really get traction
Close homies gave us the crooked eye for rapping with pain
Conscious rap, they shut the door if you ain’t snatchin’ a chain
It affected us
Dot, I can’t forget when they was neglectin’ us
They said we’ll never make it now look who protectin’ us
It’s the West Coast bodyguard
Physical pass, show my body scars
Been through every barrel with a hundred raps
Back when it was one shot kill, wasn’t no “Run it back”
Barbershops, corner stores, miss a word and you done, in fact
Just spit superb, tell your homies quiet down to rip a nerve
Before I met Soul, I made you niggas heard
Resident Evil, pleasant with people
Time to snap like a schizo without a pill
Let’s head to the sequel
Now this the night at The Apollo as I swallow your career whole
Dear Cole, tell ’em what I did in the studio
Three hundred tracks in two days, I’ll for sure pop
Came out the booth, the whole room said
“He not like us” that was before Dot
A human I’m for sure not
Human got me in tunnel vision, writing in sin
I blacked out this whole ride, you see it’s light at the end, huh
Lux was a tough decision, I fuck with it
Fuck your disses, it’s up so we up the switches
Which it stands, one man left on a hill
It’s Quill, I’m here
Killer clown, huh
Thinking that he it, oh, it’s deaf, you hear me now
Nope, show me a quote that stuck from one of them records
Flow and pocket, nice voice
Dope beat selection (For real), I see you
Low in the spot that get you added to goats
This the talent I boast, you salad with goat dreads
Gin and Juice but no beach cruisin’
This Dre and Snoop on a boat head
A deli slide, all light there equal to zero
It all comes around to the bread when they thinking they heroes
I chop cheesy thoughts, your sleazy cloth come from a rinse rag, I’ll wash you easy
Ruthless, my plot beneath me
Proofread goofy, time to get spooky
See what son about
Light still outside, they runnin’ out, huh
Homes got ghosts, it ain’t a haunted house
What y’all debatin’? All the bait I gave you for conversation
Karma bacon, they hate shade throwing but stalling Ray Bands
Glasses, all these niggas like black and they flow mulatto, caramelization
Brooklyn clown underground laid Harlem shakin’ (Ayo)
Double-barrel aim, I won’t spare a name
There the game go back in it’s place
I thank you, Joey
Grateful for this space you created
AZ, King, Ray, Coyotes, Lit Papi, K-Boy
On Hitta, we did that
Jag, we did that
Slid on niggas with box and hard raps
Big smoke, this the cigar pack
Put hands and feet on niggas, Seagal’s back
Can’t cop out now, we set a hard trap
I’m in it for the long run
I’m Michael Johnson, boy got aid
Oh, he was Magic Johnson
Son a bitch, 6ix9ine had y’all tucked in a ditch (for real)
The NY sound was up for the fishes
The Ruler’s back, oh, you the man, Joey (Joey)
Today I crown you the King of New York for taking that stand, Joey
You really took the fade with all of us, a brave man
NY-made man, it’s just immortal when your grave land
Big stepper, figured they needed this
Oh, this feeling they deleted this
Elite exist in ways hoping that we delete
They feed the streets low bar rappin’
So we don’t tap into that four forethought
They double speaking right in front of us
Of course we all fought for every hood story
Paid in Full, Menace II Society, Boyz-n-the-Hood
The play will pull the mind, right in Jersey Drive
I’m still whippin’ them without dissin’
Kids listen, this is just my real mission
Came to the game to show you the real vision
Marvelous, gargle us, brainwashing lane
They got us in plain sight staining each other
When we should be hanging together
East Coast versus the West Coast, the Klan got they own post
And we ain’t want no smoke
None of us, shouts to Khalil Muhammad
This shit is bigger than rhyming, I promise
Land where we walking to Malcolm, Martin
With all our crews, Trayvon Martin, STEEZ, you marchin’ too
I figure we call the truth then we all inclusive, let ’em analyze
Made up story, gave us glory, this what they worried ’bout
I tricked them with the beat play
And now we on a sweepstake
Dummy balling filet mignon, three plates
The reactors’ll replay, we dropped so much shit
They gon’ be weeks late
Infinity War take for the street play
Had shit for the rappers and the DJ, a new case
People living in shacks, had to screw face
I see y’all, thank you, I love you
All of the bloggers balling, calling each other
All of the podcasters mobbin’ for supper
All off our hard work, look how God work
We fed the streets when they needed that the most
And we can boast about this shit for a lifetime
Aye, Dee-1, that’s Christ time
God said Lyt shine, I’m made to do it
No slave to who is in charge, I engrave the ruin
Something new in the book of Hip-Hop
Set the stage, I promise a new day
The age of the consciousness, Jamar, I got us
Lit with they devastation
I mastered all my crazy thoughts with sensory deprivation
Took mountain heights through pyramids
I learned how to blink or two
History comes as text format
You see what ink’ll do, right, right
Gun spree on decrease
We did it all without them bleeding the streets
We did it all without us feeding they beast
We put our feet in the seats
So the plans they had to dumb us down and summer now
The sun still set in the east, it’s Lyt
END CREDITS Lyrics Meaning
[Verse]
In this extended verse, Daylyt begins by confronting the sacrifices he’s made to gain respect as a lyricist. He draws parallels with Kendrick Lamar (“Dot”), expressing how both had to leave their West Coast roots to be acknowledged, due to the local scene’s resistance to conscious rap. This opening frames his frustration with a system that only embraced lyrical rap after it had already proven itself elsewhere. He remembers being judged for rapping with emotion rather than bravado and reflects on the impact of that rejection—both emotionally and artistically.
He recounts navigating tough environments like barbershops and corner stores, where lyrical excellence was demanded without mercy. Daylyt describes his rise through raw talent and persistence, nodding to encounters with figures like Ab-Soul (“Soul”) and referencing pop culture like Resident Evil to reflect the chaos of his climb. A highlight is his address to J. Cole, recalling a marathon studio session that proved his superhuman work ethic. His alienation is underlined when the room labels him as different—even “not like us”—before Kendrick’s breakthrough validated their shared style.
The verse evolves into a dense, multi-layered manifesto. Daylyt proclaims himself more than human, suffering tunnel vision in pursuit of higher purpose. He cryptically mentions his battle with Loaded Lux and dismisses superficial diss tracks while declaring his artistic superiority through wordplay, flow, and beat selection. There’s a shift into high gear as he critiques mainstream rap and celebrates collaborations with fellow underground talents like Joey, Jag, and AZ. His references to action figures, classic films (Boyz-n-the-Hood, Menace II Society), and hip-hop history root his message in cultural legacy.
Later, the verse broadens into commentary on systemic manipulation within the music industry and society. Daylyt critiques East vs. West narratives as distractions fueled by deeper racial tensions, referencing Trayvon Martin, Malcolm X, and Martin Luther King Jr. to highlight a shared struggle. He cleverly uses spiritual and historical metaphors to urge unity over division. The verse ends with affirmations of gratitude and recognition for artists, bloggers, and podcasters who’ve uplifted his message.
Finally, Daylyt shifts from criticism to vision—declaring a new age of conscious rap. He references sensory deprivation, pyramids, and sacred texts to imply spiritual awakening and a reclamation of narrative power. He celebrates elevating hip-hop without feeding into violence or industry exploitation, marking “END CREDITS” not as an end, but as a dawn of purpose-driven artistry.
END CREDITS Official Video
FAQs
The "END CREDITS" song is sung by Daylyt.
The "END CREDITS" song by Daylyt lyrics was written by Daylyt.
The "END CREDITS" song by Daylyt was produced by Daylyt.
Daylyt released "END CREDITS" song on May 22, 2025.
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